I am guilty not because of my actions, to which I freely admit, but for my accession, admission, confession that I executed these actions with not only deliberation and premeditation but with zeal and paroxysm and purpose . . . The true answer to your question is shorter than the lie. Did you? I did. This is a confession of a victim turned villain. When Ishmael Kidder's eleven-year-old daughter is brutally murdered, it stands to reason that he must take revenge by any means necessary. The punishment is carried out without guilt, and with the usual equipment—duct tape, rope, and superglue. But the tools of psychological torture prove to be the most devastating of all. Percival Everett's most lacerating indictment to date, The Water Cure follows the gruesome reasoning and execution of revenge in a society that has lost a common moral ground, where rules are meaningless. A master storyteller, Everett draws upon disparate elements of Western philosophy, language theory, and military intelligence reports to create a terrifying story of loss, anger, and helplessness in our modern world. This is a timely and important novel that confronts the dark legacy of the Bush years and the state of America today.
Author
Percival L. Everett (born 1956) is an American writer and Distinguished Professor of English at the University of Southern California. There might not be a more fertile mind in American fiction today than Everett’s. In 22 years, he has written 19 books, including a farcical Western, a savage satire of the publishing industry, a children’s story spoofing counting books, retellings of the Greek myths of Medea and Dionysus, and a philosophical tract narrated by a four-year-old. The Washington Post has called Everett “one of the most adventurously experimental of modern American novelists.” And according to The Boston Globe, “He’s literature’s NASCAR champion, going flat out, narrowly avoiding one seemingly inevitable crash only to steer straight for the next.” Everett, who teaches courses in creative writing, American studies and critical theory, says he writes about what interests him, which explains his prolific output and the range of subjects he has tackled. He also describes himself as a demanding teacher who learns from his students as much as they learn from him. Everett’s writing has earned him the PEN USA 2006 Literary Award (for his 2005 novel, Wounded), the Academy Award for Literature of the American Academy of Arts and Letters and the Hurston/Wright Legacy Award (for his 2001 novel, Erasure), the PEN/Oakland-Josephine Miles Award for Excellence in Literature (for his 1996 story collection, Big Picture) and the New American Writing Award (for his 1990 novel, Zulus). He has served as a judge for, among others, the 1997 National Book Award for fiction and the PEN/Faulkner Award for Fiction in 1991.
