Part of Series
She risked everything for a Scottish outlaw who would do whatever it takes... Author of more than a dozen national bestsellers, award winner Susan Johnson is unmatched when it comes to writing novels that thrill, excite, and seduce. Now she once again captivates with this exciting historical novel of sensual adventure and forbidden love.... Roxane Forrestor was determined to live life on her own terms—even in a man's world. The beautiful Countess of Kilmarnock had so far survived the political and romantic intrigues of Scotland's most powerful suitors. So why couldn't she resist the brash Robbie Carre? Why did she find it impossible to throw the rebel earl out of her bedchamber even though it meant harboring a wanted man? Robbie cared nothing for his own safety. But he knew all too well that his ruthless enemies, desperate to capture him, would use Roxie and her children as pawns. He would brave the odds to protect them, would fight for his fugitive love with Roxie...even if their stolen moments of pleasure cost him his life.
Author
And it all began rather serendipitously. Long ago, as they say, in another time, when fast food hadn't reached our area and the only shopping was what the feed mill offered, I was reading a book that annoyed me . My husband was lying beside me in bed, watching TV. Turning to him, I sort of petulantly said, "How the hell did this book get published?" "If you think you're so smart," he replied, with one eye still on the TV, "why don't you write a book?" So I did. And very badly. I've since learned how to do, he said, she said, and a great variety of other adverb heavy, sometimes lengthy explanations of why my characters are saying what they're saying, along with finally coming to an understanding of what things like POV means. Point of View for you non-writers}. Although, I still don't fully comprehend why it matters if you switch POV and I cavalierly disregard it as much as possible. So while my technical skills have hopefully improved, what hasn't changed is my great joy in writing. There's as much pleasure today in listening to my characters talk while I type as fast as I can, as there was the first time I put dialogue to paper—in long-hand, then, in my leather bound sketch-book.
