Margins
The Torches book cover
The Torches
1968
First Published
4.09
Average Rating
46
Number of Pages

Unicorn Press: 1968 (First Edition) "1300 copies published: 1030 glued into wrappers, 250 bound into boards 30 numbered and signed by the poet case-bound by Donald Rojo in an or- iginal fabric by Joe & Anna Burgess." "second revised, enlarged edition" : "1530 copies of this edition have been printed by Elmer Picard from type set by Patti Field. 250 copies were cloth bound by Gordon Thomsen and thirty quarter bound copies signed by the poet."

Avg Rating
4.09
Number of Ratings
11
5 STARS
45%
4 STARS
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3 STARS
18%
2 STARS
9%
1 STARS
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Author

James Tate
James Tate
Author · 23 books

James Vincent Tate was born in Kansas City, Missouri. He taught creative writing at the University of California, Berkeley and Columbia University, and at the University of Massachusetts, Amherst, where he worked since 1971. He was a member of the poetry faculty at the MFA Program for Poets & Writers, along with Dara Wier and Peter Gizzi. Dudley Fitts selected Tate's first book of poems, The Lost Pilot (1967) for the Yale Series of Younger Poets while Tate was still a student at the University of Iowa Writers' Workshop; Fitts praised Tate's writing for its "natural grace." Despite the early praise he received Tate alienated some of his fans in the seventies with a series of poetry collections that grew more and more strange. He published two books of prose, Dreams of a Robot Dancing Bee (2001) and The Route as Briefed (1999). His awards include a National Institute of Arts and Letters Award, the Wallace Stevens Award, a Pulitzer Prize in poetry, a National Book Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He was also a Chancellor of the Academy of American Poets. Tate's writing style is difficult to describe, but has been identified with the postmodernist and neo-surrealist movements. He has been known to play with phrases culled from news items, history, anecdotes, or common speech; later cutting, pasting, and assembling such divergent material into tightly woven compositions that reveal bizarre and surreal insights into the absurdity of human nature.

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