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The Exploits of Engelbrecht book cover
The Exploits of Engelbrecht
1950
First Published
4.17
Average Rating
128
Number of Pages

Maurice Richardson's cult classic is one of the strangest works of fiction ever written. Fifteen stories that relate the activities of the Surrealist Sportsman's Club, a society with very dubious morals that spends the time it has left between the collapse of the moon and the end of the universe taking the concept of the 'game' to its logical limit. A club can't operate without members, and those of the SSC are as strange and astonishing as some of the events they compete in. Most formidable of all, and more than just a little sinister, is the old Id, an "elemental force" who thinks nothing of venturing forth from his home at Nightmare Abbey to arrange a rugby match between Mars and the entire human race, or of playing chess with boy scouts and nuclear bombs as pieces. Centre stage, however, is given to Engelbrecht himself, the dwarf boxer. Surrealist boxers don't take on human opponents, but "do most of their fighting with clocks." Engelbrecht has his fair share of those and even bests a malign Grandfather Clock in a match where years rather than money is at stake, but his talents are also called upon to help him deal with almost the whole spectrum of Gothic, electric and purely impossible threats in a style both charming and ferocious. He's an eternal optimist and it's his pluck and spirit, rather than his fists or footwork, which generally make the greatest contribution to the precarious well-being of his club. The tone of these adventures is a curious blend of Gothic and science fiction, but an avant-garde Gothic and an absurdist SF, a voice which simultaneously lampoons much of the atmosphere found in novels of the past and future while making a genuine contribution to both kinds. Richardson has placed his tongue firmly in his cheek, true, but then he has proceeded to bite it off with molars sharpened on the grindstones of profundity... “The Exploits of Engelbrecht is English surrealism at its greatest. Witty and fantastical, Maurice Richardson was light years ahead of his time. Unmissable.” - J.G. Ballard

Avg Rating
4.17
Number of Ratings
82
5 STARS
44%
4 STARS
38%
3 STARS
12%
2 STARS
4%
1 STARS
2%
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Author

Maurice Richardson
Author · 2 books

Maurice Richardson (1907–1978) was an English journalist and short story writer. Richardson was born to a wealthy family. As a child, Richardson was sent to prep school, which he disliked; he later recalled his education in his 1968 book Little Victims. He studied at Oxford in the 1920s, where he befriended the poet Brian Howard. After leaving Oxford, he spent some time as an amateur boxer, and wrote his first novel, A Strong Man Needed, a humorous story about a female boxer. Richardson began his journalistic career in the 1930s. After joining the Communist Party, Richardson became a contributor to Left Review and a member of the London-based left-wing Writers and Readers Group which included Randall Swingler, Sylvia Townsend Warner, Mulk Raj Anand, Arthur Calder-Marshall and Rose Macaulay. In the late 1940s, Richardson became a contributor to the British magazine Lilliput. Here he published a series of humorous fantasy stories about a "Dwarf Surrealist Boxer" named Engelbrecht. These tales were illustrated by several noted artists, including Ronald Searle, Gerard Hoffnung and James Boswell. The series was collected in book form as The Exploits of Engelbrecht in 1950; it was later reprinted in 1977 and in a deluxe edition by Savoy Books in 2000. David Langford has praised The Exploits of Engelbrecht for their "enjoyable absurdist humour"; J. G. Ballard also admired the stories, describing them as "English surrealism at its greatest. Witty and fantastical, Maurice Richardson was light years ahead of his time. Unmissable." After leaving the Communist Party in the 1950s, Richardson worked as a book reviewer. Richardson also became known for arranging meetings between himself and other writers in London pubs. Guests at these meetings included Jeffrey Bernard, Daniel Farson, Swingler, Lionel Bart, Frank Norman and Alan Rawsthorne. In the 1960s, he also worked as the Observer's television critic and wrote sports journalism for The Guardian. Richardson also wrote a study of snakes, lizards and other reptiles entitled The Fascination of Reptiles.

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