To Buy And Read In 24 25

A short, irresistible, and bittersweet coming-of-age story in the vein of "Stranger Things" and "Stand by Me" about a group of misfit kids who spend an unforgettable summer investigating local ghost stories and urban legends. Growing up in 1980s Niagara Falls—a seedy but magical, slightly haunted place—Jake Baker spends most of his time with his uncle Calvin, a kind but eccentric enthusiast of occult artifacts and conspiracy theories. The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

A dazzling, heartbreaking page-turner destined for breakout status: a novel that gives voice to millions of Americans as it tells the story of the love between a Panamanian boy and a Mexican girl: teenagers living in an apartment block of immigrant families like their own. After their daughter Maribel suffers a near-fatal accident, the Riveras leave México and come to America. But upon settling at Redwood Apartments, a two-story cinderblock complex just off a highway in Delaware, they discover that Maribel's recovery—the piece of the American Dream on which they've pinned all their hopes—will not be easy. Every task seems to confront them with language, racial, and cultural obstacles. At Redwood also lives Mayor Toro, a high school sophomore whose family arrived from Panamá fifteen years ago. Mayor sees in Maribel something others do not: that beyond her lovely face, and beneath the damage she's sustained, is a gentle, funny, and wise spirit. But as the two grow closer, violence casts a shadow over all their futures in America. Peopled with deeply sympathetic characters, this poignant yet unsentimental tale of young love tells a riveting story of unflinching honesty and humanity that offers a resonant new definition of what it means to be an American. An instant classic is born.

Margaret Atwood meets Buffy in these funny, warm, and furious stories of women at their breaking points, from Hellenic times to today. Cassandra may have seen the future, but it doesn't mean she's resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures—a Yelp review, a WikiHow article—which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

The Bluest Eye is Toni Morrison's first novel, a book heralded for its richness of language and boldness of vision. Set in the author's girlhood hometown of Lorain, Ohio, it tells the story of black, eleven-year-old Pecola Breedlove. Pecola prays for her eyes to turn blue so that she will be as beautiful and beloved as all the blond, blue-eyed children in America. In the autumn of 1941, the year the marigolds in the Breedloves' garden do not bloom. Pecola's life does change—in painful, devastating ways. What its vivid evocation of the fear and loneliness at the heart of a child's yearning, and the tragedy of its fulfillment. The Bluest Eye remains one of Toni Morrisons' most powerful, unforgettable novels- and a significant work of American fiction.

From the bestselling author of Ghosts and Everything I Know About Love: a story of heartbreak and friendship and how to survive both. Andy's story wasn't meant to turn out this way. Living out of a suitcase in his best friends' spare room, waiting for his career as a stand-up comedian to finally take off, he struggles to process the life-ruining end of his relationship with the only woman he's ever truly loved. As he tries to solve the seemingly unsolvable mystery of his broken relationship, he contends with career catastrophe, social media paranoia, a rapidly dwindling friendship group and the growing suspicion that, at 35, he really should have figured this all out by now. Andy has a lot to learn, not least his ex-girlfriend's side of the story. Warm, wise, funny and achingly relatable, Dolly Alderton's highly-anticipated second novel is about the mystery of what draws us together - and what pulls us apart - the pain of really growing up, and the stories we tell about our lives.

As if Marguerite Duras wrote Convenience Store Woman - a beautiful, unexpected novel from a debut French Korean author It’s winter in Sokcho, a tourist town on the border between South and North Korea. The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape. The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows – the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen. An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Duspain’s voice is distinctive and unmistakable.

A hilarious and incisive exploration of the joys of reading from a teacher, bibliophile and Thurber Prize finalist We read to escape, to learn, to find love, to feel seen. We read to encounter new worlds, to discover new recipes, to find connection across difference, or simply to pass a rainy afternoon. No matter the reason, books have the power to keep us safe, to challenge us, and perhaps most importantly, to make us more fully human. Shannon Reed, a longtime teacher, lifelong reader, and New Yorker contributor, gets it. With one simple goal in mind, she makes the case that we should read for pleasure above all else. In this whip\-smart, laugh\-out\-loud\-funny collection, Reed shares surprising stories from her life as a reader and the poignant ways in which books have impacted her students. From the varied novels she cherishes ( Gone Girl, Their Eyes Were Watching God ) to the ones she didn’t ( Tess of the d’Urbervilles ), Reed takes us on a rollicking tour through the comforting world of literature, celebrating the books we love, the readers who love them, and the surprising ways in which literature can transform us for the better.

On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world's most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, innocents, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.

In einem verschlafenen Weindorf in den Vogesen taucht eines Tages ein Mädchen von atemberaubender Schönheit auf. Sie bleibt eine Weile und verschwindet schließlich genauso rätselhaft, wie sie gekommen ist. Szenenwechsel: Frankfurt schwitzt in drückender Hochsommerhitze, als im Stadtwald zwei grausam zugerichtete Leichen entdeckt werden. Der Fall wird Kommissar Robert Marthaler übertragen, einem Einzelgänger, der gerne auf eigene Faust recherchiert. Die Ermittlungen führen ihn auf die Spur einer Frau, deren Schönheit als außerordentlich beschrieben wird. Schließlich wird in einem eleganten Frankfurter Hotel ein Reporter brutal ermordet. Seine Begleiterin: eine auffallend schöne Frau. Alles andere als ein Routinefall, der Kommissar Marthaler vor immer neue Rätsel stellt und einige Überraschungen bereit hält. Sein erzählerisches Talent hat Jan Seghers alias Matthias Altenburg mit Veröffentlichungen wie Landschaft mit Wölfen oder Irgendwie alles Sex bereits unter Beweis gestellt. Aber hat er auch ein Talent für spannende Krimis? Ein allzu schönes Mädchen ist sein erster Kriminalroman. Obwohl Seghers sich selbst als Fan des amerikanischen Hard-Boiled-Krimis bezeichnet, sieht er die Vorbilder für seinen ersten Kriminalroman vor allem in der schwedischen Krimiliteratur, in Ermittlerfiguren wir Kommissar Wallander (Henning Mankell) und Kommissar Beck (Sjöwall/Wahlöö). Tatsächlich ist Robert Marthaler seinen schwedischen Kollegen in vielem ähnlich: Ein einsamer Wolf, der sich schwer tut in seiner Beziehung zu Frauen, mit einem ausgeprägten Hang zur Melancholie und einem Faible für klassische Musik. Mit seiner genauen Kenntnis von Frankfurt und Umgebung bekommt Seghers' Krimi außerdem ein besonderes Lokalkolorit, das entfernt auch an die Eifelkrimis von Jacques Berndorf erinnert. Vielleicht will Seghers mit seinem Erstlingskrimi manchmal ein wenig zu viel: Zu viele Figuren ohne ersichtliche Funktion treten auf und verschwinden wieder; eine Art Show-Down plötzlich in der Mitte des Buches, eine Liebensgeschichte. Es gibt zahlreiche Handlungsstränge und oft ist nicht ganz klar, worauf der Autor eigentlich die Konzentration lenken möchte. Gelegentlich bleiben die Figuren schwarz-weiß und konstruiert. Mit den fortlaufenden Ereignissen gelingt es Seghers jedoch, seinem Kommissar und den anderen Hauptfiguren zunehmend Leben einzuhauchen und damit gleichzeitig auch die Handlung leichtfüßiger zu machen. Einen Leitspruch hat Seghers über seine schriftstellerische Arbeit gesetzt: "Du darfst deine Leser nicht langweilen." Auch wenn dieser Erstlingskrimi an einigen Stellen noch etwas unausgegoren und kantig wirkt, dieses Ziel hat Seghers auf jeden Fall erreicht: Langeweile kommt nicht auf. —Ursula Kohaupt

