To Read 24

It's 2017, and Olga and her brother, Pedro "Prieto" Acevedo, are bold-faced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan's powerbrokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1%, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets... Twenty-seven years ago, their mother, Blanca, a Young Lord-turned-radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives. Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico's history, Olga Dies Dreaming is a story that examines political corruption, familial strife and the very notion of the American dream—all while asking what it really means to weather a storm.

Alternate editions can be found here and here. A gothic masterpiece of tempestuous passions and dark secrets, Charlotte Brontë's Jane Eyre is edited with an introduction and notes by Stevie Davis in Penguin Classics. Charlotte Brontë tells the story of orphaned Jane Eyre, who grows up in the home of her heartless aunt, enduring loneliness and cruelty. This troubled childhood strengthens Jane's natural independence and spirit - which prove necessary when she finds employment as a governess to the young ward of Byronic, brooding Mr Rochester. As her feelings for Rochester develop, Jane gradually uncovers Thornfield Hall's terrible secret, forcing her to make a choice. Should she stay with Rochester and live with the consequences, or follow her convictions - even if it means leaving the man she loves? A novel of intense power and intrigue, Jane Eyre dazzled readers with its passionate depiction of a woman's search for equality and freedom.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born—a history whose epicenter is rooted in Vietnam—and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Das Glück hat acht Arme ist eine Erkundung von Freundschaft, Bewältigung und Hoffnung und erzählt von der ungewöhnlichen Verbindung einer Witwe mit einem Riesenpazifikkraken. Nachdem Tova Sullivans Ehemann gestorben war, begann sie, in der Nachtschicht im Sowell-Bay-Aquarium zu arbeiten, Böden zu wischen und aufzuräumen. Beschäftigt zu bleiben hat ihr immer geholfen, damit fertigzuwerden – seit ihr achtzehnjähriger Sohn Erik vor über dreißig Jahren auf einem Boot im Puget Sound auf rätselhafte Weise verschwand. Tova freundet sich mit dem mürrischen Marcellus an, einem Riesenpazifikkraken, der im Aquarium lebt. Marcellus weiß mehr, als sich irgendjemand vorstellen kann, doch er würde nicht im Traum einen seiner acht Arme für seine menschlichen Entführer rühren – bis er eine bemerkenswerte Freundschaft mit Tova schließt. Ganz Detektiv zieht Marcellus seine Schlüsse darüber, was in der Nacht geschah, in der Tovas Sohn verschwand. Nun muss Marcellus jeden Trick einsetzen, den sein alter wirbelloser Körper aufzubringen vermag, um für sie die Wahrheit ans Licht zu bringen, bevor es zu spät ist. Shelby Van Pelts Debütroman erinnert auf sanfte Weise daran, dass ein genauer Blick auf die Vergangenheit manchmal dabei helfen kann, eine Zukunft zu entdecken, die einst unmöglich schien.

A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature: the mother octopus who starves herself while watching over her eggs, the Chinese sturgeon whose migration route has been decimated by pollution and dams, the bizarre Bobbitt worm (named after Lorena), and other uncanny creatures lurking in the deep ocean, far below where the light reaches. Imbler discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a book that invites us to envision wilder, grander, and more abundant possibilities for the way we live.

From the two-time NBCC Finalist, an emotionally resonant, fiercely imaginative new novel about a family whose road trip across America collides with an immigration crisis at the southwestern border—an indelible journey told with breathtaking imagery, spare lyricism, and profound humanity. A mother and father set out with their two children, a boy and a girl, driving from New York to Arizona in the heat of summer. Their destination: Apacheria, the place the Apaches once called home. Why Apaches? asks the ten-year-old son. Because they were the last of something, answers his father. In their car, they play games and sing along to music. But on the radio, there is news about an "immigration crisis": thousands of kids trying to cross the southwestern border into the United States, but getting detained—or lost in the desert along the way. As the family drives—through Virginia to Tennessee, across Oklahoma and Texas—we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can almost feel beneath their feet. They are led, inexorably, to a grand, harrowing adventure—both in the desert landscape and within the chambers of their own imaginations. Told through several compelling voices, blending texts, sounds, and images, Lost Children Archive is an astonishing feat of literary virtuosity. It is a richly engaging story of how we document our experiences, and how we remember the things that matter to us the most. With urgency and empathy, it takes us deep into the lives of one remarkable family as it probes the nature of justice and equality today.

TRUE BIZ (adj./exclamation; American Sign Language): really, seriously, definitely, real-talk True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals, and have politicians, doctors, and their parents stop telling them what to do with their bodies. This revelatory novel plunges readers into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before; Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing; and February, the headmistress, who is fighting to keep her school open and her marriage intact, but might not be able to do both. As a series of crises both personal and political threaten to unravel each of them, Charlie, Austin, and February find their lives inextricable from one another's—and changed forever. This is a story of sign language and lip-reading, disability and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, this is an unforgettable journey into the Deaf community and a universal celebration of human connection.

How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Editor adrienne maree brown finds the answer in something she calls “pleasure activism,” a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, including Audre Lourde’s invitation to use the erotic as power and Toni Cade Bambara’s exhortation that we make the revolution irresistible, the contributors to this volume take up the challenge to rethink the ground rules of activism. Writers including Cara Page of the Astraea Lesbian Foundation For Justice, Sonya Renee Taylor, founder of This Body Is Not an Apology, and author Alexis Pauline Gumbs cover a wide array of subjects—from sex work to climate change, from race and gender to sex and drugs—creating new narratives about how politics can feel good and how what feels good always has a complex politics of its own. Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!

Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don't), and the unexpected friends who help you find your truest self. Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They head up a halfway house, where they live alongside castoffs like the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home—or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette's Agatha of Little Neon offers a view into the lives of women and the choices they make. It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves.

"In the four years before the Supreme Court's 1973 Roe vs. Wade decision, most women determined to get abortions had to subject themselves to the power of illegal, unregulated abortionists...But a Chicago woman who happened to stumble across a secret organization code-named 'Jane' had an alternative. Laura Kaplan, who joined Jane in 1971, has pieced together the histories of the anonymous (here identified only by pseudonyms), average-sounding women who transformed themselves into outlaws."— Cleveland Plain Dealer " The Story of Jane is a piece of women's history in step with feminist theory demanding that women tell their own stories. It serves to remind people of an important and often overlooked moment in the women's rights movement."— Seattle Weekly "Laura Kaplan's The Story of Jane is the first book to chronicle this controversial sliver of history, and it is a fascinating, if partisan, close-up of the group."— Newsday "[Kaplan] draws on her personal recollections and interviews with Jane members and clients and the doctors who performed the abortions to provide a well-written, detailed history of this radical group."— Publisher's Weekly "Weaving together the voices and memories of her former co-workers, Kaplan recounts how the group initially focused on counseling women and helping them find reliable, reasonably priced doctors....Kaplan's account of this remarkable story recaptures the political idealism of the early '70s...23 years after Roe vs. Wade, the issues and memories raised by the books are close and all too relevant."—K Kaufmann, San Francisco Chronicle "Laura Kaplan's The Story of Jane is the first book to chronicle this controversial sliver of history, and it is a fascinating, if partisan, close-up of the group.... The Story of Jane succeeds on the steam of Kaplan's gripping subject and her moving belief in the power of small-scale change."—Cynthia Leive, New York Newsday "During the four years before the Supreme Court's Roe v. Wade decision legalized abortion in 1973, the 100 members of Jane helped some 11,000 women end their pregnancies....There is more in this remarkable book that will further raise eyebrows....Kaplan's engrossing tales of the quiet courage of the women who risked their reputations and freedom to help others may remind many readers of other kinds of outlaws who have resisted tyranny throughout history."— Chicago Sun-Times

First published in 1905, The House of Mirth shocked the New York society it so deftly chronicles, portraying the moral, social and economic restraints on a woman who dared to claim the privileges of marriage without assuming the responsibilities. Lily Bart, beautiful, witty and sophisticated, is accepted by 'old money' and courted by the growing tribe of nouveaux riches. But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing, and to maintain her in the luxury she has come to expect. Whilst many have sought her, something - fastidiousness or integrity- prevents her from making a 'suitable' match.

From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

"Thelonious (Monk) Ellison has never allowed race to define his identity. But as both a writer and an African American, he is offended and angered by the success of We's Lives in Da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited "some relatives in Harlem for a couple of days." Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection." "Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We's Lives in Da Ghetto." But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.

From the writer crowned one of the smartest, funniest voices in modern America, this hotly anticipated debut collection of essays offers “a precious glimpse into how Ziwe’s uniquely fearless mind functions” (New York Magazine) Ziwe made a name for herself by asking guests like Alyssa Milano, Fran Lebowitz, and Chet Hanks direct questions. In Black Friend, she turns her incisive perspective on both herself and the culture at large. Throughout the book, Ziwe combines pop\-culture commentary and personal stories, which grapple with her own (mis)understanding of identity. From a hilarious case of mistaken identity via a jumbotron to a terrifying fight\-or\-flight encounter in the woods, Ziwe raises difficult questions for comedic relief. From Black Friend’s Introduction: “Today, I learned that my book is ranked as the \#1 new release in ‘Discrimination and Racism’ on Amazon. Wow. This is a huge honor, especially considering my stiff competition in the selfpublished manifestos space. Unfortunately, this victory is bittersweet. I worry that people may get the wrong idea and think that I am pro\-racism when in actuality, I am indifferent. Still, I’d love to thank everyone who made this possible. I solemnly swear to write the most discriminatory book in American history. I hope I can make you proud. “Just kidding . . . I will not marginalize you . . . unless that’s your kink. This book of essays offers moments of extreme discomfort (and the subsequent growth) in my life around the role of ‘black friend.’ Black friends come in all shapes and sizes. Yet the archetype is often a two\-dimensional character meant to support the non\-black protagonists’ more complex humanity. Some black friends exist as the comic relief, like Donkey in any of the Shrek movies. Some are the sassy friend, like Louise from St. Louis in Sex and the City. Still others are the inexplicably sagacious companion, like Morpheus in The Matrix. It’s impossible for these individual portraits to reflect my complicated reality. To start, they are fictional. One of them is a talking ass. I do not exist just to move plot. While I am a supportive friend, I am not a supporting character. I am the protagonist of my perfectly imperfect story.”

When a father goes missing, his family's desperate search leads them to question everything they know about him and one another—both a riveting page-turner and a deeply moving portrait of a family in crisis from the award-winning author of Miracle Creek. "We didn't call the police right away." Those are the first words of this extraordinary novel about a biracial Korean-American family in Virginia whose lives are upended when their beloved father and husband goes missing. Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn't initially concerned when her father and younger brother Eugene don't return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia's brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak. What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance. Full of shocking twists and fascinating questions of love, language, race, and human connection, Happiness Falls is a mystery, a family drama, and a novel of profound philosophical inquiry. With all the powerful storytelling she brought to her award-winning debut Miracle Creek, Angie Kim turns the missing person story into something wholly original, creating an indelible tale of a family who must go to remarkable lengths to truly understand one another.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is honestly a bit out of his league. So when tragedy strikes and Maisie and Grant lose their mother and Patrick’s brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of “Guncle Rules” ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting—even if temporary—isn’t solved with treats and jokes, Patrick’s eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you’re unfailingly human.

