A remarkable late-in-life collection, elegiac and bracing, from master poet Jack Gilbert, whose Refusing Heaven captivated the poetry world and won the National Book Critics Circle Award as well as the Los Angeles Times Book Prize. In these characteristically bold and nuanced poems, Gilbert looks back at the passions of a life—the women, and his memories of all the stages of love; the places (Paris, Greece, Pittsburgh); the mysterious and lonely offices of poetry itself. We get illuminating glimpses of the poet’s background and childhood, in poems like “Going Home” (his mother the daughter of sharecroppers, his father the black sheep in a family of rich Virginia merchants) and “Summer at Blue Creek, North Carolina,” a classic scene of pulling water from the well, sounding the depths. The title of the collection is drawn from the startling “Ovid in Tears,” in which the poet figure has fallen and is carried out, muttering “White stone in the white sunlight . . . Both the melody / and the symphony. The imperfect dancing / in the beautiful dance. The dance most of all.” Gilbert reminds us that there is beauty to be celebrated in the imperfect—“a worth / to the unshapely our sweet mind founders on”—and at the same time there is “the harrowing by mortality.” Yet, without fail, he embraces the state of grief and loss as part of the dance. The culmination of a career spanning more than half a century of American poetry, The Dance Most of All is a book to celebrate and to read again and again.
Author
Born and raised in Pittsburgh, Pennsylvania, U.S.'s neighborhood of East Liberty, he attended Peabody High School then worked as a door-to-door salesman, an exterminator, and a steelworker. He graduated from the University of Pittsburgh, where he and his classmate Gerald Stern developed a serious interest in poetry and writing. His work is distinguished by simple lyricism and straightforward clarity of tone. Though his first book of poetry (Views of Jeopardy, 1962) was quickly recognized and Gilbert himself made into something of a media darling, he retreated from his earlier activity in the San Francisco poetry scene (where he participated in Jack Spicer's Poetry as Magic workshop) and moved to Europe, touring from country to country while living on a Guggenheim Fellowship. Nearly the whole of his career after the publication of his first book of poetry is marked by what he has described in interviews as a self-imposed isolation—which some have considered to be a spiritual quest to describe his alienation from mainstream American culture, and others have dismissed as little more than an extended period as a "professional houseguest" living off of wealthy American literary admirers. Subsequent books of poetry have been few and far between. He continued to write, however, and between books has occasionally contributed to The American Poetry Review, Genesis West, The Quarterly, Poetry, Ironwood, The Kenyon Review, and The New Yorker. He was a close friend of the poet Linda Gregg who was once his student and to whom he was married for six years. He was also married to Michiko Nogami (a language instructor based in San Francisco, now deceased, about whom he has written many of his poems). He was also in a significant long term relationship with the Beat poet Laura Ulewicz during the fifties in San Francisco.