The popular and “scrupulous historian” (Daily Mail, London) Gareth Russell presents five hundred years of British history—from King Henry VIII to Queen Elizabeth II—as seen through the doorways of the exquisite Hampton Court Palace. Architecturally breathtaking and rich in splendid art and décor, Hampton Court Palace has been the stage of some of the most important events in British history, such as the commissioning of King James’s version of the Bible, the staging of many of Shakespeare’s plays, and Queen Elizabeth II’s coronation ball. Accessible, engaging, and unputdownable, The Palace takes us into every room in the castle, revealing the ups and downs of royal history and illustrating what was at play politically, socially, and economically at the time. An engaging and charming history book that is perfect for fans of Alison Weir, Philippa Gregory, and Andrew Lownie, The Palace makes you feel as if you were in the room as history was made.

From award-winning author R. F. Kuang comes Babel, a historical fantasy epic that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British Empire Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide . . . Can powerful institutions be changed from within, or does revolution always require violence?

From the national bestselling author of A Gate at the Stairs—and a master of contemporary American fiction—comes “a funny, cohesive, and moving collection of stories" ( The New York Times Book Review ). In these tales of loss and pleasure, lovers and family, a woman learns to conduct an affair, a child of divorce dances with her mother, and a woman with a terminal illness contemplates her exit. Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

Presented by James Patterson's new children's imprint, this deliciously creepy horror novel has a storyline inspired by the Ripper murders and an unexpected, blood-chilling conclusion... Seventeen-year-old Audrey Rose Wadsworth was born a lord's daughter, with a life of wealth and privilege stretched out before her. But between the social teas and silk dress fittings, she leads a forbidden secret life. Against her stern father's wishes and society's expectations, Audrey often slips away to her uncle's laboratory to study the gruesome practice of forensic medicine. When her work on a string of savagely killed corpses drags Audrey into the investigation of a serial murderer, her search for answers brings her close to her own sheltered world. The story's shocking twists and turns, augmented with real, sinister period photos, will make this dazzling, #1 New York Times bestselling debut from author Kerri Maniscalco impossible to forget.

Something has walked the floors of the Ormen for almost a century. Something that craves revenge… 1901. Dundee, Scotland. Nicky wakes on board The Ormen, a whaling ship, attacked and dragged there, held against her will. With land still weeks away, it’s just her, the freezing ocean, and the crew – and they’re all owed something only she can give them. Now. Skúmaskot, Iceland. The Ormen has been drifting across the oceans for decades, its crew inexplicably vanished, it’s stories still unknown. But urban explorer Dominique has battled to reach Skúmaskot, an old shark fishing village on the northern tip of Iceland, just twenty miles from the Arctic Circle. A place where no one has lived for over forty years. And the resting place of The Ormen. She thought it was deserted. But something is there with her. And it’s seeking revenge…

A lyrical and dreamy reimagining of Dracula’s brides, A Dowry of Blood is a story of desire, obsession, and emancipation. Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband’s dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

"Last night I dreamt I went to Manderley again..." Ancient, beautiful Manderley, between the rose garden and the sea, is the county's showpiece. Rebecca made it so - even a year after her death, Rebecca's influence still rules there. How can Maxim de Winter's shy new bride ever fill her place or escape her vital shadow? A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely...

Impish, foul-mouthed Zazie arrives in Paris from the country to stay with her uncle Gabriel. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, 'Zazie in the Metro' remains as stylish and witty today as it did back then.

Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family. A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter. With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.

The first complete, annotated English Translation of Mikhail Bulgakov's comic masterpiece. An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech. One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

Set a year after the first book, it looks at how the surviving characters are dealing with fame and infamy when a new threat, wearing an old clown mask, reaches out to upend their lives. "And if you had any favorite characters in Clown in a Cornfield, I'm preemptively sorry. #FrendoLives" - Adam Cesare

This witty personal and cultural history of travel from the perspective of a Third World-raised woman of color, Airplane Mode, what does it mean to be a joyous traveler when we live in the ruins of colonialism, capitalism and climate change? The conditions of travel have long been dictated by the color of passports and the color of skin. The color of one’s skin and passport have long dictated the conditions of travel. For Shahnaz Habib, travel and travel writing have always been complicated pleasures. Habib threads the history of travel with her personal story as a child on family vacations in India, an adult curious about the world, and an immigrant for whom roundtrips are an annual fact of life. Tracing the power dynamics that underlie tourism, this insightful debut parses who gets to travel, and who gets to write about the experience. Threaded through the book are inviting and playful analyses of obvious and not-so-obvious travel passports, carousels, bougainvilleas, guidebooks, trains, the idea of wanderlust itself. Together, they tell a subversive history of travel as a Euro-American mode of consumerism—but as any traveler knows, travel is more than that. As an immigrant whose loved ones live across continents, Habib takes a deeply curious and joyful look at a troubled and beloved activity.

From New York Times bestselling author of The Perfect Marriage and You Shouldn’t Have Come Here comes a chilling family thriller about the (sometimes literal) skeletons in the closet. After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before. While going through their parent’s belongings, the siblings stumble upon a collection of home videos and decide to revisit those happier memories. However, the nostalgia is cut short when one of the VHS tapes reveals a night back in 1999 that none of them have any recollection of. On screen, their father appears covered in blood. What follows is a dead body and a pact between their parents to get rid of it, before the video abruptly ends. Beth, Nicole, and Michael must now decide whether to leave the past in the past or uncover the dark secret their mother took to her grave.

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I'm not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate. I'm Ernest Cunningham. Call me Ern or Ernie. I wish I'd killed whoever decided our family reunion should be at a ski resort, but it's a little more complicated than that. Have I killed someone? Yes. I have. Who was it? Let's get started. EVERYONE IN MY FAMILY HAS KILLED SOMEONE My brother My stepsister My wife My father My mother My sister-in-law My uncle My stepfather My aunt Me

On a creepy island where everyone has a strange obsession with the year 1994, a newcomer arrives, hoping to learn the truth about her son's death—but finds herself pulled deeper and deeper into the bizarrely insular community and their complicated rules... Clifford Island. When Willow Stone finds these words written on the floor of her deceased son's bedroom, she's perplexed. She's never heard of it before, but soon learns it's a tiny island off of Wisconsin's Door County peninsula, 200 miles from Willow's home. Why would her son write this on his floor? Determined to find answers, Willow sets out for the island. After a few days on Clifford, Willow realizes: this place is not normal. Everyone seems to be stuck in a particular day in 1994: they wear outdated clothing, avoid modern technology, and, perhaps most mystifyingly, watch the OJ Simpson car chase every evening. When she asks questions, people are evasive, but she learns one thing: close your curtains at night. High schooler Lily Becker has lived on Clifford her entire life, and she is sick of the island's twisted mythology and adhering to the rules. She's been to the mainland, and everyone is normal there, so why is Clifford so weird? Lily is determined to prove that the islanders' beliefs are a sham. But are they? Five weeks after Willow arrives on the island, she disappears. Willow's brother Harper comes to Clifford searching for his sister, and when he learns the truth—that this island is far more sinister than anyone could have imagined—he is determined to blow the whole thing open. If he can get out alive...

Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Winner of the 2022 Southern Book Prize An Indie Next Selection for September 2021 A Book Marks Best Reviewed Essay Collection of 2021 A Literary Hub Most Anticipated Book of 2021 A Country Living Best Book of Fall 2021 A Garden & Gun Recommended Read for Fall 2021 A Book Marks Best Reviewed Book of September 2021 For the past four years, Margaret Renkl’s columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling new collection. “People have often asked me how it feels to be the ‘voice of the South,’” writes Renkl in her introduction. “But I’m not the voice of the South, and no one else is, either.” There are many Souths—red and blue, rural and urban, mountain and coast, Black and white and brown—and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand. In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning. From a writer who “makes one of all the world’s beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.

An unconventional vicar moves to a remote corner of the English countryside, only to discover a community haunted by death and disappearances both past and present—and intent on keeping its dark secrets—in this explosive, unsettling thriller from acclaimed author C. J. Tudor. Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself. Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known." The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest. But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

Christine Grillo's Hestia Strikes a Match is the slyly funny story of a woman looking for love and friendship in the midst of a new American civil war. Unionists against Confederates, children against parents, friends against friends: The year is 2023 and the United States has collapsed into another bloody civil war. Hestia Harris is forty, newly single by virtue of abandonment for the Union cause, and her parents are absconding to the Confederacy. She is adrift, save for her coworkers at the retirement village and her best friend, Mildred, an eighty-four-year-old resident, who gleefully supports Hestia's somewhat half-hearted but nonetheless hopeful attempts to find love in a time of chaos and disunion. Let's Not Date a Confederate! Hestia avers as her parents put up a sign proclaiming Make Liberals Feel Sad and Mildred reminds her It'll pass . . . It always does. For fans of Maria Semple, Andrew Sean Greer, Ling Ma, and Gail Honeyman, Christine Grillo's Hestia Strikes a Match is an irreverent, incisive, laugh-out-loud interrogation of modern love of all kinds, in all its messy beauty. As it fills your heart to fend off despair, it asks the seemingly ever-relevant question: How do you embrace an entire life when the whole world is breaking into bits and madness?

From one of America’s most celebrated storytellers come three dark, interlocking tales about the residents of a rural New York town, and the shocking headlines that become their local mythologies. A husband sells property to a mysterious, temperamental stranger, and is hounded on social media when he publicly questions the man’s character. A couple grows concerned when an enigmatic family moves next door, and the children start sneaking over to beg for help. Two dangerous criminals kidnap an elderly couple and begin blackmailing their grandson, demanding that he pay back what he owes. Suspenseful, thrilling, and expertly crafted, American Spirits explores the hostile undercurrents of our communities and American politics at large, as well as the ways local tragedies can be both devastating and, somehow, everyday. Ushering the reader through the town of Sam Dent, Russell Banks has etched yet another brilliant entry into the bedrock of American fiction.

The astonishing story of how the dead live on in memorials and traditions across the globe, from Ethiopia and Nepal to Cambodia and Rwanda, told through arresting images and captivating narration Death is universal, but the human response to death varies widely. In Western society, death is usually medicalised and taboo, and kept apart from the world of the living, while in much of the rest of the world, and for much of human history, death has commonly been far more integrated into peoples’ daily existence, and human remains are as much a reminder of life, memento vitae, as of death, memento mori. Through photos taken at more than 250 sites in thirty countries over a decade, Paul Koudounaris has captured death around the world. From Bolivia’s “festival of the little pug-nosed ones,” where skulls are festooned with flowers and given cigarettes to smoke and beanie hats to protect them from the weather to Indonesian families who dress mummies and include them in their household routines; from naturally preserved Buddhist monks and memorials to genocide in Rwanda and Cambodia to the dramatic climax of Europe’s great ossuaries, Memento Mori defies taboo to demonstrate how the dead continue to be present in the lives of people everywhere. 500+ colour illustrations

What unspeakable horror eats away at the heart of Crestfall Bluffs? With law school and her whole life ahead of her, Joey plans to summer with her boyfriend Astor in his seemingly perfect hometown of Crestfall Bluffs. It's a chance to finally meet Astor's family and childhood friends, all while enjoying a vacation with every need attended to by servants. But beneath the affluent perfection lies a dark, deadly rot... will Joey discover the truth before it's too late, and if she does, can she survive to tell the tale?

From the Emmy-winning CBS Sunday Morning correspondent, an entertaining chronicle of his year spent traveling to every one of our National Parks, including his experiences with some of the most beautiful places—and most interesting people—that America has to offer. When Conor Knighton decided to spend a year wandering through "America's Best Idea," he was worried the whole thing might end up being his worst idea. But, after a broken engagement and a broken heart, he desperately needed a change of scenery. The ambitious plan he cooked up went a bit overboard in that department; Knighton set out to visit every single one of America's National Parks, from Acadia to Zion. Leave Only Footprints is the memoir of his year spent traveling across the United States, a journey that yielded his "On the Trail" series, which quickly became one of CBS Sunday Morning's most beloved segments. In this smart, informative, and often hilarious book, he'll share how his journey through these natural wonders, unchanged by man, ended up changing his worldview on everything from God to politics to love and technology. Whether it's waking up early for a naked scrub in an Arkansas bathhouse or staying up late to stargaze along our loneliest highway, Knighton goes behind the scenery to provide an unfiltered look at America. In the tradition of books like A Walk in the Woods or Turn Right at Machu Picchu, this is an irresistible mix of personal narrative and travelogue-some well-placed pop culture references, too-and a must-read for any of the 331 million yearly National Parks visitors.

The Nineties: a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history. It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn't know who it was. By the end, exposing someone's address was an act of emotional violence, and nobody picked up their new cell phone if they didn't know who it was. The '90s brought about a revolution in the human condition we're still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like Cop Killer and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a '90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, "The video for 'Smells Like Teen Spirit' was not more consequential than the reunification of Germany" make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

For fans of Never Let Me Go and My Dark Vanessa, a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control. Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard. She’s learning, too. Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?

Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

When Ruby McTavish Callahan Woodward Miller Kenmore dies, she’s not only North Carolina’s richest woman, she’s also its most notorious. The victim of a famous kidnapping as a child and a widow four times over, Ruby ruled the tiny town of Tavistock from Ashby House, her family’s estate high in the Blue Ridge mountains. In the aftermath of her death, that estate—along with a nine-figure fortune and the complicated legacy of being a McTavish—pass to her adopted son, Camden. But to everyone’s surprise, Cam wants little to do with the house or the money—and even less to do with the surviving McTavishes. Instead, he rejects his inheritance, settling into a normal life as an English teacher in Colorado and marrying Jules, a woman just as eager to escape her own messy past. Ten years later, Camden is a McTavish in name only, but a summons in the wake of his uncle’s death brings him and Jules back into the family fold at Ashby House. Its views are just as stunning as ever, its rooms just as elegant, but coming home reminds Cam why he was so quick to leave in the first place. Jules, however, has other ideas, and the more she learns about Cam’s estranged family—and the twisted secrets they keep—the more determined she is for her husband to claim everything Ruby once intended for him to have. But Ruby’s plans were always more complicated than they appeared. As Ashby House tightens its grip on Jules and Camden, questions about the infamous heiress come to light. Was there any truth to the persistent rumors following her disappearance as a girl? What really happened to those four husbands, who all died under mysterious circumstances? And why did she adopt Cam in the first place? Soon, Jules and Cam realize that an inheritance can entail far more than what’s written in a will––and that the bonds of family stretch far beyond the grave.

A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time. Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski’s life while investigating the culture’s fetishization of girls and female beauty, its obsession with and contempt for women’s sexuality, the perverse dynamics of the fashion and film industries, and the gray area between consent and abuse. Nuanced, fierce, and incisive, My Body marks the debut of a writer brimming with courage and intelligence.

A deeply rendered self-portrait of a lifelong surfer by the acclaimed New Yorker writer Barbarian Days is William Finnegan’s memoir of an obsession, a complex enchantment. Surfing only looks like a sport. To initiates, it is something else entirely: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life. Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter. Barbarian Days takes us deep into unfamiliar worlds, some of them right under our noses—off the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships annealed in challenging waves. Finnegan shares stories of life in a whites-only gang in a tough school in Honolulu even while his closest friend was a Hawaiian surfer. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful folly—he drops LSD while riding huge Honolua Bay, on Maui—is served up with rueful humor. He and a buddy, their knapsacks crammed with reef charts, bushwhack through Polynesia. They discover, while camping on an uninhabited island in Fiji, one of the world’s greatest waves. As Finnegan’s travels take him ever farther afield, he becomes an improbable anthropologist: unpicking the picturesque simplicity of a Samoan fishing village, dissecting the sexual politics of Tongan interactions with Americans and Japanese, navigating the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity. Barbarian Days is an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little understood art. Today, Finnegan’s surfing life is undiminished. Frantically juggling work and family, he chases his enchantment through Long Island ice storms and obscure corners of Madagascar.

For fans of Knives Out and The Thursday Murder Club, an enormously fun mystery about a woman who spends her entire life trying to prevent her foretold murder only to be proven right sixty years later, when she is found dead in her sprawling country estate... Now it's up to her great-niece to catch the killer. It’s 1965 and teenage Frances Adams is at an English country fair with her two best friends. But Frances’s night takes a hairpin turn when a fortune-teller makes a bone-chilling One day, Frances will be murdered. Frances spends a lifetime trying to solve a crime that hasn’t happened yet, compiling dirt on every person who crosses her path in an effort to prevent her own demise. For decades, no one takes Frances seriously, until nearly sixty years later, when Frances is found murdered, like she always said she would be. In the present day, Annie Adams has been summoned to a meeting at the sprawling country estate of her wealthy and reclusive great-aunt Frances. But by the time Annie arrives in the quaint English village of Castle Knoll, Frances is already dead. Annie is determined to catch the killer, but thanks to Frances’s lifelong habit of digging up secrets and lies, it seems every endearing and eccentric villager might just have a motive for her murder. Can Annie safely unravel the dark mystery at the heart of Castle Knoll, or will dredging up the past throw her into the path of a killer? As Annie gets closer to the truth, and closer to the danger, she starts to fear she might inherit her aunt’s fate instead of her fortune.

A man named Gil walks from New York to Arizona to recover from a failed love. After he arrives, new neighbors move into the glass-walled house next door, and his life begins to mesh with theirs. In this warmly textured, drily funny, and philosophical account of Gil’s unexpected devotion to the family, Lydia Millet explores the uncanny territory where the self ends and community begins―what one person can do in a world beset by emergencies. Dinosaurs is both sharp-edged and tender, an emotionally moving, intellectually resonant novel that asks, In the shadow of existential threat, where does hope live?

A twisty, sexy debut exploring the dark side of true crime fandom and the blurry lines of female friendship, perfect for fans of Ottessa Moshfegh, Gillian Flynn, My Favorite Murder, and Fleabag Conspiracy theories from Reddit seduce a disaster-prone woman into an obsession with solving her older sister’s cold-case disappearance Ten years ago, Theodora “Teddy” Angstrom’s older sister, Angie, disappeared. Her case remains unsolved. Now Teddy’s father, Mark, has killed himself. Unbeknownst to Mark’s family, he had been active in a Reddit community fixated on Angie, and Teddy can’t help but fall down the same rabbit hole. Teddy’s investigation quickly gets her in hot water with her colleagues at the pretentious high school where she teaches English, her gun-nut boyfriend, and her long-lost half brother. Further complicating matters is Teddy’s growing obsession with Mickey, a charming amateur sleuth who is eerily keen on helping her solve the case. Bewitched by Mickey, Teddy begins losing her grip on morality. As she struggles to reconcile new information with old memories, her erratic behavior reaches a fever pitch, but she won’t stop until she finds Angie—or destroys herself in the process. A biting critique of the internet’s voyeuristic entitlement, Rabbit Hole is an outrageous and heart-wrenching character study of a mind twisted by grief—and a page-turning mystery that’s as addictive as a late-night Reddit binge.

Alaska, 1974. Unpredictable. Unforgiving. Untamed. For a family in crisis, the ultimate test of survival. Ernt Allbright, a former POW, comes home from the Vietnam war a changed and volatile man. When he loses yet another job, he makes an impulsive decision: he will move his family north, to Alaska, where they will live off the grid in America’s last true frontier. Thirteen-year-old Leni, a girl coming of age in a tumultuous time, caught in the riptide of her parents’ passionate, stormy relationship, dares to hope that a new land will lead to a better future for her family. She is desperate for a place to belong. Her mother, Cora, will do anything and go anywhere for the man she loves, even if it means following him into the unknown. At first, Alaska seems to be the answer to their prayers. In a wild, remote corner of the state, they find a fiercely independent community of strong men and even stronger women. The long, sunlit days and the generosity of the locals make up for the Allbrights’ lack of preparation and dwindling resources. But as winter approaches and darkness descends on Alaska, Ernt’s fragile mental state deteriorates and the family begins to fracture. Soon the perils outside pale in comparison to threats from within. In their small cabin, covered in snow, blanketed in eighteen hours of night, Leni and her mother learn the terrible truth: they are on their own. In the wild, there is no one to save them but themselves. In this unforgettable portrait of human frailty and resilience, Kristin Hannah reveals the indomitable character of the modern American pioneer and the spirit of a vanishing Alaska―a place of incomparable beauty and danger. The Great Alone is a daring, beautiful, stay-up-all-night story about love and loss, the fight for survival, and the wildness that lives in both man and nature.

