With graceful lines swooping like a bird in flight, Claudia Emerson's newest collection explores the harsh realities of aging and the limitations of the human body, as well as the loneliness, fear, and anger that can accompany us as we live. Keenly observed and beautifully executed, these poems move from the grim facade that hides beauty - prosthetic eyes - to the beautiful scene that conceals violence - a rural retreat. Emerson also considers once common things that are fast becoming obsolete: cursive writing, telephone booths, barbers. At once hopeful and cognizant of all the reasons why humans might despair, these poems echo with remarkable insight into the true nature of life.
Author
Born and raised in Chatham, Virginia, Claudia Emerson studied writing at the University of North Carolina, Greensboro. Her poetry, steeped in the Southern Narrative tradition, bears the influences of Ellen Bryant Voigt, Betty Adcock, and William Faulkner. Of the collection Late Wife (2005), poet Deborah Pope observed, “Like the estranged lover in one of her poems who pitches horseshoes in the dark with preternatural precision, so Emerson sends her words into a different kind of darkness with steely exactness, their arc of perception over and over striking true.” Emerson’s volumes of poetry include Pharaoh, Pharaoh (1997); Pinion: An Elegy (2002); Late Wife (2005), which won the Pulitzer Prize; Figure Studies (2008); and Secure the Shadow (2012). Her honors include two additional Pulitzer Prize nominations as well as fellowships from the Library of Congress, the Virginia Commission for the Arts, and the National Endowment for the Arts. In 2008 she was appointed poet laureate of Virginia, a two-year role. Emerson was poetry editor for the Greensboro Review and a contributing editor for Shenandoah. She taught at Washington and Lee University, Randolph-Macon Women’s College, and the University of Mary Washington. She died in 2014. From The Poetry Foundation website. http://www.poetryfoundation.org/bio/c...