An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this country Written in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. “We equate suffering to perseverance and misinterpret the weight of shame,” she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South—a complex interplay of race, class, and gender that proves to be ever-shifting ground. Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves—as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear—to what it means to grow up in her great uncle’s Southern Baptist church—with rules including “No uncrossed ankles” and “No questions.” Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement—a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice.

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un\-settled?” Featuring stories by: Norris Black • Amber Blaeser\-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These wholly original and shiver\-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill\-advised whistle might summon.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents. Raised in a conservative and emotionally volatile Palestinian family in Brooklyn, Yara thought she would finally feel free when she married a charming entrepreneur who took her to the suburbs. She’s gotten to follow her dreams, completing an undergraduate degree in Art and landing a good job at the local college. As a traditional wife, she also raises their two school-aged daughters, takes care of the house, and has dinner ready when her husband gets home. With her family balanced with her professional ambitions, Yara knows that her life is infinitely more rewarding than her own mother’s. So why doesn’t it feel like enough? After her dream of chaperoning a student trip to Europe evaporates and she responds to a colleague’s racist provocation, Yara is put on probation at work and must attend mandatory counseling to keep her position. Her mother blames a family curse for the trouble she’s facing, and while Yara doesn’t really believe in old superstitions, she still finds herself growing increasingly uneasy with her mother’s warning and the possibility of falling victim to the same mistakes. Shaken to the core by these indictments of her life, Yara finds her carefully constructed world beginning to implode. To save herself, Yara must reckon with the reality that the difficulties of the childhood she thought she left behind have very real—and damaging—implications not just on her own future but that of her daughters.

“Varina Palladino’s Jersey Italian Love Story is fun and funny, wonderfully exuberant, and incredibly wise. These endearing characters—their voices and stories—will be with me for a long time to come. I didn’t want to say good-bye.” –Jill McCorkle, New York Times bestselling author of Hieroglyphics An utterly delightful and surprising family drama—think Moonstruck and My Big Fat Greek Wedding set in New Jersey—about a boisterous, complicated Italian family determined to help their widowed mother find a new boyfriend. Lively widow Varina Palladino has lived in the same house in Wyldale, New Jersey, her entire life. The town might be slightly stuck in the 1960s, when small businesses thrived and most residents were Italian, but its population is getting younger and the Palladinos are embracing the change. What Varina’s not embracing, much to her ninety-two-year-old mother’s dismay, is dating. Running Palladino’s Italian Specialties grocery, caring for her mother, and keeping her large, loud Jersey Italian family from killing one another takes up all of Varina’s energy anyway. Sylvia Spini worries about her daughter Varina being left all alone when she dies. Sylvia knows what it is to be old and alone, so when her granddaughter, Donatella, comes to her with an ill-conceived plan to find Varina a man, Sylvia dives in. The three men of the family—Dante, Tommy, and Paulie—are each secretly plotting their own big life changes, which will throw everyone for a loop. Three generations of Paladinos butt heads and break one another’s hearts as they wrestle with their own Jersey Italian love stories in this hilarious and life-affirming ode to love and family.

“Radical and revolutionary.” —Jonny Sun, New York Times bestselling author of Goodbye, Again A collection of powerful interconnected essays and affirmations that follow Mimi Zhu’s journey toward embodying and re-learning love after a violent romantic relationship, a stunning and provocative book that will guide and inspire readers to lean into love with softness In their early twenties, Mimi Zhu was a survivor of intimate-partner abuse. This left them broken, in search of healing and ways to re-learn love. This work is a testament to the strength and adaptability all humans possess, a tribute to love. Be Not Afraid of Love explores the intersections of love and fear in self-esteem, friendship, family dynamics, and romantic relationships, and extends out to its effects on society and the greater political realm. In sharing their own intimate encounters with oppression, healing, joy, and community, Mimi invites readers to reflect deeply on their own experiences as well, with the intention of acting as a guide to undoing the hurt or uncertainty within them. In this heartrending and revolutionary book, Mimi reminds us, be not afraid of love.

I, Maggie Banks, solemnly swear to uphold the rules of Cobblestone Books. If only, I, Maggie Banks, believed in following the rules. When Maggie Banks arrives in Bell River to run her best friend's struggling bookstore, she expects to sell bestsellers to her small-town clientele. But running a bookstore in a town with a famously bookish history isn't easy. Bell River's literary society insists on keeping the bookstore stuck in the past, and Maggie is banned from selling anything written this century. So, when a series of mishaps suddenly tip the bookstore toward ruin, Maggie will have to get creative to keep the shop afloat. And in Maggie's world, book rules are made to be broken. To help save the store, Maggie starts an underground book club, running a series of events celebrating the books readers actually love. But keeping the club quiet, selling forbidden books, and dodging the literary society is nearly impossible. Especially when Maggie unearths a town secret that could upend everything. Maggie will have to decide what's more important: the books that formed a small town's history, or the stories poised to change it all.