A best-of story selection by the master of horror manga. This volume includes nine of Junji Ito’s best short stories, as selected by the author himself and presented with accompanying notes and commentary. An arm peppered with tiny holes dangles from a sick girl’s window… After an idol hangs herself, balloons bearing faces appear in the sky, some even featuring your own face… An amateur film crew hires an extremely individualistic fashion model and faces a real bloody ending… An offering of nine fresh nightmares for the delight of horror fans. 1\. Used Record or Second-Hand Record (from House of the Marionettes, あやつりの屋敷 Ayatsuri no Yashiki), a story about people fighting over the ownership of a record that has a singer's singing as they died recorded on it. 2\. Shiver (from Slug Girl, なめくじの少女 Namekuji no Shoujo), a story about a cursed jade stone that causes holes to open up all over a person's body if they're around it. 3\. Fashion Model (from Souichi's Diary of Curses, 双一の呪い日記, Sōichi no Noroi no Nikki), a story about an oddly ominous fashion model. 4\. Hanging Balloons (from The Face Burglar, 顔泥棒 Kao Dorobou), a story about balloon headed dopplegangers out to hunt their counterparts the moment they go outside. 5\. Marionette Mansion (from House of the Marionettes, あやつりの屋敷 Ayatsuri no Yashiki), a story about a family who rather than deciding what they do or how they live, they instead hire puppeteers to control their actions via strings from the attic of their home. 6\. Painter (from Tomie), a story about a strange but beautiful woman named Tomie who wishes for an artist to accurately capture her beauty, and all the misfortune that happens as a result... 7\. The Long Dream (from The Story of the Mysterious Tunnel,トンネル奇譚 Ton'neru kitan), a story about a man who claims that the length of his dreams are becoming longer and longer and about how he begins to change as his dreams extend farther and farther. 8\. Honored Ancestors (from The Face Burglar, 顔泥棒 Kao Dorobou), a story about an amnesiac girl and the encounter that caused her to lose her memories and about carrying on the family line. At all costs. 9\. Greased (from Voices in the Dark, 闇の声 Yami no Koe, a story about oil and grease. 10\. Fashion Model: Cursed Frame \[new\]

A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

Death is an inevitable fact of life. Throughout the centuries, humanity has sought to understand this sobering thought through art and ritual. The theme of memento mori informs medieval Danse Macabre, the Tibetan Book of the Dead, Renaissance paintings of dissected corpses and “anatomical Eves,” Gothic literature, funeral effigies, Halloween, and paintings of the Last Judgment. Deceased ancestors are celebrated in the Mexican Day of the Dead, while the ancient Egyptians mummified their dead to secure their afterlife. A volume of unprecedented breadth and sinister beauty, Death: A Graveside Companion examines a staggering range of cultural attitudes toward death. The book is organized into themed chapters: The Art of Dying, Examining the Dead, Memorializing the Dead, The Personification of Death, Symbolizing Death, Death as Amusement, and The Dead After Life. Each chapter begins with thought-provoking articles by curators, academics, and journalists followed by gallery spreads presenting a breathtaking variety of death-related imagery and artifacts. From skulls to the dance of death, statuettes to ex libris, memento mori to memorabilia, the majority of the images are of artifacts in the astonishing collection of Richard Harris and range from 2000 BCE to the present day, running the gamut of both high and popular culture. Table of Contents 1. The Art of Dying 2. Examining the Dead 3. Memorializing the Dead 4. The Personification of Death 5. Symbolizing Death 6. Death as Amusement 7. The Dead After Life Essays: Death in Ancient and Present-Day Mexico, Eva Aridjis,The Power of Hair as Human Relic in Mourning Jewelry - Karen Bachmann, Medusa and the Power of the Severed Head, Laetitia Barbier, Anatomical Expressionism, Eleanor Crook, Poe and the Pathological Sublime, Mark Dery, Eros and Thanatos, Lisa Downing, Death-Themed Amusements, Joanna Ebenstein, The Nutshell Studies of Unexplained Death, Bruce Goldfarb, Theatre, Death and the Grand Guignol, Mel Gordon, Holy Spiritualism, Elizabeth Harper, Playing dead – A Gruesome Form of Amusement, Mervyn Heard, The Anatomy of Holy Transformation, Liselotte Hermes da Fonseca, Collecting Death, Evan Michelson, Art and Afterlife: Ethel le Rossignol and Georgiana Houghton, Mark Pilkington, The Dance of Death, Kevin Pyle, Art, Science and the Changing Conventions of Anatomical Representation, Michael Sappol, Spiritualism and Photography, Shannon Taggart, Playing with Dead Faces, John Troyer, Anatomy Embellished in the Cabinet of Frederik Ruysch, Bert van de Roemer

The Nobelist's latest masterwork, set in a sanitarium on the eve of World War I, probes the horrors that lie beneath our most hallowed ideas. In September 1913, Mieczysław, a student suffering from tuberculosis, arrives at Wilhelm Opitz’s Guesthouse for Gentlemen, a health resort in what is now western Poland. Every day, its residents gather in the dining room to imbibe the hallucinogenic local liqueur, to obsess over money and status, and to discuss the great issues of the Will there be war? Monarchy or democracy? Do devils exist? Are women inherently inferior? Meanwhile, disturbing things are beginning to happen in the guesthouse and its surroundings. As stories of shocking events in the surrounding highlands reach the men, a sense of dread builds. Someone\-\-or something\-\-seems to be watching them and attempting to infiltrate their world. Little does Mieczysław realize, as he attempts to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target. A century after the publication of The Magic Mountain, Tokarczuk revisits Thomas Mann territory and lays claim to it, blending horror story, comedy, folklore, and feminist parable with brilliant storytelling.

A debut novel about a queer Mexican American girl navigating Catholic school, while falling in love and learning to celebrate her true self. Sixteen-year-old Yamilet Flores prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, very rich Catholic school. But at least here no one knows she's gay, and Yami intends to keep it that way. After being outed by her crush and ex-best friend before transferring to Slayton Catholic, Yami has new priorities: keep her brother out of trouble, make her mom proud, and, most importantly, don't fall in love. Granted, she's never been great at any of those things, but that's a problem for Future Yami. The thing is, it's hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And smart. And talented. And cute. So cute. Either way, Yami isn't going to make the same mistake again. If word got back to her mom, she could face a lot worse than rejection. So she'll have to start asking, WWSGD: What would a straight girl do?

