1964
First Published
3.83
Average Rating
318
Number of Pages
This book is a critical study of the extraordinary outburst of drama in the French, German, English, and American theaters since the end of the Second World War. Ever since 1950, when Eugene Ionesco's first play "The Bald Soprano" was produced, the theater has been vibrant with the excitement of a new movement of artistic creation. At first glance the plays written in French, English, and German since the end of the Second World War are entirely dissimilar. It is the purpose of this book to explain the meanings of these plays, set them in their proper place in the history of dramatic literature, and point out their basic similarities. These similarities consist of a common theme (protest) and a common technique (paradox).
Avg Rating
3.83
Number of Ratings
6
5 STARS
33%
4 STARS
33%
3 STARS
17%
2 STARS
17%
1 STARS
0%
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