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction. The husband stitch—Inventory—Mothers—Especially heinous—Real women have bodies—Eight bites—The resident—Difficult at parties

Οι πολλές ζωές της θεωρητικής φυσικού Έλσι Χάναγουεϊ την έχουν επιτέλους προλάβει. Την ημέρα, είναι έκτακτη καθηγήτρια, μοχθεί διορθώνοντας εργαστηριακές ασκήσεις και διδάσκοντας θερμοδυναμική, με την ελπίδα να εξασφαλίσει μια μόνιμη θέση. Τις υπόλοιπες ώρες, η Έλσι αναπληρώνει τον ανύπαρκτο μισθό της προσφέροντας τις υπηρεσίες της ως ψεύτικη κοπέλα, αξιοποιώντας την άριστα καλλιεργημένη ικανότητά της να ευχαριστεί τους άλλους, ώστε να ενσαρκώνει όποια εκδοχή του εαυτού της χρειάζεται ο πελάτης. Ειλικρινά, είναι μια αρκετά καλή δουλειά — μέχρι που το προσεκτικά κατασκευασμένο σύμπαν της Έλσι καταρρέει. Γιατί ο Τζακ Σμιθ, ο εκνευριστικά γοητευτικός και μελαγχολικός μεγαλύτερος αδελφός του αγαπημένου της πελάτη, αποδεικνύεται πως είναι ο ψυχρός πειραματικός φυσικός που κατέστρεψε την καριέρα του μέντορά της και υπονόμευσε τη φήμη των θεωρητικών παντού. Και ο ίδιος Τζακ βρίσκεται τώρα στην επιτροπή προσλήψεων του MIT, ακριβώς ανάμεσα στην Έλσι και τη δουλειά των ονείρων της. Η Έλσι είναι έτοιμη για έναν ολοκληρωτικό πόλεμο ακαδημαϊκής δολιοφθοράς, αλλά… εκείνα τα μακρόσυρτα, διεισδυτικά βλέμματα; Το ότι δεν χρειάζεται να είναι τίποτε άλλο πέρα από ο αληθινός εαυτός της όταν είναι μαζί του; Μήπως η έλξη που ασκεί πάνω της ένας πειραματικός φυσικός θα την δελεάσει τελικά να εφαρμόσει στην πράξη τις πιο προσεκτικά φυλαγμένες θεωρίες της για την αγάπη;

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

Die gelassene und mütterliche Mrs. Ramsay, der tragische und doch absurde Mr. Ramsay sowie ihre Kinder und verschiedene Gäste verbringen ihren Urlaub auf der Isle of Skye. Aus der scheinbar belanglosen Verschiebung eines Besuchs bei einem nahe gelegenen Leuchtturm gestaltet Woolf eine bemerkenswerte, bewegende Untersuchung der komplexen Spannungen und Bindungen des Familienlebens und des Konflikts zwischen Männern und Frauen. Während die Zeit sich durch ihr Leben schlängelt, sehen sich die Ramsays allein und zugleich den größten menschlichen Herausforderungen und ihrem größten Triumph gegenüber – der menschlichen Fähigkeit zur Veränderung.

Dimple Pennington knew of her half siblings, but she didn't really know them. Five people who don't have anything in common except for faint memories of being driven through Brixton in their dad's gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She's thirty, and her life isn't really going anywhere. An aspiring lifestyle influencer with a terrible and wayward boyfriend, Dimple's life has shrunk to the size of a phone screen. And despite a small but loyal following, she's never felt more alone in her life. That is, until a dramatic event brings her half siblings Nikisha, Danny, Lizzie and Prynce crashing back into her life. And when they're all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated.

Pulitzer Prize Winner (1998) In American Pastoral, Philip Roth gives us a novel of unqualified greatness that is an elegy for all the twentieth century's promises of prosperity, civic order, and domestic bliss. Roth's protagonist is Seymour 'Swede' Levov—a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's Newark glove factory—comes of age in thriving, triumphant post-war America. And then one day in 1968, Swede's beautiful American luck deserts him. For Swede's adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandishly savage act of political terrorism. And overnight Swede is wrenched out of the longed-for American pastoral and into the indigenous American berserk. Compulsively readable, propelled by sorrow, rage, and a deep compassion for its characters, this is Roth's masterpiece.

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.

Candide is the story of a gentle man who, though pummeled and slapped in every direction by fate, clings desperately to the belief that he lives in "the best of all possible worlds." On the surface a witty, bantering tale, this eighteenth-century classic is actually a savage, satiric thrust at the philosophical optimism that proclaims that all disaster and human suffering is part of a benevolent cosmic plan. Fast, funny, often outrageous, the French philosopher's immortal narrative takes Candide around the world to discover that—contrary to the teachings of his distinguished tutor Dr. Pangloss—all is not always for the best. Alive with wit, brilliance, and graceful storytelling, Candide has become Voltaire's most celebrated work.

With only a yellowing photograph in hand, a young man—also named Jonathan Safran Foer—sets out to find the woman who may or may not have saved his grandfather from the Nazis. Accompanied by an old man haunted by memories of the war; an amorous dog named Sammy Davis, Junior, Junior; and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past.

In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is heartbroken, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

The bestselling feminist novel that awakened both women and men, The Women's Room follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, The Women's Room is a modern classic that offers piercing insight into the social norms accepted so blindly and revered so completely. Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.

