"Beautifully composed and splendidly written, it has great power and real point ... the command of the contemporary scene is masterly.... One of the best characters that have appeared in fiction for a very long time." - Walter Allen, New Statesman "[T]he story is novel in its incidents and he exploits skilfully the dramatic possibilities of extending human vision into normally hidden dimensions." - The Guardian "Mr. Priestley has always been a man of vision ... The Magicians has a theme of the first importance." - Spectator Sir Charles Ravenstreet, in his mid-fifties, is unmarried and childless and lives only for his work in the fast-paced world of business. When he is forced out of his job to make room for someone younger, Sir Charles finds himself at a loose end and facing the dismal prospect of an empty future. Believing he can make use of Sir Charles, the sinister Lord Mervil seeks to enlist his aid in a scheme to earn a fortune by manufacturing a new drug that relieves its users of all anxiety and will reduce the masses to a state of docility and mindless euphoria. But a plane crash and an encounter with three strange old men determined to thwart Lord Mervil's plans will lead Sir Charles to the exciting discovery that when he suspected his life might be over, it had really only just begun. One of the most enjoyable novels by the prolific J.B. Priestley (1894-1984), The Magicians (1954) is both a whimsical story of the strange and fantastic and a sharply satirical fable of modern life. This 60th anniversary edition features a new introduction by Lee Hanson and the original jacket art by Val Biro.
Author
John Boynton Priestley, the son of a schoolmaster, was born in Bradford in September 1894, and after schooling he worked for a time in the local wool trade. Following the outbreak of the Great War in 1914, Priestley joined the British Army, and was sent to France—in 1915 taking part in the Battle of Loos. After being wounded in 1917 Priestley returned to England for six months; then, after going back to the Western Front he suffered the consequences of a German gas attack, and, treated at Rouen, he was declared unfit for active service and was transferred to the Entertainers Section of the British Army. When Priestley left the army he studied at Cambridge University, where he completed a degree in Modern History and Political Science. Subsequently he found work as theatre reviewer with the Daily News, and also contributed to the Spectator, the Challenge and Nineteenth Century. His earliest books included The English Comic Characters (1925), The English Novel (1927), and English Humour (1928). His breakthrough came with the immensely popular novel The Good Companions, published in 1929, and Angel Pavement followed in 1930. He emerged, too, as a successful dramatist with such plays as Dangerous Corner (1932), Time and the Conways (1937), When We Are Married (1938) and An Inspector Calls (1947). The publication of English Journey in 1934 emphasised Priestley's concern for social problems and the welfare of ordinary people. During the Second World War Priestley became a popular and influential broadcaster with his famous Postscripts that followed the nine o'clock news BBC Radio on Sunday evenings. Starting on 5th June 1940, Priestley built up such a following that after a few months it was estimated that around 40 per cent of the adult population in Britain was listening to the programme. Some members of the Conservative Party, including Winston Churchill, expressed concern that Priestley might be expressing left-wing views on the programme, and, to his dismay, Priestley was dropped after his talk on 20th October 1940. After the war Priestley continued his writing, and his work invariably provoked thought, and his views were always expressed in his blunt Yorkshire style. His prolific output continued right up to his final years, and to the end he remained the great literary all-rounder. His favourite among his books was for many years the novel Bright Day, though he later said he had come to prefer The Image Men. It should not be overlooked that Priestley was an outstanding essayist, and many of his short pieces best capture his passions and his great talent and his mastery of the English language. He set a fine example for any would-be author.
