The fourth in the series of new annotated editions of Ernest Hemingway’s work, edited by the author’s grandson Seán and introduced by his son Patrick, this “illuminating” ( The Washington Post ) collection includes the best of the well-known classics as well as unpublished stories, early drafts, and notes that “offer insight into the mind and methods of one of the greatest practitioners of the story form” ( Kirkus Reviews ). Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image. Of all of Hemingway’s canonical fictions, perhaps none demonstrate so forcefully the power of the author’s revolutionary style as his short stories. In classics like “Hills like White Elephants,” “The Butterfly in the Tank,” and “The Short Happy Life of Francis Macomber,” Hemingway shows us great literature compressed to its most potent essentials. We also see, in Hemingway’s short fiction, the tales that created the these are stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. The Short Stories of Ernest Hemingway presents many of Hemingway’s most famous classics alongside rare and unpublished Hemingway’s early drafts and correspondence, his dazzling out-of-print essay on the art of the short story, and two marvelous examples of his earliest work—his first published story, “The Judgment of Manitou,” which Hemingway wrote when still a high school student, and a never-before-published story, written when the author was recovering from a war injury in Milan after WWI. This work offers vital insight into the artistic development of one of the twentieth century’s greatest writers. It is a perfect introduction for a new generation of Hemingway readers, and it belongs in the collection of any true Hemingway fan.
Author
Terse literary style of Ernest Miller Hemingway, an American writer, ambulance driver of World War I, journalist, and expatriate in Paris during the 1920s, marks short stories and novels, such as The Sun Also Rises (1926) and The Old Man and the Sea (1952), which concern courageous, lonely characters, and he won the Nobel Prize of 1954 for literature. Economical and understated style of Hemingway strongly influenced 20th-century fiction, whereas his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s. He published seven novels, six short story collections and two nonfiction works. Survivors published posthumously three novels, four collections of short stories, and three nonfiction works. People consider many of these classics. After high school, Hemingway reported for a few months for the Kansas City Star before leaving for the Italian front to enlist. In 1918, someone seriously wounded him, who returned home. His wartime experiences formed the basis for his novel A Farewell to Arms . In 1922, he married Hadley Richardson, the first of his four wives. The couple moved, and he worked as a foreign correspondent and fell under the influence of the modernist writers and artists of the expatriate community of the "lost generation" of 1920s. After his divorce of 1927 from Hadley Richardson, Hemingway married Pauline Pfeiffer. At the Spanish civil war, he acted as a journalist; afterward, they divorced, and he wrote For Whom the Bell Tolls . Hemingway maintained permanent residences in Key West, Florida, and Cuba during the 1930s and 1940s. Martha Gellhorn served as third wife of Hemingway in 1940. When he met Mary Welsh in London during World War II, they separated; he presently witnessed at the Normandy landings and liberation of Paris. Shortly after 1952, Hemingway went on safari to Africa, where two plane crashes almost killed him and left him in pain and ill health for much of the rest of his life. Nevertheless, in 1959, he moved from Cuba to Ketchum, Idaho, where he committed suicide in the summer of 1961.
