The Colonial Theater, a single-screen movie house on the edge of town, is holding a special midnight screening of a brand new splatter flick. But before the opening titles make it to the screen, the popcorn-laden aisles run red with blood as a masked killer begins slaughtering the moviegoers with the aid of a spiked meat tenderizer. Among those filling the torn seats: a movie blogger in search of fodder to appease his limited readers, a victim of a recent betrayal who’ll do just about anything for an escape from a home she no longer feels welcome, a fugitive on the lam looking for sanctuary from the city streets, and a pair of post-adolescent twins who’ve managed to creep into the theater unseen. After a full ninety minutes of bloodshed both on and off the silver screen, only four patrons remain. Four patrons who discover that the doors have been locked and the only way out is inside a body bag. An edge-of-your-seat nail-biter of a thriller, The Final Girl will fill your restless night with a bloody horror show and keep you guessing until the very last page. Black Voltage Series #48
Author
Brandon Ford (b. August 28, 1981) grew up in South Philadelphia, Pennsylvania. He started writing at the approximate age of 8 and spent a lot of time testing the waters with various genres. He wrote dramas, comedies, essays, plays, and, of course, thrillers. There were few things he took pleasure in crafting more than a good old-fashioned scary story. Throughout grade school, as well as high school, he continued to build his portfolio with various works (mostly short stories and novellas, but a few plays here and there). He’d pass around these manuscripts to friends and teachers for feedback. Knowing others enjoyed his work and craved more inspired him to keep going. A few months shy of 23, he sat down to pen his first novel, which became Crystal Bay. Arctic Wolf Publishing, a small press based in Georgia, picked the book up a few years later. Shortly thereafter, he completed Splattered Beauty, an ode to his favorite Scream Queens. In 2009, he teamed up with Alan Draven and Jessica Lynne Gardner for Creeping Shadows (Pixie Dust Press), a collection of three short novels. Ford’s contribution, Merciless, was heavily inspired by a real-life kidnapping that took place in California in 2002. In March 2010, Arctic Wolf released his third novel, Pay Phone. Ford has also contributed works of short fiction to several anthologies, including Abaculus 2007 and Abaculus III (Leucrota Press), Sinister Landscapes (Pixie Dust Press), Raw: Brutality As Art (Snuff Books), and The Death Panel (Comet Press). Some of his biggest influences have been writers like Jack Ketchum and the late Richard Laymon. In his spare time he enjoys reading, watching bad TV, and all things horror. He still resides in South Philadelphia.
