
Part of Series
America’s leading comic book publisher brings its superstar creators and classic characters to the second in an authoritative series of books on how to create comics. The art of Klaus Janson has endured in the ever-changing comic book industry for over 30 years. Now this talented artist brings that experience to the most critical step of effective comic book pencilling. Covering everything from anatomy to composition to page design, Janson details the methods for creating effective visual communication. Step by step, he analyzes and demonstrates surefire strategies for comic book pencilling that are informative and exciting. Using DC’s world-famous characters, he illustrates the importance of knowing the fundamentals of art and how best to use them. The DC Comics Guide to Pencilling Comics is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring artist. It is a valuable resource for comic book, graphic novel, and storyboard artists everywhere.
Author

Klaus Janson was born in Coburg, Germany. He emigrated to the US in 1957 and settled in Connecticut, discovering comics very shortly thereafter. Janson made a professional debut for Marvel in 1973, inking the artwork of Rich Buckler for the series called 'The Black Panther', that were published in Jungle Action. During years he continued inking the diverse Marvel titles, like 'the Defenders', 'Deathlock', 'Battlestar Galactita' and 'Howard Duck'. But Janson main series was 'Daredevil'. In this period he inkted to Gene Colan, Gil Kane, Carmine Infantino and Frank Miller. Working with Miller, Janson changed his ink style. Later on Janson decided also to take care of the pencils. With Miller, Janson worked on the influential mini-series 'The Dark Knight Returns'. After Janson ended his work on 'Daredevil', he had developed a constant work as a sketcher, were he devolped a Gothic like style. He also did a lot of work on 'The Punisher', 'Spawn' and an adventure of Batman in five episodes which was scripted by Grant Morrison.