The Song of King Gesar

By Alai

2013

First Published

3.54

Average Rating

400

Number of Pages

12H12M

Audio Length

The Song of King Gesar is one of the world's great epics, as significant for Tibetans as the Odyssey and Iliad for the ancient Greeks, and as the Ramayana and Mahabarata in India. Passed down in song from one generation to the next, it is sung by Tibetan bards even today. Set partly in ancient Tibet, where evil spirits mingle with the lives of humans, and partly in the modern day, The Song of King Gesar tells of two lives inextricably entwined. Gesar, the youngest and bravest of the gods, has been sent down to the human world to defeat the demons that plague the lives of ordinary people. Jigmed is a young shepherd, who is visited by dreams of Gesar, of gods and of ancient battles while he sleeps. So begins an epic journey for both the shepherd and the king. The wilful child of the gods will become Gesar, the warrior-king of Ling, and will unite the nation of Tibet under his reign. Jigmed will learn to see his troubled country with new eyes, and, as the storyteller chosen by the gods, must face his own destiny.

Avg Rating

3.54

Number of Ratings

5 STARS

21%

4 STARS

28%

3 STARS

38%

2 STARS

11%

1 STARS

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Author

Alai

Author · 3 books

Alai (Chinese: 阿来; pinyin: Ālái; Tibetan: ཨ་ལེ་, Wylie: a-le, ZYPY: Alê, Lhasa dialect IPA: [ɑ́lè]; born 1959 in Sichuan province) is a Chinese poet and novelist of Rgyalrong Tibetan descendent. He was also editor of Science Fiction World. Alai's notable novel Red Poppies (The Dust Settles - Chen'ai Luoding), published in 1998, follows a family of Tibetan chieftains, the Maichi, during the decade or so before the liberation of Tibet by the People's Liberation Army in 1951. Their feudal life in the Tibetan borderlands, narrated by the youngest "idiot" son, is described as cruel, romantic, and full of intrigue (with the incorporation of Tibet into the People's Republic of China presented as a great advance for the Tibetan peasantry). Red Poppies was selected as a finalist for the Kiriyama Prize in 2002 and won the 5th Mao Dun Literary Prize in 2005. (from Wikipedia)