Margins
The Pretenders book cover
The Pretenders
1907
First Published
3.78
Average Rating
168
Number of Pages
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. ... Bishop Nicholas. So much still undone, and to go and leave it all! So much undone, Viliam! Sira Viliam. My lord, think of heavenly things! Bishop Nicholas. I have time before me;—till well on in the morning, Master Sigard thinks Sira Viliam. My lord, my lord! Bishop Nicholas. Give me mitre and crozier!—'Tis very well for you to say that I should think [A priest brings them.] So, set the cap there, 'tis too heavy for me; give me the crozier in my hand; there, now am I in my armour. A bishop! The Evil One dare not grapple with me now! Sira Viliam. Desire you aught beside? Bishop Nicholas. No. Stay—tell Andres Skialdarband's son,—all speak well of him—Sira Viliam. In truth, his is a blameless soul. Bishop Nicholas. Peter, you shall watch beside me until the King or the D
Avg Rating
3.78
Number of Ratings
143
5 STARS
22%
4 STARS
40%
3 STARS
31%
2 STARS
6%
1 STARS
0%
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Author

Henrik Ibsen
Henrik Ibsen
Author · 50 books

Henrik Johan Ibsen was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama." Ibsen is held to be the greatest of Norwegian authors and one of the most important playwrights of all time, celebrated as a national symbol by Norwegians. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen largely founded the modern stage by introducing a critical eye and free inquiry into the conditions of life and issues of morality. Victorian-era plays were expected to be moral dramas with noble protagonists pitted against darker forces; every drama was expected to result in a morally appropriate conclusion, meaning that goodness was to bring happiness, and immorality pain. Ibsen challenged this notion and the beliefs of his times and shattered the illusions of his audiences.

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