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The History of The Lord of the Rings book cover 1
The History of The Lord of the Rings book cover 2
The History of The Lord of the Rings book cover 3
The History of The Lord of the Rings
Series · 4 books · 1988-1992

Books in series

The Return of the Shadow book cover
#1

The Return of the Shadow

The History of The Lord of the Rings, Part One

1988

In this sixth volume of The History of Middle-earth the story reaches The Lord of the Rings. In The Return of the Shadow (an abandoned title for the first volume) Christopher Tolkien describes, with full citation of the earliest notes, outline plans, and narrative drafts, the intricate evolution of The Fellowship of the Ring and the gradual emergence of the conceptions that transformed what J.R.R. Tolkien for long believed would be a far shorter book, 'a sequel to The Hobbit'. The enlargement of Bilbo's 'magic ring' into the supremely potent and dangerous Ruling Ring of the Dark Lord is traced and the precise moment is seen when, in an astonishing and unforeseen leap in the earliest narrative, a Black Rider first rode into the Shire, his significance still unknown. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed while his indentity remains an absolute puzzle, and the suspicion only very slowly becomes certainty that he must after all be a Man. The hobbits, Frodo's companions, undergo intricate permutations of name and personality, and other major figures appear in strange modes: a sinister Treebeard, in league with the Enemy, a ferocious and malevolent Farmer Maggot. The story in this book ends at the point where J.R.R. Tolkien halted in the story for a long time, as the Company of the Ring, still lacking Legolas and Gimli, stood before the tomb of Balin in the Mines of Moria. The Return of the Shadow is illustrated with reproductions of the first maps and notable pages from the earliest manuscripts.
The Treason of Isengard book cover
#2

The Treason of Isengard

The History of The Lord of the Rings, Part Two

1989

The Treason of Isengard is the seventh volume in Christopher Tolkien's History of Middle-earth and the second in his account of the evolution of The Lord of the Rings. This book follows the long halt in the darkness of the Mines of Moria (which ended The Return of the Shadow) and traces the tale into new lands south and east of the Misty Mountains. Tolkien introduces us to Lothlorien, land of the elves, where we meet the Ents, the Riders of Rohan, and Saruman the White in the fortress of Isengard. In brief outlines and penciled drafts dashed down on scraps of paper are the first entry of Galadriel; the earliest ides of the history of Gondor; and the original meeting of Aragorn with Eowyn, its significance destined to be wholly transformed. Conceptions of what lay ahead dissolve as the story takes its own paths, as in the account of the capture of Frodo and his rescue by Sam Gamgee from Minas Morgul, written long before J.R.R. Tolkien actually reached that point in the writing of The Lord of the Rings. A chief feature of the book is a full account of the original Map, with drawings of successive phases, which was long the basis and accompaniment of the emerging geography of Middle-earth. An appendix describes the Runic alphabets of the time, with illustrations of the forms and an analysis of the Runes used in the Book of Mazarbul found beside Balin's tomb in Moria.
The War of the Ring book cover
#3

The War of the Ring

1990

The War of the Ring takes up the story of The Lord of the Rings with the Battle of Helm's Deep and the drowning of Isengard by the Ents, continues with the journey of Frodo, Sam and Gollum to the Pass of Cirith Ungol, describes the war in Gondor, and ends with the parley between Gandalf and the ambassador of the Dark Lord before the Black Gate of Mordor. Unforeseen developments that would become central to the narrative are seen at the moment of their emergence: the palantír bursting into fragments on the stairs of Orthanc, its nature as unknown to the author as to those who saw it fall, or the entry of Faramir into the story ('I am sure I did not invent him, I did not even want him, though I like him, but there he came walking through the woods of Ithilien'). The book is illustrated with the plans and drawings of the changing conceptions of Orthanc, Dunharrow, Minas Tirith and the tunnels of Shelob's Lair.
The End of the Third Age book cover
#4

The End of the Third Age

The History of The Lord of the Rings, Part Four

1992

The End of the Third Age is comprised of the first section of the hardcover volume published as Sauron Defeated, the ninth volume of The History of Middle-earth. It completes Christopher Tolkien's account of the creation of The Lord of the Rings begun in the earlier volumes, The Return of the Shadow, The Treason of Isengard, and The War of the Ring. The End of the Third Age begins with Sam's rescue of Frodo from the Tower of Kirith Ungol, and giving a very different account of the Scouring of the Shire, this part ends with versions of the hitherto unpublished Epilogue, in which, years after the departure of Bilbo and Frodo from the Grey Havens, Sam attempts to answer his children's questions. The book is illustrated with changing conceptions of Kirith Ungol and Mount Doom, as well as previously unpublished drawings of Orthanc and Dunharrow.

Authors

J.R.R. Tolkien
J.R.R. Tolkien
Author · 118 books

John Ronald Reuel Tolkien: writer, artist, scholar, linguist. Known to millions around the world as the author of The Lord of the Rings, Tolkien spent most of his life teaching at the University of Oxford where he was a distinguished academic in the fields of Old and Middle English and Old Norse. His creativity, confined to his spare time, found its outlet in fantasy works, stories for children, poetry, illustration and invented languages and alphabets. Tolkien’s most popular works, The Hobbit and The Lord of the Rings are set in Middle-earth, an imagined world with strangely familiar settings inhabited by ancient and extraordinary peoples. Through this secondary world Tolkien writes perceptively of universal human concerns – love and loss, courage and betrayal, humility and pride – giving his books a wide and enduring appeal. Tolkien was an accomplished amateur artist who painted for pleasure and relaxation. He excelled at landscapes and often drew inspiration from his own stories. He illustrated many scenes from The Silmarillion, The Hobbit and The Lord of the Rings, sometimes drawing or painting as he was writing in order to visualize the imagined scene more clearly. Tolkien was a professor at the Universities of Leeds and Oxford for almost forty years, teaching Old and Middle English, as well as Old Norse and Gothic. His illuminating lectures on works such as the Old English epic poem, Beowulf, illustrate his deep knowledge of ancient languages and at the same time provide new insights into peoples and legends from a remote past. Tolkien was born in Bloemfontein, South Africa, in 1892 to English parents. He came to England aged three and was brought up in and around Birmingham. He graduated from the University of Oxford in 1915 and saw active service in France during the First World War before being invalided home. After the war he pursued an academic career teaching Old and Middle English. Alongside his professional work, he invented his own languages and began to create what he called a mythology for England; it was this ‘legendarium’ that he would work on throughout his life. But his literary work did not start and end with Middle-earth, he also wrote poetry, children’s stories and fairy tales for adults. He died in 1973 and is buried in Oxford where he spent most of his adult life.

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The History of The Lord of the Rings