An alternate cover edition of ISBN 9781982156121 can be found here. In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance. Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. What’s worse is she can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with their angelic daughter Harriet does Frida finally feel she’s attained the perfection expected of her. Harriet may be all she has, but she’s just enough. Until Frida has a horrible day. The state has its eyes on mothers like Frida—ones who check their phones while their kids are on the playground; who let their children walk home alone; in other words, mothers who only have one lapse of judgement. Now, a host of government officials will determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion. Faced with the possibility of losing Harriet, Frida must prove that she can live up to the standards set for mothers—that she can learn to be good. This propulsive, witty page-turner explores the perils of “perfect” upper-middle-class parenting, the violence enacted upon women by the state and each other, and the boundless love a mother has for her daughter.

A collection of fifteen essays written between 1976 and 1984 gives clear voice to Audre Lorde's literary and philosophical personae. These essays explore and illuminate the roots of Lorde's intellectual development and her deep-seated and longstanding concerns about ways of increasing empowerment among minority women writers and the absolute necessity to explicate the concept of difference—difference according to sex, race, and economic status. The title Sister Outsider finds its source in her poetry collection The Black Unicorn (1978). These poems and the essays in Sister Outsider stress Lorde's oft-stated theme of continuity, particularly of the geographical and intellectual link between Dahomey, Africa, and her emerging self. Notes from a trip to Russia Poetry is not a luxury The transformation of silence into language and action Scratching the surface : some notes on barriers to women and loving Uses of the erotic : the erotic as power Sexism : an American disease in blackface An open letter to Mary Daly Man child : a black lesbian feminist's response An interview : Audre Lorde and Adrienne Rich The Master's tools will never dismantle the Master's house Age, race, class, and sex : women redefining difference The uses of anger : women responding to racism Learning from the 60s Eye to eye : black women, hatred, and anger Grenada revisited : an interim report

"What is the meaning of life? Sagan finds its meaning everywhere—with her family, around the world, and especially among the stars of the cosmos. Read her work; you'll have a deeper appreciation for your every step, every bite, and every breath." —Bill Nye Sasha Sagan was raised by secular parents, the astronomer Carl Sagan and the writer and producer Ann Druyan. They taught her that the natural world and vast cosmos are full of profound beauty, that science reveals truths more wondrous than any myth or fable. When Sagan herself became a mother, she began her own hunt for the natural phenomena behind our most treasured occasions—from births to deaths, holidays to weddings, anniversaries, and more—growing these roots into a new set of rituals for her young daughter that honor the joy and significance of each experience without relying on religious framework. As Sagan shares these rituals, For Small Creatures Such as We becomes a tribute to a father, a newborn daughter, a marriage, and the natural world—a celebration of life itself, and the power of our families and beliefs to bring us together.

A conversation starter like Three Women but centering the experiences of women of color: a mellifluous chorus celebrating the liberation, individuality, and joy of African women's multifaceted sexuality Thanks to her blog, Adventures from the Bedrooms of African Women, Nana Darkoa Sekyiamah has spent decades talking openly and intimately to African women around the world about sex. For this book she spoke to over thirty African women across the globe while chronicling her own journey toward sexual freedom. We meet Yami, a pansexual Canadian of Malawian heritage, who describes negotiating the line between family dynamics and sexuality. There's Esther, a cisgendered hetero woman studying in America by way of Cameroon and Kenya, who talks of how a childhood rape has made her rebellious and estranged from her missionary parents. And Tsitsi, an HIV-positive Zimbabwean woman who is raising a healthy, HIV-free baby. Across a queer community in Egypt, polyamorous life in Senegal, and a reflection on the intersection of religion and pleasure in Cameroon, Sekyiamah explores the many layers of love and desire, its expression, and how it forms who we are. In these confessional pages, women control their own bodies and pleasure and assert their sexual power. Capturing the rich tapestry of sex positivity, The Sex Lives of African Women is a singular and subversive book that celebrates the liberation, individuality, and joy of African women's multifaceted sexuality.

A big think, conversation-changing book, full of practical advice, about how women can learn to claim the power of their voices in the workplace and at home, and what needs to change so they can finally be heard. From the Supreme Court to the conference room to the classroom, women find themselves interrupted much more often than their male counterparts. Worse, a 2015 Yale University study revealed that women executives who spoke more often than their peers were rated 14 percent less competent, while male executives who did the same thing enjoyed a 10 percent competency bump. And a 2016 study from USC found women account for only a third of speaking roles in top US movies. It's undeniable: women's voices aren't being heard - at work, at home, in every facet of their lives. The fault lies not with women, but in a culture that seeks to silence women's voices. However, there are skills every woman can harness to understand her own voice and learn how to use it with confidence. With Outspoken, Veronica Rueckert - a Peabody Award-winning former host at Wisconsin Public Radio, trained opera singer, and communications expert - teaches women to speak with the confidence, clarity, and authority that will get them heard. Outspoken provides listeners with the insight, guidance, and encouragement they need to use their voice to successfully communicate in meetings, around the dinner table, and during future political debates. Written with a warm and engaging tone, brimming with practical advice and accessible stories, Outspoken is a substantive yet entertaining analysis of why most males - and many females - don't grant women the power to speak. Most importantly, it includes solutions for change. Positive, confident and supportive, this welcome and much need guide will help reshape the world and make it better for women - and for everyone.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

You are a person worthy of love. You don’t have to do anything to deserve all the love in the world. Real Love is a creative tool kit of mindfulness exercises and meditation techniques that help you to truly engage with your present experience and create deeper love relationships with yourself, your partner, friends and family, and with life itself. Sharon Salzberg, a leading expert in Lovingkindness[GR1] meditation, encourages us to strip away layers of negative habits and obstacles, helping us to experience authentic love based on direct experience, rather than preconceptions. Across three sections, Sharon explains how to dispel cultural and emotional habits, and direct focused care and attention to recapture the essence of what it is to love and be loved. With positive reflections and practices, Sharon teaches us how to shift the responsibilities of the love that we give and receive to rekindle the powerful healing force of true connection. By challenging myths perpetuated by popular culture, we can undo the limited definitions that reduce love to simply romance or passion, and give the heart a much needed tune-up to connect ourselves to the truest experience of love in our daily lives.

