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The Stecher Trilogy
Series · 3 books · 1937-1952

Books in series

White Mule book cover
#1

White Mule

1937

Williams was foremost a poet, but the novels are of great interest. They are important books in their own right, because they present with a poet’s insight, and in a prose style of striking originality, aspects of American life which few other writers have approached. White Mule and its sequels, In the Money and The Build-Up, form a trilogy, the saga of the Stecher family, but each volume is a complete novel by itself. Joe Stecher and Gurlie, his wife, are a young couple of European origin settled in New York at the turn of the century and working to make a place for themselves in the new world. White Mule is the story of Joe’s inner struggle between love of fine craftsmanship (he is a printer by trade) and Gurlie’s ambition to get ahead, to have him get “in the money.” But it also the story of the awakening consciousness of their children; the real heroine is the baby Flossie––she had a kick like “White Mule” whiskey––whose birth begins the book. Everything revolves around the baby and she is surely unique in literature. Dr. Williams was a pediatrician, and without sentimentality he makes of this little being, who cannot even talk, a full-scale, three-dimensional personality.
In the Money book cover
#2

In the Money

1940

First published by New Directions in 1940, In the Money is a sequel to White Mule, and the second volume in Dr. Williams’s “Stecher Trilogy,” but it also stands alone as a novel complete in itself. White Mule is a study of childhood––of the baby Flossie Stecher and her sister Lottie, and their parents, Joe and Gurlie Stecher, of German and Norwegian origin, living in New York before the first World War. In the Money is Joe Stecher’s success story––the tale of his fight against graft and injustice to found his own business and get “into the money.” Joe is by nature quiet and reserved. But his wife Gurlie is full of ambition and drives him on toward the things she wants––position and a home of her own. It is a simple story, yet a meaningful one––a typical American situation. As a novelist, one of Dr. Williams’s strengths is his striking use of detail, an “objectivism,” related to the style of his poetry; which achieves great, even symbolic force in its enlargement of the minutiae of American life and character.
The Build-Up book cover
#3

The Build-Up

1952

The Build-up, Volume 3 of the Stecher Trilogy, picks up the thread of White Mule and In the Money . Although all of the novels deal with the triumphant rise of an immigrant family in the early 1900s, The Build-up is more concerned with the overwhelming drive and ambition of Joe Stecher's wife, Gurlie. After years of hard work, careful planning (and his wife's badgering) Joe's printing business is providing his family with a comfortable income. As soon as her financial goal is realized, Gurlie focuses her attention on another area. Her phenomenal energy is soon earning her all unassailable position as a social leader in a small New Jersey suburb. Her achievement is not without its heartache, however. This story is told with all the gentle humor and exacting detail that mark Williams' prose works.

Author

William Carlos Williams
William Carlos Williams
Author · 44 books

William Carlos Williams was an American poet closely associated with modernism and Imagism. He was also a pediatrician and general practitioner of medicine. Williams "worked harder at being a writer than he did at being a physician," wrote biographer Linda Wagner-Martin. During his long lifetime, Williams excelled both as a poet and a physician. Although his primary occupation was as a doctor, Williams had a full literary career. His work consists of short stories, poems, plays, novels, critical essays, an autobiography, translations, and correspondence. He wrote at night and spent weekends in New York City with friends—writers and artists like the avant-garde painters Marcel Duchamp and Francis Picabia and the poets Wallace Stevens and Marianne Moore. He became involved in the Imagist movement but soon he began to develop opinions that differed from those of his poetic peers, Ezra Pound and T. S. Eliot. Later in his life, Williams toured the United States giving poetry readings and lectures. In May 1963, he was posthumously awarded the Pulitzer Prize for Pictures from Brueghel and Other Poems (1962) and the Gold Medal for Poetry of the National Institute of Arts and Letters. The Poetry Society of America continues to honor William Carlos Williams by presenting an annual award in his name for the best book of poetry published by a small, non-profit or university press. Williams' house in Rutherford is now on the National Register of Historic Places. He was inducted into the New Jersey Hall of Fame in 2009.

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The Stecher Trilogy