The Flood

By Emile Zola

1880

First Published

3.87

Average Rating

Number of Pages

0H01M

Audio Length

The Flood is a novel by French author Emile Zola, published in 1880. The story takes place in a small village located in the valley of the River Seine. The protagonist, a young engineer named Louis Roubien, is tasked with ensuring the safety of the village's dam during a period of heavy rain and flooding. As the water levels rise, Louis must navigate the complex relationships between the villagers, including a wealthy landowner who is more concerned with his own interests than the safety of the community. Meanwhile, Louis finds himself falling in love with the landowner's daughter, who is engaged to another man. The Flood is a powerful exploration of human nature under extreme circumstances, and a commentary on the class divisions and social hierarchies of 19th century France.Then the water began an attack. Until then the stream had followed the street; but the debris that encumbered it deflected the course. And when a drifting object, a beam, came within reach of the current, it seized it and directed it against the house like a battering-ram. Soon ten, a dozen, beams were attacking us on all sides. The water roared. Our feet were spattered with foam. We heard the dull moaning of the house full of water. There were moments when the attacks became frenzied, when the beams battered fiercely; and then we thought that the end was near, that the walls would open and deliver us to the river.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Avg Rating

3.87

Number of Ratings

649

5 STARS

27%

4 STARS

42%

3 STARS

24%

2 STARS

1 STARS

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Author

Emile Zola

Author · 78 books

Émile François Zola was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France. More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations. As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world." Although Zola and Cézanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in his novel L'Œuvre (The Masterpiece, 1886). From 1877 with the publication of L'Assommoir, Émile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author. The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.