A delightfully captivating journey across the medieval world, seen through the eyes of those who travelled across itFrom the bustling bazaars of Tabriz, to the mysterious island of Caldihe, where sheep were said to grow on trees, Anthony Bale brings history alive in A Travel Guide to the Middle Ages, inviting the reader to travel across a medieval world punctuated with miraculous wonders and long-lost landmarks. Journeying alongside scholars, spies and saints, from western Europe to the Far East, the Antipodes, and the ends of the world, this is no ordinary travel guide, containing everything from profane pilgrim badges, Venetian laxatives and flying coffins to encounters with bandits and trysts with princesses.Using previously untranslated contemporary accounts from as far and wide as Turkey, Iceland, Armenia, north Africa, and Russia, A Travel Guide to the Middle Ages is a living atlas that blurs the distinction between real and imagined places, offering the reader a vivid and unforgettable insight into how medieval people understood their world.

The first collection in English of an endlessly surprising, master storyteller Like those of Kafka, Poe, Leonora Carrington, or Shirley Jackson, Amparo Dávila’s stories are terrifying, mesmerizing, and expertly crafted―you’ll finish each one gasping for air. With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the loneliness sinks in easily like a razor\-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest ―Dávila’s debut collection in English―you’ll wonder how this secret was kept for so long.

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home. Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Most people want to avoid thinking about death, but Caitlin Doughty—a twenty-something with a degree in medieval history and a flair for the macabre—took a job at a crematory, turning morbid curiosity into her life’s work. Thrown into a profession of gallows humor and vivid characters (both living and very dead), Caitlin learned to navigate the secretive culture of those who care for the deceased. Smoke Gets in Your Eyes tells an unusual coming-of-age story full of bizarre encounters and unforgettable scenes. Caring for dead bodies of every color, shape, and affliction, Caitlin soon becomes an intrepid explorer in the world of the dead. She describes how she swept ashes from the machines (and sometimes onto her clothes) and reveals the strange history of cremation and undertaking, marveling at bizarre and wonderful funeral practices from different cultures. Her eye-opening, candid, and often hilarious story is like going on a journey with your bravest friend to the cemetery at midnight. She demystifies death, leading us behind the black curtain of her unique profession. And she answers questions you didn’t know you had: Can you catch a disease from a corpse? How many dead bodies can you fit in a Dodge van? What exactly does a flaming skull look like? Honest and heartfelt, self-deprecating and ironic, Caitlin's engaging style makes this otherwise taboo topic both approachable and engrossing. Now a licensed mortician with an alternative funeral practice, Caitlin argues that our fear of dying warps our culture and society, and she calls for better ways of dealing with death (and our dead).

Few places have been as nostalgized, or as maligned, as malls. Since their birth in the 1950s, they have loomed large as temples of commerce, the agora of the suburbs. In their prime, they proved a powerful draw for creative thinkers such as Joan Didion, Ray Bradbury, and George Romero, who understood the mall's appeal as both critics and consumers. Yet today, amid the aftershocks of financial crises and a global pandemic, as well as the rise of online retail, the dystopian husk of an abandoned shopping center has become one of our era's defining images. Conventional wisdom holds that the mall is dead. But what was the mall, really? And have rumors of its demise been greatly exaggerated? In her acclaimed The Design of Childhood, Alexandra Lange uncovered the histories of toys, classrooms, and playgrounds. She now turns her sharp eye to another subject we only think we know. She chronicles postwar architects' and merchants' invention of the mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. In Lange's perceptive account, the mall becomes newly strange and rich with contradiction: Malls are environments of both freedom and exclusion—of consumerism, but also of community. Meet Me by the Fountain is a highly entertaining and evocative promenade through the mall's story of rise, fall, and ongoing reinvention, for readers of any generation.

Following three generations of East New Yorkers; a debut, coming-of-age novel that mixes magical realism and the Southern Gothic—for readers of Jesmyn Ward and Jamel Brinkley. Taking place over thirty years, We Are a Haunting follows a family of East New Yorkers struggling to maintain a connection to their history. Grandma Audrey, herself a living ancestor among the speaking dead, is about to lose her apartment; her indelible and vivacious daughter Key dies young after serving the Black women of her neighborhood, leaving behind a grieving son, Colly, who holds deep-seated disdain for a community to which he has no choice but to be accountable. Going back to the '80s, we see Key's life consisting of nightclubs and enchantment. While training as a doula, she discovers that for her, the dead are much closer than expected and learns how to speak both to and for them, forming a connection between passed and living family members. After her death, Colly soon discovers that he shares the same sacred gift his mother had. His expulsion from school forces Colly across town, where he forges an understanding of how friendship, family, and community foster love in places where it may seem inherently and systemically impossible. After college, Colly returns to East New York to work with community organizers addressing structural neglect and the crumbling NYCHA blocks; to do what he can for the people that mean the most to him. With a singular combination of urban fiction, the supernatural, and social critique, Tyriek White depicts the palpable, breathing essence of outer borough New York City with lyricism and deep significance.

Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

A historical drama based on the Battle of Blair Mountain, pitting a multi\-ethnic army of 10,000 coal miners against mine owners, state militia, and the United States government in the largest labor uprising in American history. Rednecks is a tour de force, big canvas historical novel that dramatizes the 1920 to 1921 events of the West Virginia Mine Wars—from the Matewan Massacre through the Battle of Blair Mountain, the largest armed conflict on American soil since the Civil War, when some one million rounds were fired, bombs were dropped on Appalachia, and the term “redneck” would come to have an unexpected origin story. Brimming with the high stakes drama of America’s buried history, Rednecks tells a powerful story of rebellion against oppression. In a land where the coal companies use violence and intimidation to keep miners from organizing, “Doc Moo" Muhanna, a Lebanese\-American doctor (inspired by the author’s own great\-grandfather), toils amid the blood and injustice of the mining camps. When Frank Hugham, a Black World War One veteran and coal miner, takes dramatic steps to lead a miners' revolt with a band of fellow veterans, Doc Moo risks his life and career to treat sick and wounded miners, while Frank's grandmother, Beulah, fights her own battle to save her home and grandson. Real\-life historical figures burn bright among the hills: the fiery Mother Jones, an Irish\-born labor organizer once known as "The Most Dangerous Woman in America," struggles to maintain the ear of the miners ("her boys") amid the tide of rebellion, while the sharp\-shooting police chief "Smilin" Sid Hatfield dares to stand up to the "gun thugs" of the coal companies, becoming a folk hero of the mine wars. Award\-winning novelist Taylor Brown brings to life one of the most compelling events in 20th century American history, reminding us of the hard\-won origins of today's unions. Rednecks is a propulsive, character\-driven tale that’s both a century old and blisteringly contemporary: a story of unexpected friendship, heroism in the face of injustice, and the power of love and community against all odds.

