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In the far future, Earth's rotation has been halted by powerful aliens searching for the end of the universe. Happening upon Earth, the aliens took from it what they needed and moved on. The human race is now divided; some living on the cold night side, some the sweltering day side, yet others in the thin twilight between the two regions. Living a life of pleasure and decadence in the twilight region, Valta Becker impregnates his daughter who dies shortly after giving birth to Clovis, last of the twilight children. Neglected by his father, Clovis leaves home for the more technologically and philosophically sophisticated daylight region, where lifespans stretch to hundreds of years and the marvels of future science still flourish. He makes a name for himself in politics, rising to almost god-like stature. When catastrophe strikes, rendering the daylight people sterile due to an after-effect of the aliens' strange energies used in halting the planet's rotation, Clovis Becker must find an answer or the human race will perish. Thus begins a taut adventure filled with warring political ideologies, End of the World parties, flower forests and floating carriages, shadowy figures attempting to shape mankind's destiny for their own ends, colorful descriptions worthy of Jack Vance and Mervyn Peake—and a love story for the ages as Clovis and Fastina Cahmin—the last born of the daylight people—seek immortality… but at what cost? Michael Moorcock is one of the most widely read SF authors in the world, and here his fertile imagination is on full display.
Author

Michael John Moorcock is an English writer primarily of science fiction and fantasy who has also published a number of literary novels. Moorcock has mentioned The Gods of Mars by Edgar Rice Burroughs, The Apple Cart by George Bernard Shaw and The Constable of St. Nicholas by Edward Lester Arnold as the first three books which captured his imagination. He became editor of Tarzan Adventures in 1956, at the age of sixteen, and later moved on to edit Sexton Blake Library. As editor of the controversial British science fiction magazine New Worlds, from May 1964 until March 1971 and then again from 1976 to 1996, Moorcock fostered the development of the science fiction "New Wave" in the UK and indirectly in the United States. His serialization of Norman Spinrad's Bug Jack Barron was notorious for causing British MPs to condemn in Parliament the Arts Council's funding of the magazine. During this time, he occasionally wrote under the pseudonym of "James Colvin," a "house pseudonym" used by other critics on New Worlds. A spoof obituary of Colvin appeared in New Worlds #197 (January 1970), written by "William Barclay" (another Moorcock pseudonym). Moorcock, indeed, makes much use of the initials "JC", and not entirely coincidentally these are also the initials of Jesus Christ, the subject of his 1967 Nebula award-winning novella Behold the Man, which tells the story of Karl Glogauer, a time-traveller who takes on the role of Christ. They are also the initials of various "Eternal Champion" Moorcock characters such as Jerry Cornelius, Jerry Cornell and Jherek Carnelian. In more recent years, Moorcock has taken to using "Warwick Colvin, Jr." as yet another pseudonym, particularly in his Second Ether fiction.