The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions. “As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.” In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

In A Day of Fallen Night, Samantha Shannon sweeps readers back to the universe of Priory of the Orange Tree and into the lives of four women, showing us a course of events that shaped their world for generations to come. Tunuva Melim is a sister of the Priory. For fifty years, she has trained to slay wyrms – but none have appeared since the Nameless One, and the younger generation is starting to question the Priory's purpose. To the north, in the Queendom of Inys, Sabran the Ambitious has married the new King of Hróth, narrowly saving both realms from ruin. Their daughter, Glorian, trails in their shadow – exactly where she wants to be. The dragons of the East have slept for centuries. Dumai has spent her life in a Seiikinese mountain temple, trying to wake the gods from their long slumber. Now someone from her mother's past is coming to upend her fate. When the Dreadmount erupts, bringing with it an age of terror and violence, these women must find the strength to protect humankind from a devastating threat.

A searing, deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission and, ultimately, a road trip of healing and self-discovery. In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world”. She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone. It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times. When Jaouad finally walked out of the cancer ward—after three and a half years of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live. How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

NATIONAL BESTSELLER • A powerful work of visual nonfiction about three generations of an Apache family struggling to protect sacred land from a multinational mining corporation, by MacArthur “Genius” and National Book Award finalist Lauren Redniss, the acclaimed author of Thunder & Lightning “Brilliant . . . virtuosic . . . a master storyteller of a new order.”—Eliza Griswold, The New York Times Book Review (Editors’ Choice) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS Oak Flat is a serene high-elevation mesa that sits above the southeastern Arizona desert, fifteen miles to the west of the San Carlos Apache Indian Reservation. For the San Carlos tribe, Oak Flat is a holy place, an ancient burial ground and religious site where Apache girls celebrate the coming-of-age ritual known as the Sunrise Ceremony. In 1995, a massive untapped copper reserve was discovered nearby. A decade later, a law was passed transferring the area to a private company, whose planned copper mine will wipe Oak Flat off the map—sending its natural springs, petroglyph-covered rocks, and old-growth trees tumbling into a void. Redniss’s deep reporting and haunting artwork anchor this mesmerizing human narrative. Oak Flat tells the story of a race-against-time struggle for a swath of American land, which pits one of the poorest communities in the United States against the federal government and two of the world’s largest mining conglomerates. The book follows the fortunes of two families with profound connections to the contested site: the Nosies, an Apache family whose teenage daughter is an activist and leader in the Oak Flat fight, and the Gorhams, a mining family whose patriarch was a sheriff in the lawless early days of Arizona statehood. The still-unresolved Oak Flat conflict is ripped from today’s headlines, but its story resonates with foundational American themes: the saga of westward expansion, the resistance and resilience of Native peoples, and the efforts of profiteers to control the land and unearth treasure beneath it while the lives of individuals hang in the balance.

Between the Mountain and the Sky shows us the goodness that is possible when a single person—regardless of age—takes action to help another and, in the process, changes the lives of hundreds. Maggie’s story begins in suburban New Jersey, in a comfortable middle-class family that supports her decision to travel the world during a gap year before starting college. During her travels, the trajectory of her life alters when she has a surprise encounter with a Nepali girl breaking rocks in a quarry. Maggie decides to invest her life savings of five thousand dollars to buy a piece of land and open a children’s home in Nepal. That home becomes Kopila Valley Children’s Home, and eventually, the nonprofit Maggie launches, the BlinkNow Foundation, also starts the Kopila Valley School, which provides tuition-free education for more than four hundred students. Maggie and BlinkNow’s work have been recognized around the world for their innovative, sustainable work. However, this book isn’t a how-to for fledging philanthropists or nonprofit founders—it’s a coming-of-age story about a young woman suspended between two worlds, as well as the love, loss, healing, and hope she experiences along the way. And Maggie’s inspiring, intimate tale shows readers an important the power to change the world exists within all of us.

The Sentence asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.

Calling to mind the best works of Paul Beatty and Junot Díaz, this collection of moving, timely, and darkly funny stories examines the concept of black identity in this so-called post-racial era. A stunning new talent in literary fiction, Nafissa Thompson-Spires grapples with black identity and the contemporary middle class in these compelling, boundary-pushing vignettes. Each captivating story plunges headfirst into the lives of new, utterly original characters. Some are darkly humorous—from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide—while others are devastatingly poignant—a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture. Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires is an original and necessary voice in contemporary fiction.

