Who or what was the scoundrel that kept these couriers from the swift completion of their handsomely appointed rondos? On Tenthmonth 1, 2457 A.D., at exactly 9 a.m. Planetary Federation Time—but with a permissible error of a millionth of a second either way—in the fifth sublevel of New- New York Robot Postal Station 68, Black Sorter gulped down ten thousand pieces of first-class mail. This breakfast tidbit did not agree with the mail-sorting machine. It was as if a robust dog had been fed a large chunk of good red meat with a strychnine pill in it. Black Sorter's innards went whirr-klunk, a blue electric glow enveloped him, and he began to shake as if he might break loose from the concrete. He desperately spat back over his shoulder a single envelope, gave a great huff and blew out toward the sorting tubes a medium-size snowstorm consisting of the other nine thousand, nine hundred and ninety-nine pieces of first-class mail chewed to confetti. Then, still convulsed, he snapped up a fresh ten thousand and proceeded to chomp and grind on them. Black Sorter was rugged.
Author
Fritz Reuter Leiber Jr. was one of the more interesting of the young writers who came into HP Lovecraft's orbit, and some of his best early short fiction is horror rather than sf or fantasy. He found his mature voice early in the first of the sword-and-sorcery adventures featuring the large sensitive barbarian Fafhrd and the small street-smart-ish Gray Mouser; he returned to this series at various points in his career, using it sometimes for farce and sometimes for gloomy mood pieces—The Swords of Lankhmar is perhaps the best single volume of their adventures. Leiber's science fiction includes the planet-smashing The Wanderer in which a large cast mostly survive flood, fire, and the sexual attentions of feline aliens, and the satirical A Spectre is Haunting Texas in which a gangling, exo-skeleton-clad actor from the Moon leads a revolution and finds his true love. Leiber's late short fiction, and the fine horror novel Our Lady of Darkness, combine autobiographical issues like his struggle with depression and alcoholism with meditations on the emotional content of the fantastic genres. Leiber's capacity for endless self-reinvention and productive self-examination kept him, until his death, one of the most modern of his sf generation. Used These Alternate Names: Maurice Breçon, Fric Lajber, Fritz Leiber, Jr., Fritz R. Leiber, Fritz Leiber Jun., Фриц Лейбер, F. Lieber, フリッツ・ライバー
