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The Winter Soldier book cover
The Winter Soldier
2018
First Published
4.00
Average Rating
352
Number of Pages

Vienna, 1914. Lucius is a twenty-two-year-old medical student when World War I explodes across Europe. Enraptured by romantic tales of battlefield surgery, he enlists, expecting a position at a well-organized field hospital. But when he arrives, at a commandeered church tucked away high in a remote valley of the Carpathian Mountains, he finds a freezing outpost ravaged by typhus. The other doctors have fled, and only a single, mysterious nurse named Sister Margarete remains. But Lucius has never lifted a surgeon's scalpel. And as the war rages across the winter landscape, he finds himself falling in love with the woman from whom he must learn a brutal, makeshift medicine. Then one day, an unconscious soldier is brought in from the snow, his uniform stuffed with strange drawings. He seems beyond rescue until Lucius makes a fateful decision that will change the lives of doctor, patient, and nurse forever. From the gilded ballrooms of Imperial Vienna to the frozen forests of the Eastern Front; from hardscrabble operating rooms to battlefields thundering with Cossack cavalry, The Winter Soldier is the story of war and medicine, of family, of finding love in the sweeping tides of history, and finally, of the mistakes we make, and the precious opportunities to atone.

Avg Rating
4.00
Number of Ratings
18,934
5 STARS
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4 STARS
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3 STARS
20%
2 STARS
4%
1 STARS
1%
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Author

Daniel Mason
Daniel Mason
Author · 6 books
Daniel Mason is a physician and author of The Piano Tuner (2002), A Far Country (2007), The Winter Soldier (2018), A Registry of My Passage Upon the Earth (2020)—a finalist for the Pulitzer Prize—and North Woods (2023). His work has been translated into 28 languages, awarded a 2021 Guggenheim Fellowship, the Joyce Carol Oates Prize, the California Book Award, the Northern California Book Award, and a Fellowship from the National Endowment for the Arts. The Piano Tuner was produced as an opera by Music Theatre Wales for the Royal Opera House in London, and adapted to the stage by Lifeline Theatre in Chicago. His short stories and essays have appeared in The Atlantic, Harper’s, Zoetrope: All Story, Zyzzyva, Narrative, and Lapham’s Quarterly, and have been awarded a Pushcart Prize, a National Magazine Award and an O. Henry Prize. An assistant professor in the Stanford University Department of Psychiatry, his research and teaching interests include the subjective experience of mental illness and the influence of literature, history, and culture on the practice of medicine.
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