A deeply personal and illuminating approach to antiracism and allyship, revealing the power of imagination and action to dismantle oppressive systems and build liberating ones, from a highly lauded lecturer, public academic, writer, and activist. In Beyond Love and Light, Rachel Cargle details the seminal event that put her on the map—her viral 2017 Women's March appearance that thrust her into the national conversation on feminism and allyship—and how she soon woke up to the fallacies of a movement she had believed in. Discovering and unpacking the white-washed lies she'd been fed about intersectional "solidarity," Cargle's awakening, although painful and seismic, gifted her the opportunity to see the world through a new lens. Now, Cargle shares her journey, depicting a framework for allyship, and beyond, that she developed along the way. In creating KEA (Knowledge, Empathy, Action), or as she calls them "from the head to the heart to the feet," Cargle learned to craft a world independent of oppressive constructs that allowed her to critically examine her surroundings. Alongside KEA, she established a set of intentional values based on an individual sense of purpose, known as higher values, and through the combination of these tools, reimagined her approach to the personal, societal, and structural components of life that are often stifled. She provides the same tools and prompts that she used to unearth and align her own values so anyone can wield them, and ultimately, identify the structures and mindsets that hold them back and learn to move forward. Beyond Love and Light serves as a reminder of the power of reimagining as an engine for critical learning, radical empathizing, and intentional action.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

Το ιαπωνικό φαινόμενο που μας διδάσκει τα απλά, μα και βαθυστόχαστα μαθήματα που απαιτούνται για να απελευθερώσουμε τον αληθινό μας εαυτό και να βρούμε διαρκή ευτυχία. Το «Τόλμησε να είσαι ο εαυτός σου» σού δείχνει πώς να απελευθερώσεις τη δύναμη που κρύβεις μέσα σου, ώστε να γίνεις ο καλύτερος και πιο αληθινός εαυτός σου, να αλλάξεις το μέλλον σου και να βρεις διαρκή ευτυχία. Χρησιμοποιώντας τις θεωρίες του Άλφρεντ Άντλερ, ενός από τους τρεις γίγαντες της ψυχολογίας του 19ου αιώνα, μαζί με τον Φρόιντ και τον Γιουνγκ, οι συγγραφείς εξηγούν πώς είμαστε όλοι ελεύθεροι να καθορίσουμε το δικό μας μέλλον, απαλλαγμένοι από τα δεσμά των περασμένων εμπειριών, των αμφιβολιών και των προσδοκιών των άλλων. Πρόκειται για μια βαθιά απελευθερωτική φιλοσοφία, που μας επιτρέπει να αναπτύξουμε το θάρρος να αλλάξουμε και να αγνοήσουμε τους περιορισμούς που εμείς και οι γύρω μας μπορεί να θέτουμε στον εαυτό μας. Το αποτέλεσμα είναι ένα βιβλίο ταυτόχρονα εξαιρετικά προσιτό και βαθυστόχαστο ως προς τη σημασία του. Εκατομμύρια άνθρωποι το έχουν ήδη διαβάσει και έχουν ωφεληθεί από τη σοφία του. Τώρα που το «Τόλμησε να είσαι ο εαυτός σου» εκδόθηκε για πρώτη φορά στα αγγλικά, μπορείς κι εσύ.

The Ramayana, one of the world’s greatest epics, is also a tragic love story. In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita’s version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women’s struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, ‘Enough!’

What would happen if you built one of the world’s most advanced societies inside a forest—and strove to make women full partners in power? After living for twenty-five years in New York, Naomi Moriyama moved with her husband and co-author William Doyle and their seven-year-old child to the vast forest of Finland's Karelia, a mysterious region on the Russian border that helped inspire J.R. R. Tolkien’s Middle Earth fantasies. She entered a life-altering zone of tranquility, peace, and beauty, the spiritual heart of the nation ranked as the happiest nation on Earth, with among the world's most empowered women. Finland is also the country with cleanest air and water and the best schools, a country where motherhood and fatherhood are championed by law, childhood is revered, schoolchildren are required to play outdoors multiple times a day, and trains contain mini-libraries and mini-playgrounds for children to enjoy. It was here in the Karelian forest that Naomi found a culinary symphony of succulent wild edibles, herbs, berries, mushrooms and fish, all freshly plucked from the moss-carpeted forest and sparkling clear streams. She also found something that changed her life—a tribe of invincible women who became her soul-sisters. As an idyllic summer and fall gave way to a sub-Arctic winter of mind-bending darkness and cold, Naomi faced her fears and her future. Over the course of six unforgettable months with her family and her new “sisters”, she found her life transformed, and discovered the power that lay within her all along. Then she tried to leave. But she kept coming back. Come, take a journey deep into Europe's most distant, magical wilderness, and join the sisterhood of the enchanted forest.

A collection of essays on resistance, resilience, and collective power in the age of climate disaster from Chamorro human rights lawyer and organizer Julian Aguon. Part memoir, part manifesto, Chamorro climate activist Julian Aguon's No Country for Eight-Spot Butterflies is a coming-of-age story and a call for justice—for everyone, but in particular, for Indigenous peoples. In bracing poetry and compelling prose, Aguon weaves together stories from his childhood in the villages of Guam with searing political commentary about matters ranging from nuclear weapons to global warming. Undertaking the work of bearing witness, wrestling with the most pressing questions of the modern day, and reckoning with the challenge of truth-telling in an era of rampant obfuscation, he culls from his own life experiences—from losing his father to pancreatic cancer to working for Mother Teresa to an edifying chance encounter with Sherman Alexie—to illuminate a collective path out of the darkness. A powerful, bold, new voice writing at the intersection of Indigenous rights and environmental justice, Julian Aguon is entrenched in the struggles of the people of the Pacific to liberate themselves from colonial rule, defend their sacred sites, and obtain justice for generations of harm. In No Country for Eight-Spot Butterflies, Aguon shares his wisdom and reflections on love, grief, joy, and triumph and extends an offer to join him in a hard-earned hope for a better world.

