In these powerful, often funny, sometimes lyrical, and down-to-earth poems, Marge Piercy writes of her “crooked inheritance”—physical and personality traits from wildly mismatched parents, and in a larger sense the marvelous half-broken world we inherit. Even her hometown Detroit provides a double legacy—a slum girlhood that breeds in her both wild ambition and, where you would least expect it, a love of nature, which she discovers in the city’s elms, “the thing of beauty on grimy smoke-bleared streets.” Some of Piercy’s strongest poems have always been political, and here are important new verses raging against the war in Iraq, the abandonment of Katrina’s victims (“People penned to die in our instant / concentration camps, just add water”), and the ongoing attempts to suppress women—their rights, their bodies, their minds, their very “The CIA should hire as spies / only women over fifty, because we are the truly invisible.” Other poems are about her life on Cape Cod, where she finds sanctuary in the long natural rhythms of the year’s cycle—gardening, making pesto, hearing coyotes in the winter “yelping in chorus after a kill,” a place where after weeks of rain and snow, the “sun gives birth to rosebushes,” and “everything revealed is magical, splendid in its ordinary shining.” Here, too, are wonderful love songs, about friends, lovers, a beautiful day, animals, making bread. Deep connections to Jewish life and ritual reveal themselves in poems about her Lithuanian grandmother, about holidays, about the peace in a time of war that ceremony can bring, “an evening of honey on the tongue . . . a puddle of amber light . . . faces of friends . . . darkness walling off the room from what lies outside.” These marvelous poems remind us anew of the breadth and strength of Marge Piercy’s poetic vision. A superb collection to read and treasure.
Author
Marge Piercy is an American poet, novelist, and social activist. She is the author of the New York Times bestseller Gone to Soldiers, a sweeping historical novel set during World War II. Piercy was born in Detroit, Michigan, to a family deeply affected by the Great Depression. She was the first in her family to attend college, studying at the University of Michigan. Winning a Hopwood Award for Poetry and Fiction (1957) enabled her to finish college and spend some time in France, and her formal schooling ended with an M.A. from Northwestern University. Her first book of poems, Breaking Camp, was published in 1968. An indifferent student in her early years, Piercy developed a love of books when she came down with rheumatic fever in her mid-childhood and could do little but read. "It taught me that there's a different world there, that there were all these horizons that were quite different from what I could see," she said in a 1984 interview. As of 2013, she is author of seventeen volumes of poems, among them The Moon is Always Female (1980, considered a feminist classic) and The Art of Blessing the Day (1999), as well as fifteen novels, one play (The Last White Class, co-authored with her third and current husband Ira Wood), one collection of essays (Parti-colored Blocks for a Quilt), one non-fiction book, and one memoir. Her novels and poetry often focus on feminist or social concerns, although her settings vary. While Body of Glass (published in the US as He, She and It) is a science fiction novel that won the Arthur C. Clarke Award, City of Darkness, City of Light is set during the French Revolution. Other of her novels, such as Summer People and The Longings of Women are set during the modern day. All of her books share a focus on women's lives. Woman on the Edge of Time (1976) mixes a time travel story with issues of social justice, feminism, and the treatment of the mentally ill. This novel is considered a classic of utopian "speculative" science fiction as well as a feminist classic. William Gibson has credited Woman on the Edge of Time as the birthplace of Cyberpunk. Piercy tells this in an introduction to Body of Glass. Body of Glass (He, She and It) (1991) postulates an environmentally ruined world dominated by sprawling mega-cities and a futuristic version of the Internet, through which Piercy weaves elements of Jewish mysticism and the legend of the Golem, although a key story element is the main character's attempts to regain custody of her young son. Many of Piercy's novels tell their stories from the viewpoints of multiple characters, often including a first-person voice among numerous third-person narratives. Her World War II historical novel, Gone To Soldiers (1987) follows the lives of nine major characters in the United States, Europe and Asia. The first-person account in Gone To Soldiers is the diary of French teenager Jacqueline Levy-Monot, who is also followed in a third-person account after her capture by the Nazis. Piercy's poetry tends to be highly personal free verse and often addresses the same concern with feminist and social issues. Her work shows commitment to the dream of social change (what she might call, in Judaic terms, tikkun olam, or the repair of the world), rooted in story, the wheel of the Jewish year, and a range of landscapes and settings. She lives in Wellfleet on Cape Cod, Massachusetts with her husband, Ira Wood. (from Wikipedia)