First published in 1945, Elizabeth Smart's By Grand Central Station I Sat Down and Wept is an enigmatic and nearly indescribable book, a small classic of poetic prose whose author has been compared with Anaïs Nin and Djuna Barnes. In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife; the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

A dazzling magical realism western in the vein of Cormac McCarthy meets Gabriel García Márquez, The Bullet Swallower follows a Mexican bandido as he sets off for Texas to save his family, only to encounter a mysterious figure who has come, finally, to collect a cosmic debt generations in the making. In 1895, Antonio Sonoro is the latest in a long line of ruthless men. He’s good with his gun and is drawn to trouble but he’s also out of money and out of options. A drought has ravaged the town of Dorado, Mexico, where he lives with his wife and children, and so when he hears about a train laden with gold and other treasures, he sets off for Houston to rob it—with his younger brother Hugo in tow. But when the heist goes awry and Hugo is killed by the Texas Rangers, Antonio finds himself launched into a quest for revenge that endangers not only his life and his family, but his eternal soul. In 1964, Jaime Sonoro is Mexico’s most renowned actor and singer. But his comfortable life is disrupted when he discovers a book that purports to tell the entire history of his family beginning with Cain and Abel. In its ancient pages, Jaime learns about the multitude of horrific crimes committed by his ancestors. And when the same mysterious figure from Antonio’s timeline shows up in Mexico City, Jaime realizes that he may be the one who has to pay for his ancestors’ crimes, unless he can discover the true story of his grandfather Antonio, the legendary bandido El Tragabalas, The Bullet Swallower. A family saga that’s epic in scope and magical in its blood, and based loosely on the author’s own great-grandfather, The Bullet Swallower tackles border politics, intergenerational trauma, and the legacies of racism and colonialism in a lush setting and stunning prose that asks who pays for the sins of our ancestors, and whether it is possible to be better than our forebears.

You can find an alternative cover edition for this ISBN here and here. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire. This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.

First published in 1912, just two short months after the sinking of the TITANIC, this hauntingly immediate account opens with Lawrence Beesley's story of arriving onshore and soon after walking through the doors of Messrs. Houghton and Mifflin to tell his tale. THE LOSS OF THE S.S. TITANIC represents Beesley's attempt not just to record the events of the sinking but to set the record straight. In so doing, he captures both the majesty and the tragedy of this legendary voyage—the view from the lifeboat as well as that from the deck. Full of wonderful nautical detail and written with a hair-raising clarity, THE LOSS OF THE S.S. TITANIC is an altogether spellbinding tale of that fateful night—one you won't soon forget.

Open the safe deposit box. Inside you will find research material for a true crime book. You must read the documents, then make a decision. Will you destroy them? Or will you take them to the police? Everyone knows the story of the Alperton Angels: the cult-like group who were convinced one of their member's babies was the anti-Christ, and they had a divine mission to kill it - until the baby's mother, Holly, came to her senses and called the police. The Angels committed suicide rather than go to prison, and Holly - and the baby - disappeared into the care system. Nearly two decades later, true-crime author Amanda Bailey is writing a book on the Angels. The Alperton baby has turned eighteen and can finally be interviewed - if Amanda can find them, it will be the true-crime scoop of the year, and will save her flagging career. But rival author Oliver Menzies is just as smart, better connected, and is also on the baby's trail. As Amanda and Oliver are forced to collaborate, they realise that what everyone thinks they know about the Angels is wrong, and the truth is something much darker and stranger than they'd ever imagined. This story is far from over - and it won't have a happy ending.

The Sellout meets Interior Chinatown in this satirical debut about a German Indian student whose world is upended when she discovers that her beloved professor who passed for Indian is, in fact, white. Nivedita (a.k.a. Identitti), a well-known blogger and doctoral student, is in awe of her supervisor—superstar postcolonial and race studies professor Saraswati. But her life and sense of self are turned upside down when it emerges that Saraswati is actually white. Nivedita's praise of Saraswati during a radio interview just hours before the news breaks—and before she learns the truth—calls into question her own reputation as a young activist. Following the uproar, Nivedita is forced to reflect on the key moments in her life, when she doubted her identity and her place in the world. As debates on the scandal rage on social media, blogs, and among her closest friends, Nivedita's assumptions are called into question as she reconsiders the lessons she learned from her adored professor. In her thought-provoking, genre-bending debut, Mithu Sanyal enlisted the contributions and commentary of real life public intellectuals as if Saraswati were a real person. A darkly comedic tour de force, Identitti showcases the outsized power of social media in the current debates about identity politics and the power of claiming your own voice.

What are the lives of America's richest families really like? Their nannies see it all… When Stephanie Kiser moves to New York City after college to pursue a career in writing, she quickly learns that her entry\-level salary won't cover the high cost of living―never mind her crushing student loan debt. But there is one in\-demand job that pays more than enough to allow Stephanie to stay in the city: nannying for the 1%. Desperate to escape the poverty of her own childhood, Stephanie falls into a job that hijacks her life for the next seven years: a glorified personal assistant to toddlers on Manhattan's Upper East Side. At first, nannying seems like the perfect solution―the high pay covers Stephanie's bills, and she's surprised by how attached she becomes to the kids she cares for, even as she gasps over Prada baby onesies and preschools that cost more than her college tuition. But the grueling twelve\-hour days leave her little time to see her friends, date, or pursue any creative projects that might lead to a more prestigious career. The allure of the seemingly\-glamorous job begins to dull as Stephanie comes to understand more about what really happens behind the closed doors of million\-dollar Park Avenue apartments―and that money doesn't guarantee happiness. Soon she will have to decide whether to stay with the children she's grown to love, or if there's something better out there just beyond her reach. Wanted: Toddler's Personal Assistant is alternately poignant and funny, a portrait of a generation of Americans struggling to find work they love balanced against the headwinds of global uncertainty and an economy stacked against anyone trying to work their way up from the bottom. It's a provocative story of class, caregiving, friendship, and family―and a juicy, voyeuristic peek behind the curtain of obscene wealth and the privilege and opportunity that comes with it. In this unputdownable memoir, Stephanie chronicles her journey from newbie nanny to beloved caregiver—and the painful decision to eventually say goodbye to the children she has grown to love.

A darkly funny domestic horror novel about a woman who must take drastic measures to save her husband and herself from the vengeful ghost of her mother-in-law. When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish. When Laura takes her own life, her ghost haunts Abby and Ralph in very different ways: Ralph is plunged into depression, and Abby is terrorized by a force intent on destroying everything she loves. To make matters worse, Mrs. Bondy’s daughter is threatening to move Mrs. Bondy from the home, leaving Abby totally alone. With everything on the line, Abby comes up with a chilling plan that will allow her to keep Mrs. Bondy, rescue Ralph from his tortured mind, and break Laura's hold on the family for good. All it requires is a little ingenuity, a lot of determination, and a unique recipe for chicken à la king…

It's been eighteen months since the Raxter School for Girls was put under quarantine. Since the Tox hit and pulled Hetty's life out from under her. It started slow. First the teachers died one by one. Then it began to infect the students, turning their bodies strange and foreign. Now, cut off from the rest of the world and left to fend for themselves on their island home, the girls don't dare wander outside the school's fence, where the Tox has made the woods wild and dangerous. They wait for the cure they were promised as the Tox seeps into everything. But when Byatt goes missing, Hetty will do anything to find her, even if it means breaking quarantine and braving the horrors that lie beyond the fence. And when she does, Hetty learns that there's more to their story, to their life at Raxter, than she could have ever thought true.

