Published under the pseudonym A. Redfield by prominent New Yorker contributor Syd Hoff in the 1930s, these mordant and marvellously drawn gag comics skewer the rich and powerful with a pointed pen. During his career as a New Yorker cartoonist, and before he wrote Danny and the Dinosaur, Syd Hoff wrote under a different name. He was A. Redfield, a cartoonist for the communist newspaper the Daily Worker, and a scourge of the rich and powerful. Scorning what he saw as the complicity and stale jokes of cartooning peers, Hoff set his sights on the ruling class and revealed them for what they hilariously inept, deeply selfish, and incredibly dangerous. Hoff spared nothing from his pen, lampooning police brutality, thin-skinned industrialists, racists, and the looming threat of fascism at home and abroad. This new edition of The Ruling Clawss includes a new introduction by the historian Philip Nel, who reveals the story behind the rise and disappearance of Hoffʼs Redfield. The Ruling Clawss cements Hoff as a master of the gag comic, whose work remains powerfully funny and troublingly resonant.
Author
Whether you’re seven or seventy, the chances are you’ve probably come in contact with one of his many books (150 plus), or cartoons that have appeared in over 200 magazines in the course of his lifetime, including Laugh it Off which was syndicated for 20 years. His comic strip Tuffy, about a little girl who did funny things, was declared essential for national morale during WWII by William Randolph Hearst. Syd has worked in diverse genres. He had the distinct honor of working with Alfred Hitchcock and Ellery Queen as a contributor of short fiction writing. He was awarded national advertising commissions for large companies such as Chevrolet, Maxwell House Coffee and others. He had his own TV show (Tales of Hoff on CBS), traveled the world as entertainment on cruise ships and entertained children and teachers in schools and libraries across the country.
