Moving the Mountain is a feminist utopian novel written by Charlotte Perkins Gilman. It was published serially in Perkins Gilman's periodical The Forerunner and then in book form, both in 1911. The book was one element in the major wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries. The novel was also the first volume in Gilman's utopian trilogy; it was followed by Herland (1915) and its sequel, With Her in Ourland (1916).

An all-female society is discovered somewhere in the distant reaches of the earth by three male explorers who are now forced to re-examine their assumptions about women's roles in society.

Two works in one, this volume contains the full text of With Her in Ourland by Charlotte Perkins Gilman, as well as an illuminating sociological analysis by Mary Jo Deegan with the assistance of Michael R. Hill. Ourland is the sequel to Gilman's acclaimed feminist utopian novel Herland; both were published in her journal, The Forerunner, in 1915 and 1916. Ourland resumes the adventures of Herland's protagonists, Ellador and Van, but turns from utopian fantasy to a challenging analysis of contemporary social fissures in "his land," or the real world. The republication of Herland as a separate novel in 1979 revived critical interest in Gilman's work but truncated the larger aims implicit in the Herland/Ourland saga, leaving an erroneous understanding of Gilman's other/better half of the story, in which it is suggested that strong women can resocialize men to be nurturant and cooperative. Gilman's choice of a sexually integrated society in With Her in Ourland provides us with her answer to her ideal society, but her foray into a woman-only society as a corrective to a male dominated one is a controversial option. The challenging message of Ourland, however, does not impede the pleasure of reading it as a novel. Though known more for her fiction today, Gilman in her time was a recognized and accomplished sociologist who admired Lester F. Ward and frequently visited Jane Addams of Chicago's Hull-House. The male protagonist in Herland/Ourland, Van, is a sociologist, used by Gilman as a foil on which to skewer the assumptions and practices of patriarchal sociology. The interpretation presented here, which adopts a sociological viewpoint, is invaluable reading for scholars and students of sociology, American women's studies, and utopian literature.

Moving the Mountain is the first book in Charlotte Perkins Stetson Gilman's well known trilogy. The second book in the trilogy is her landmark classic Herland. Moving the Mountain delivers Gilman's program for reforming society. She concentrates on measures of rationality and efficiency that could be instituted in her own time, largely with greater social cooperation—equal education and treatment for girls and boys, day-care centers for working women, and other issues still relevant a century later. Yet Gilman also allows for technological progress: electric power is the motive force in industry and urban society, power generated largely by the tides, wind-mills, water mills, and solar engines. Herland is a utopian novel written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women who reproduce via parthenogenesis. The result is an ideal social order, free of war, conflict and domination. The story is told from the perspective of Van Jennings, a student of sociology who, along with two friends, Terry O. Nicholson and Jeff Margrave, forms an expedition party to explore an area of uncharted land where it is rumored lives a society consisting entirely of women. The three friends do not really believe the rumors as they are unable to conceive of how human reproduction could occur without males. The men speculate about what a society of women would be like, each guessing differently based on the stereotype of women which he holds most dear. With Her in Ourland is the third book in Charlotte Perkins Gilman's utopian trilogy which begins where Moving the Mountain and Herland left off. Gilman masterfully compares our real modern male-dominated world with an imaginary perfect society comprised of only woman. Gilman was a well known and deeply respected sociologist and this trilogy holds an important place in feminist fiction.