The subject of this book is a young woman: an awkward, insecure, restless and 'knowing' child who learns that self-realisation depends on rebellion and escape, but that the latter will first demand at least the semblance of conformity. In telling lies, Laura learns both the astonishing allure of fiction and the social costs of stepping beyond the bounds of propriety, gender, class, and family ties. The novel is only in part a fictionalised account of Richardson's school years at the Presbyterian Ladies College, Melbourne, where (unlike her fictional counterpart) she was not only academically successful but also an outstanding student of music. Unusual for stories of school-life, The Getting of Wisdom was clearly aimed at a mature readership able to understand irony and a critique of the colonial educational provision of its day, including a determination to preserve sexual ignorance in young women.
Author
Ethel Florence Lindesay Richardson Robertson for mixed motives used and adopted Henry Handel Richardson, a pen-name that probably militated against recognition especially when feminist literary history began. Maurice Guest was highly praised in Germany when it first appeared in translation in 1912, but received a bad press in England, though it influenced other novelists. The publishers bowdlerized the language for the second imprint. The trilogy suffered from the long intervals between its three volumes: Australia Felix (1917); The Way Home (1925) and Ultima Thule (1929). The last brought overnight fame and the three volumes were published as one in 1930. Her fame in England was short-lived; as late as 1977, when Virago Press republished The Getting of Wisdom, some London critics referred to the author as 'Mr Richardson'. Her short stories, The End of a Childhood (1934), and the novel, The Young Cosima (1939), had lukewarm receptions. Henry Handel Richardson's place in Australian literature is important and secure. The Fortunes is an archetypal novel of the country, written about the great upsurge of nineteenth-century Western capitalism fuelled by the gold discoveries. With relentless objectivity it surveys all the main issues which were to define the direction of white Australian society from the 1850s onwards, within the domestic framework of a marriage. Powerfully symbolic in a realistic mode it is, as an English critic said in 1973, 'one of the great inexorable books of the world'.