“Briona Simone Jones’s anthology Mouths of Rain is an audacious, unapologetic, transgressive collection of Black ‘queer’ writing across genre, time, identity, age, and political leanings. This sister/companion to Words of Fire, published thirty years ago, makes visible—again—our passionate and unwavering commitments to the eradication of all oppressions. It bears witness to the necessity and power of the field of Black Lesbian Studies and is a love offering to us all.” —Beverly Guy-Sheftall, Anna Julia Cooper Professor of Women’s Studies at Spelman College and editor of Words of Fire: An Anthology of African-American Feminist Thought Winner, Publishing Triangle’s Judy Grahn Award for Lesbian Nonfiction Winner, Lambda Literary Award in LGBTQ Anthology African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing over the past 200 years. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall's classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century. Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain, gathers writers including Alice Dunbar-Nelson, Barbara Jordan, and Audre Lorde to address pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic. Mouths of Rain brilliantly maps a genealogy of Black lesbian works from the pre-Harlem Renaissance to contemporary writers sparking new modes of thinking about the intellectual inheritance of Black lesbians.

I am a Weyward, and wild inside. 2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century. 1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom. 1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom. Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense and generous-hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.

Book annotation not available for this The Steinbeck, Perfection LearningPublication 1979/09/01Number of 33Binding PAPERBACKLibrary of

More than just a slogan on a t-shirt, feminism is a radical tool for fighting back against structural violence and injustice. Feminism, Interrupted is a bold call to seize feminism back from the cultural gatekeepers and return it to its radical roots. Lola Olufemi explores state violence against women, the fight for reproductive justice, transmisogyny, gendered Islamophobia and solidarity with global struggles, showing that the fight for gendered liberation can change the world for everybody when we refuse to think of it solely as women's work. Including testimonials from Sisters Uncut, migrant groups working for reproductive justice, prison abolitionists and activists involved in the international fight for Kurdish and Palestinian rights, Olufemi emphasises the link between feminism and grassroots organising. Reclaiming feminism from the clutches of the consumerist, neoliberal model, Feminism, Interrupted shows that when 'feminist' is more than a label, it holds the potential for radical transformative work.

A novel from the author of A Separation, a taut and electrifying story about a woman caught between many truths. An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home. She's drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister. And she's pulled into explosive political fires: her work interpreting for a former president accused of war crimes becomes precarious as their relationship is unbound by shifting language and meaning. This woman is the voice in the ear of many, but what command does that give her, and how vulnerable does that leave her? Her coolly impassioned views on power, love, and violence, are tested, both in her personal intimacies and in her role at the Court. She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her; it is her drive towards truth, and love, that throws into stark relief what she wants from her life.

An ACE can be found here. Independent and spirited Bathsheba Everdene has come to Weatherbury to take up her position as a farmer on the largest estate in the area. Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, soldier-seducer Sergeant Troy and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. The first of his works set in the fictional county of Wessex, Hardy's novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships.

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person—no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots.

Η Μαντάμ Μποβαρί είναι το πρώτο μυθιστόρημα του Γάλλου συγγραφέα Γκυστάβ Φλωμπέρ, που δημοσιεύτηκε το 1856. Η ηρωίδα ζει πέρα από τις οικονομικές της δυνατότητες, προκειμένου να ξεφύγει από την κοινοτοπία και την κενότητα της επαρχιακής ζωής. Όταν το μυθιστόρημα δημοσιεύτηκε για πρώτη φορά σε συνέχειες στη La Revue de Paris, από την 1η Οκτωβρίου 1856 έως τις 15 Δεκεμβρίου 1856, οι εισαγγελείς το κατηγόρησαν για αισχρότητα. Η δίκη που ακολούθησε, τον Ιανουάριο του 1857, έκανε την ιστορία διαβόητη. Μετά την αθώωση του Φλωμπέρ στις 7 Φεβρουαρίου 1857, η Μαντάμ Μποβαρί έγινε μπεστ σέλερ τον Απρίλιο του 1857, όταν εκδόθηκε σε δύο τόμους. Έργο-ορόσημο του λογοτεχνικού ρεαλισμού, το μυθιστόρημα θεωρείται σήμερα το αριστούργημα του Φλωμπέρ και ένα από τα έργα με τη μεγαλύτερη επιρροή στην ιστορία της λογοτεχνίας.

All your life you have the necessary illusion that you know all there is to know about heartbreak. I hate to be the one to tell you about the heartbreak you will experience after you die... A family goes to the remote sierras of Mexico - the writer-to—be Susannah; her sister Magdalena; their father and mother. There, amid indigenous people called the Mundo, they begin an encounter that will change them more than they ever could have dreamed. This is a deeply sensual novel that explores the richness of female sexuality as a celebration of life, affirming the belief 'that it is the triumphant heart, not the conquered heart, that forgives. And that love is both timeless and beyond'.

LOVER MAN, stories of Blacks and Whites. Alston Anderson's first book of short stories, with an introduction by Robert Graves.

You wake up. You go to work. You don't go outside for twelve hours at a time. You have strategy meetings about how to use hashtags. After work you order expensive drink after expensive drink until you're so blackout drunk you can't remember the circumstances which have led you to waking up in bed with your colleague. The next day you stay in bed until the afternoon, scrolling through your social media feeds and wondering why everyone else seems to be achieving so much. Sometimes you don't get out of bed at all. Then you hear about Life on Nyx, a programme that allows 100 lucky winners the chance to escape it all, move to another planet and establish a new way of life. One with meaning and purpose. One without Instagram and online dating. There's one caveat: if you go, you can never come back. But you aren't worried about that. After all, what on Earth could there possibly be to miss?