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Tiny Alice book cover
Tiny Alice
1965
First Published
3.51
Average Rating
190
Number of Pages
Synopsis THE TINY ALICE begins with a venomous exchange between a lawyer and a cardinal whose contempt for each other careens back to their school days. Eventually, the lawyer offers the cardinal $100 million a year at the request of Miss Alice, the world's richest woman. Julian, the cardinal's secretary, is to come to Miss Alice's castle to complete the details, but while there, Julian falls prey to Miss Alice as she contrives to make him her lover. Through the related transmutations of religious ecstasy and orgasmic pleasure, Julian's true feelings are terrifyingly revealed, and the stage is set for the electrifying climax of this eloquent, compelling play. Product Identifiers ISBN-10 0822211548 ISBN-13 9780822211549 Key Details Author Edward Albee Publication Date 1965-10-01 Target Audience Group Trade
Avg Rating
3.51
Number of Ratings
567
5 STARS
18%
4 STARS
35%
3 STARS
32%
2 STARS
13%
1 STARS
3%
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Author

Edward Albee
Edward Albee
Author · 36 books

Noted American playwright Edward Franklin Albee explored the darker aspects of human relationships in plays like Who's Afraid of Virginia Woolf? (1962) and Three Tall Women (1991), which won his third Pulitzer Prize. People know Edward Franklin Albee III for works, including The Zoo Story , The Sandbox and The American Dream . He well crafted his works, considered often unsympathetic examinations of the modern condition. His early works reflected a mastery and Americanization of the theater of the absurd, which found its peak in European playwrights, such as Jean Genet, Samuel Barclay Beckett, and Eugène Ionesco. Younger Pulitzer Prize-winner Paula Vogel credits daring mix of theatricalism and biting dialogue of Albee with helping to reinvent the postwar theater in the early 1960s. Dedication of Albee to continuing to evolve his voice—as evidenced in later productions such as The Goat or Who Is Sylvia? (2000) — also routinely marks him as distinct of his era. Albee described his work as "an examination of the American Scene, an attack on the substitution of artificial for real values in our society, a condemnation of complacency, cruelty, and emasculation and vacuity, a stand against the fiction that everything in this slipping land of ours is peachy-keen."

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