Part of Series
The long-awaited fifth volume—representing "the very summit of Proust's art" (Slate) — in the acclaimed Penguin translation of "the greatest literary work of the twentieth century" (The New York Times) Carol Clark's acclaimed translation of The Prisoner introduces a new generation of American readers to the literary riches of Marcel Proust. The fifth volume in Penguin Classics' superb new edition of In Search of Lost Timethe first completely new translation of Proust's masterpiece since the 1920s—brings us a more comic and lucid prose than readers of English have previously been able to enjoy. The titular "prisoner" is Albertine, the tall, dark orphan with whom Marcel had fallen in love at the end of Sodom and Gomorrah (volume 4). Albertine has moved in with Marcel in his family's apartment in Paris, where the pair have a seemingly limitless supply of money and are chaperoned only by Marcel's judgmental family servant, Françoise. Marcel, who worries obsessively about Albertine's relationships with other women, grows more and more irrational in his attempts to control her, keeping her prisoner in his apartment and buying her couture gowns, furs, and jewelry in an attempt to protect her from herself and from the outside world and. And yet in addition to being a tragedy of possessive love, The Prisoner is also a comedy of human folly and misunderstanding, linked to the other volumes of the larger novel through its themes of class differences, art, irrationality, social snobbery, and, of course, time and memory.
Author
Marcel Proust was a French novelist, best known for his 3000 page masterpiece À la recherche du temps perdu (Remembrance of Things Past or In Search of Lost Time), a pseudo-autobiographical novel told mostly in a stream-of-consciousness style. Born in the first year of the Third Republic, the young Marcel, like his narrator, was a delicate child from a bourgeois family. He was active in Parisian high society during the 80s and 90s, welcomed in the most fashionable and exclusive salons of his day. However, his position there was also one of an outsider, due to his Jewishness and homosexuality. Towards the end of 1890s Proust began to withdraw more and more from society, and although he was never entirely reclusive, as is sometimes made out, he lapsed more completely into his lifelong tendency to sleep during the day and work at night. He was also plagued with severe asthma, which had troubled him intermittently since childhood, and a terror of his own death, especially in case it should come before his novel had been completed. The first volume, after some difficulty finding a publisher, came out in 1913, and Proust continued to work with an almost inhuman dedication on his masterpiece right up until his death in 1922, at the age of 51. Today he is widely recognized as one of the greatest authors of the 20th Century, and À la recherche du temps perdu as one of the most dazzling and significant works of literature to be written in modern times.
