Set in rural Armenia in the aftermath of war, Narine Abgaryan’s haunting short stories show people finding hope and purpose again. Named “one of Europe’s most exciting authors” by the Guardian, Narine Abgaryan has written a dozen books which have collectively sold over 1.35 million copies. To Go On Living comes directly from her experiences coming of age during the conflict between Armenia and Azerbaijan in the early 1990s. Set in an Armenian moutain village, thirty-one linked short stories trace the interconnected lives of villagers tending to their everyday tasks, engaging in quotidian squabbles, and celebrating small joys against a breathtaking landscape. Yet the setting, suspended in time and space, belies unspeakable tragedy: every character contends with an unbearable burden of loss. The war rages largely off the book’s pages, appearing only in fragmented flashbacks. Abgaryan’s stories focus on how the survivors work, both as individuals and as a community, to find a way forward. Written in Abgaryan’s signature style that weaves elements of Armenian folk tradition into her prose, these stories of community, courage, and resilience celebrate human life, where humor, love and hope prevail in unthinkable circumstances. Narine Abgaryan’s stories shed fresh light on this forgotten corner of the world. “Humanity is in dire need of hope, of kind stories,” she told the Guardian. She’s given them to us here. “In this vivid and harrowing linked collection, Abgaryan depicts rural life in the war-ravaged borderlands between Armenia and Azerbaijan in the early 1990s. The villagers in close-knit Berd, an Armenian mountain community, carry on despite unbearable losses. The author was born and raised in Berd, and the stories are starkly realistic and often shocking in their portrayals of sudden violence, making their moments of joy all the more remarkable. These memorable tales evoke the power of the human spirit.” —Publisher’s Weekly “Narine Abgaryan is an Armenian who writes in Russian and lives in Germany. As her Russian reader and admirer, I will say that in our literature she is one of a kind: she is absolutely at home and actually occupies one of the most venerable rooms. This book is about Armenia, a country that has seen much suffering. Yet despite describing tragic and at times terrifying events, To Go On Living contains neither desperation nor bitterness. It contains only grief, love, and hope.” —Eugene Vodolazkin, author of Laurus