V. S. Naipaul’s legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction–two novels and a collection of stories–that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor. The Suffrage of Elvira is Naipaul’s hilarious take on an electoral campaign in the back country of Trinidad, where the candidates’ tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr. Stone and the Knights Companion is an aging Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad–whose black proprietor faces bankruptcy until he takes a Chinese name–to a rooming house in London–where the genteel landlady plays a nasty Darwinian game with her budgerigars. Unfailingly stylish, filled with intelligence and feeling, here is the work of a writer who can do just about anything that can be done with language.
Author
Naipaul was born and raised in Trinidad, to which his grandfathers had emigrated from India as indentured servants. He is known for the wistfully comic early novels of Trinidad, the bleaker novels of a wider world remade by the passage of peoples, and the vigilant chronicles of his life and travels, all written in characteristic, widely admired, prose. At 17, he won a Trinidad Government scholarship to study abroad. In the introduction to the 20th-anniversary edition of A House for Mr. Biswas, he reflected that the scholarship would have allowed him to study any subject at any institution of higher learning in the British Commonwealth, but that he chose to go to Oxford to do a simple degree in English. He went, he wrote, "in order at last to write...." In August 1950, Naipaul boarded a Pan Am flight to New York, continuing the next day by boat to London. 50 years later, Sir Vidiadhar Surajprasad "V. S." Naipaul was awarded the 2001 Nobel Prize in Literature "for having united perceptive narrative and incorruptible scrutiny in works that compel us to see the presence of suppressed histories."
