Part of Series
In an unremembered past of savagery, magic, and miracles, one figure blazed like a fiery comet across the blood-soaked fields of Europe and North Africa—a fierce combatant and brilliant strategist named Ash, unequalled in battle, who vanished into the mists of a history long forgotten, until now. The armies of the Visigoth Empire have smashed the might of Europe, plunging the conquered lands into unnatural night. Only Burgundy fights on, battered but unbeaten, still warm in the embrace of the sun. It is the heart of the continent, supreme in culture and force of arms. But the beleaguered Duchy's ultimate fate lies in the hands of its rightful ruler, Duke Charles, trapped behind the walls of Dijon—a city under siege by the brutal soldiers of the Faris, Ash's dark twin. Like Ash, the Faris hears the words of the dread machinery that seeks the extermination of all humankind. Unlike Ash, she heeds them. Fresh from the horrors of Carthage—and the apocalyptic seductions of the Wild Machines—Ash must decide whether to lead an army to near-certain doom, in an attempt to lift the siege of Dijon. For if the great city falls, and Charles dies, the sun will rise on the world no more...and humanity will descend into a darkness without end.
Author
This author also writes under the pseudonym of Roxanne Morgan Excerpted from Wikipedia: Mary Gentle's first published novel was Hawk in Silver (1977), a young-adult fantasy. She came to prominence with the Orthe duology, which consists of Golden Witchbreed (1983) and Ancient Light (1987). The novels Rats and Gargoyles (1990), The Architecture of Desire (1991), and Left to His Own Devices (1994), together with several short stories, form a loosely linked series (collected in White Crow in 2003). As with Michael Moorcock's series about his anti-heroic Jerry Cornelius, Gentle's sequence retains some basic facts about her two protagonists Valentine (also known as the White Crow) and Casaubon while changing much else about them, including what world they inhabit. Several take place in an alternate-history version of 17th century and later England, where a form of Renaissance Hermetic magic has taken over the role of science. Another, Left To His Own Devices, takes place in a cyberpunk-tinged version of our own near future. The sequence is informed by historically existing ideas about esotericism and alchemy and is rife with obscure allusions to real history and literature. Grunts! (1992) is a grand guignol parody of mass-market high fantasy novels, with orcs as heroes, murderous halflings, and racist elves.
