
The Doll Princess
By Tom Benn
2012
First Published
3.08
Average Rating
304
Number of Pages
Part of Series
It's Manchester, July 1996, the month after the IRA bomb, and the "Evening News" is carrying reports of two murders. On the front page there's a photograph of a glamorous Egyptian woman, a socialite and heiress to an oil fortune, whose partially clothed body has been found in the basement of a block of flats. It would appear that she has been the subject of a sexual attack. In the back pages of the same paper there is a fifty-word piece on the murder of a young prostitute whose body has been found dumped on a roadside near the McVitie's factory. For Bane - fixer, loanshark and legman for one of Manchester's established ganglords - it's the second piece of news that hits hardest. Determined to find out what happened to his childhood sweetheart, he searches through the tribes and estates of his bombed city for answers. It soon becomes clear that the two newspaper stories belong on the same page, and that Bane's world belongs to others - those willing to profit from gun arsenals, human trafficking and a Manchester in decay. The "Doll Princess" introduces the mesmeric narrator, Henry Bane, a conflicted man caught up in a mire of evil, and his creator, Tom Benn - an assured and exhilarating new voice in literary crime fiction.
Avg Rating
3.08
Number of Ratings
73
5 STARS
12%
4 STARS
22%
3 STARS
37%
2 STARS
19%
1 STARS
10%
goodreads
Author

Tom Benn
Author · 5 books
Tom Benn is an award-winning author, screenwriter and lecturer from Stockport, England. His latest novel, OXBLOOD (Bloomsbury), was longlisted for the Gordon Burn Prize, the CWA Gold Dagger, and in 2023 won the Sunday Times Charlotte Aitken Young Writer of the Year Award. His first novel, THE DOLL PRINCESS (Cape), was shortlisted for the Dylan Thomas Prize and the Portico Prize, and longlisted for the CWA’s John Creasey Dagger. His other novels are CHAMBER MUSIC (Cape) and TROUBLE MAN (Cape). He won runner-up prize in the Desperate Literature Short Fiction Prize, and his essays and fiction have appeared in Granta and the Paris Review. He won the BFI’s iWrite scheme for emerging screenwriters. His first film, 'Real Gods Require Blood', premiered in competition at the Cannes Film Festival, and was nominated for Best Short Film at the BFI London Film Festival.

