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Tre varv motsols book cover
Tre varv motsols
2026
First Published
3.44
Average Rating
335
Number of Pages

Jämtland, sommaren 1929. Edda Erlenstam anländer från Uppsala utrustad med revolver, primuskök och cykel. Hennes officiella uppdrag är att samla in folksägner åt Landsmålsarkivet, men hon har också fått upp spåret efter en mytomspunnen svartkonstbok från 1600-talet. Edda är dock inte den enda som är på jakt efter boken och hennes efterforskningar väcker snart ont blod. Samtidigt börjar hon uppleva märkliga fenomen. Är det hennes nya sömnmedel som får det vardagliga och det övernaturliga att glida samman? Eller ligger det något i de gamla sägnerna om svartkonst, vittror och mystiska krafter? ”Tre varv motsols” är en sällsam, kuslig och spännande historisk roman.

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Author

Per Faxneld
Per Faxneld
Author · 6 books

Per Faxneld is Swedish Historian of Religion he holds a ph.d. in History of Religions (obtained in 2014). his field of specialisation is Western esotericism, new religions and "alternative spirituality" (e.g. Satanism, Theosophy, Anthroposophy, New Age, the sacralization of physical excercise, etc), with a particular emphasis on how they are formed in tandem with processes of modernization (especially secularization). he has also worked from a sociological perspective with questions pertainng to strategies of legitimation, religious authority and identity formation. Other interests include religion and popular culture (reflection my background in cinema studies), folk religion (e.g. editing a critical edition of a folkloristic classic), gender issues, globalization and religion and violence. A key theme in his research is the relation between Western esotericism and art/literature. My doctoral dissertation (Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture, awarded the Donner Institute Prize for Eminent Research on Religion, and later re-published by Oxford University Press) adresses how anti-clerical feminists – primarily during the time period 1880–1930 – used Satan as a symbol of rejecting the patriarchal traits of Christianity. I emphasized how these women were inspired by the period's most influential new religion, Theosophy, and how the anti-religious discourses of secularism impacted feminism.

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