In this gripping debut tinged with supernatural horror, a young Cree woman's dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home. When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie's dreams return her to a memory from before her sister Sabrina's untimely death: a weekend at the family's lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too—a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina—Mackenzie knows this is more than she can handle alone. Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams—and make them more dangerous. What really happened that night at the lake, and what did it have to do with Sabrina's death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?

From \#1 New York Times bestselling author Ava Reid comes a reimagining of Lady Macbeth, Shakespeare’s most famous villainess, giving her a voice, a past, and a power that transforms the story men have written for her. The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. She does not know this yet. But she will.

When everything is lost, it’s our stories that survive. How do we weather the end of things? Cloud Cuckoo Land brings together an unforgettable cast of dreamers and outsiders from past, present and future to offer a vision of survival against all odds. Constantinople, 1453: An orphaned seamstress and a cursed boy with a love for animals risk everything on opposite sides of a city wall to protect the people they love. Idaho, 2020: An impoverished, idealistic kid seeks revenge on a world that’s crumbling around him. Can he go through with it when a gentle old man stands between him and his plans? Unknown, Sometime in the Future: With her tiny community in peril, Konstance is the last hope for the human race. To find a way forward, she must look to the oldest stories of all for guidance. Bound together by a single ancient text, these tales interweave to form a tapestry of solace and resilience and a celebration of storytelling itself. Like its predecessor All the Light We Cannot See, Anthony Doerr’s new novel is a tale of hope and of profound human connection.

During the Great War, a combat nurse searches for her brother, believed dead in the trenches despite eerie signs that suggest otherwise, in this hauntingly beautiful historical novel with a speculative twist from the New York Times bestselling author of The Bear and the Nightingale January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else? November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear. As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.

From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi—a scavenger and an oddball fixture at a local café—collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he's created a monster, one that needs human flesh to survive—first from the guilty, and then from anyone in its path. A prizewinning novel by "Baghdad's new literary star" (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.

A fast-paced, thrilling horror novel that follows a group of heroines to die for. In horror movies, the final girl is the one who's left standing when the credits roll. The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her? Lynnette Tarkington is a real-life final girl who survived a massacre twenty-two years ago, and it has defined every day of her life since. And she's not alone. For more than a decade she's been meeting with five other actual final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette's worst fears are realized—someone knows about the group and is determined to take their lives apart again, piece by piece. But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this riveting sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don’t Fear the Reaper is the page-turning sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

THE STORY: Widely familiar as a successful novel and motion picture, LOLITA details the controversial obsession of Humbert Humbert, a middle-aged man of some education and refinement, to possess Dolores Haze, a pre-teen "nymphet." Comprised of a series of interrelated scenes which are commented on by an urbane narrator, the play follows the peregrinations of the increasingly desperate Humbert as he first marries Dolores' mother and then engineers her death—after which he and "Lolita" embark on a zigzag tour of America's motels, always one step ahead of another "dirty old man" with whom his hostage is in love. In the end, "Lolita" escapes Humbert's clutches only to marry a deaf man and die in childbirth—her tormentors, in turn, follow their own destinies toward either madness or murder.

One of NPR's Great Reads of 2016 “A lively assemblage and smart analysis of dozens of haunting stories… absorbing…[and] intellectually intriguing.”— The New York Times Book Review An intellectual feast for fans of offbeat history, Ghostland takes readers on a road trip through some of the country's most infamously haunted places—and deep into the dark side of our history. Colin Dickey is on the trail of America's ghosts. Crammed into old houses and hotels, abandoned prisons and empty hospitals, the spirits that linger continue to capture our collective imagination, but why? His own fascination piqued by a house hunt in Los Angeles that revealed derelict foreclosures and "zombie homes," Dickey embarks on a journey across the continental United States to decode and unpack the American history repressed in our most famous haunted places. Some have established reputations as "the most haunted mansion in America," or "the most haunted prison"; others, like the haunted Indian burial grounds in West Virginia, evoke memories from the past our collective nation tries to forget. With boundless curiosity, Dickey conjures the dead by focusing on questions of the living—how do we, the living, deal with stories about ghosts, and how do we inhabit and move through spaces that have been deemed, for whatever reason, haunted? Paying attention not only to the true facts behind a ghost story, but also to the ways in which changes to those facts are made—and why those changes are made—Dickey paints a version of American history left out of the textbooks, one of things left undone, crimes left unsolved. Spellbinding, scary, and wickedly insightful, Ghostland discovers the past we're most afraid to speak of aloud in the bright light of day is the same past that tends to linger in the ghost stories we whisper in the dark.

Who invented reality TV, the world’s most dangerous pop\-culture genre, and why can’t we look away from it? In this revelatory, deeply reported account of the rise of “dirty documentary,” Emily Nussbaum unearths the surprising origin story of the genre that ate the world, as told through the lively voices of the people who created it. At once gimlet\-eyed and empathetic, Cue The Sun! explores the morally charged, funny, and sometimes tragic consequences of the hunt for something real inside something fake. Nussbaum traces four paths of reality innovation—game shows, prank shows, soap operas, and clip shows—that united in the Survivor format, sparking a tumultuous Hollywood gold\-rush. Along the way, we meet tricksters and innovators—from the icy Allen Funt to the shambolic Chuck Barris; Cops auteur John Langley; Bachelor mastermind Mike Fleiss; and Jon Murray, the visionary behind The Real World—along with dozens of crew members and ordinary people whose lives became fodder for the reality revolution. We learn about the tools of the trade—like Candid Camera’s brilliant “reveal” and the notorious Frankenbite, a deceptive editor’s best friend—and the moral outrage that reality shows provoked. But Cue The Sun! also celebrates what made the genre so powerful: a jolt of authentic emotion. Through broad\-ranging reporting, Nussbaum examines seven tumultuous decades, exploring the celebreality boom, reality TV as a strike\-breaker, the queer roots of Bravo, and the dark truth behind The Apprentice. A shrewd observer who cares about television, she is the ideal voice for the first substantive cultural history of the genre that has, for better or worse, made America what it is today.

\\PRE-ORDER MURDER ISN'T THE FORENSICS OF AGATHA CHRISTIE, THE FASCINATING NEW BOOK BY CARLA VALENTINE\\ 'Part memoir and part manifesto, Valentine's book lifts the lid on daily life in the mortuary . . . Valentine bares her own soul . . . with visceral attention to physical and emotional detail' - Wendy Moore, Guardian 'A fascinating portrait . . . one seriously intriguing read' - Glamour 'A grisly topic, but a glorious read' - Mail on Sunday A day in the life of Carla Valentine - curator, pathology technician and 'death professional' - is not your average day. She spent ten years training and working as an Anatomical Pathology where the mortuary slab was her desk, and that day's corpses her task list. Past Mortems tells Carla's stories of those years, as well as investigating the body alongside our attitudes towards death - shedding light on what the living can learn from dead and the toll the work can take on the living souls who carry it out. Fascinating and insightful, Past Mortems reveals the truth about what happens when the mortuary doors swing shut or the lid of the coffin closes . . .

Librarian note: Alternate covers can be found here and here. 'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins' biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.