The Weather in Proust
2011
First Published
4.27
Average Rating
240
Number of Pages
The Weather in Proust gathers pieces written by the eminent critic and theorist Eve Kosofsky Sedgwick in the last decade of her life, as she worked toward a book on Proust. This book takes its title from the first essay, a startlingly original interpretation of Proust. By way of Neoplatonism, Buddhism, and the work of Melanie Klein, Sedgwick establishes the sense of refreshment and surprise that the author of the Recherche affords his readers. Proust also figures in pieces on the poetry of C. P. Cavafy, object relations, affect theory, and Sedgwick’s textile art practices. More explicitly connected to her role as a pioneering queer theorist are an exuberant attack against reactionary refusals of the work of Guy Hocquenghem and talks in which she lays out her central ideas about sexuality and her concerns about the direction of US queer theory. Sedgwick lived for more than a dozen years with a diagnosis of terminal cancer; its implications informed her later writing and thinking, as well as her spiritual and artistic practices. In the book’s final and most personal essay, she reflects on the realization of her impending death. Featuring thirty-seven color images of her art, The Weather in Proust offers a comprehensive view of Sedgwick’s later work, underscoring its diversity and coherence.
Avg Rating
4.27
Number of Ratings
45
5 STARS
53%
4 STARS
27%
3 STARS
13%
2 STARS
7%
1 STARS
0%
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Author
Eve Kosofsky Sedgwick
Author · 11 books
Eve Kosofsky Sedgwick was an American academician specializing in literary criticism and feminist analysis; she is known as one of the architects of queer theory. Her works reflect an interest in queer performativity, experimental critical writing, non-Lacanian psychoanalysis, Buddhism and pedagogy, the affective theories of Silvan Tomkins and Melanie Klein, and material culture, especially textiles and texture. Drawing on feminist scholarship and the work of Michel Foucault, Sedgwick uncovered purportedly hidden homoerotic subplots in writers like Charles Dickens, Henry James and Marcel Proust. Sedgwick argued that an understanding of virtually any aspect of modern Western culture would be incomplete or damaged if it failed to incorporate a critical analysis of modern homo/heterosexual definition, coining the terms "antihomophobic" and "homosocial."
