2010
First Published
3.66
Average Rating
368
Number of Pages
Here, art sociologist Pascal Gielen examines the notion that the global art economy-with its ever-renewable youth quota, its gender imbalance, flexible working hours and short-term contracts (or lack of contracts)-is wholly congruent with the worst aspirations of late capitalism, and is ripe for economic exploitation. Conscious that art also offers real liberties, Gielen also proposes alternative models and argues for a recognition of the values implied by the creative process, rather than by the subtle coercions of post-Fordist production imperatives to which we are all subject
Avg Rating
3.66
Number of Ratings
32
5 STARS
22%
4 STARS
38%
3 STARS
31%
2 STARS
3%
1 STARS
6%
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