
[From back.] One of the great writers of Japan, Ihara Saikaku (1623-93) wrote of the lowest class in the Tokugawa world—the townsmen who were rising in wealth and power but not in official status. The title story in this collection of 12 works, told by an aging beauty whose highly erotic nature is her constant undoing, ranges over all of 17th-century Japanese life. The narrator is successively wife, court lady, courtesan, priest's concubine, mistress of a feudal lord and a streetwalker. Ivan Morris, chairman of the Department of East Asian Studies and Cultures of Columbia University has done a brilliant translation, an introduction, extensive notes, bibliography and two essays on social customs of the period. Illustrated. "The fine style of the writing and the clear outlines of illustrations which are not even remotely 'suggestive' give Saikaku's pornography grace adn wit and charity." — James Kirkup
Author

Ihara Saikaku (井原 西鶴) was a Japanese poet and creator of the "floating world" genre of Japanese prose (ukiyo-zōshi). Born the son of the wealthy merchant Hirayama Tōgo (平山藤五) in Osaka, he first studied haikai poetry under Matsunaga Teitoku, and later studied under Nishiyama Sōin of the Danrin School of poetry, which emphasized comic linked verse. Scholars have described numerous extraordinary feats of solo haikai composition at one sitting; most famously, over the course of a single day and night in 1677, Saikaku is reported to have composed at least 16,000 haikai stanzas, with some rumors placing the number at over 23,500 stanzas. Later in life he began writing racy accounts of the financial and amorous affairs of the merchant class and the demimonde. These stories catered to the whims of the newly prominent merchant class, whose tastes of entertainment leaned toward the arts and pleasure districts.