Margins
Truciolo book cover
Truciolo
1932
First Published
3.45
Average Rating
193
Number of Pages
«Márai sorride!» potremmo annunciare oggi (come la MGM, quando distribuì Ninotchka, annunciava al mondo che la Garbo rideva). Che Sándor Márai, la cui voce ci aveva soggiogati in romanzi intensi e drammatici come Le braci o Divorzio a Buda, si riveli in questo libro anche umorista sottile e arguto moralista, sarà per tutti una piacevole sorpresa. D’altronde, ci confessa lo stesso Márai nella sua premessa in forma di burlesca autodifesa, «non si può pretendere da uno scrittore che se ne vada in giro perennemente in abito togato, che assuma sempre pose tragiche»: arriva un momento in cui questi «non ha più alcuna voglia di restare fedele al genere umano», e – sfidando lo sdegno dei «profeti dal volto arcigno» che lo esortano a dedicarsi ai gravi problemi che affliggono l’umanità – decide di scrivere la storia di un cane. Il cane che il «signore» regala alla «signora» la vigilia di Natale, ancora sudicio di fango e paglia, ha un pedigree quanto mai incerto e un gran brutto carattere: non è quel che si dice una bestiola mansueta, e dimostra sin dalla più tenera età una radicale insofferenza per qualsiasi disciplina. E sarà proprio a causa del suo caratteraccio se i rapporti fra lui e il signore, inizialmente improntati a una virile, calda complicità, giungeranno a un epilogo inatteso – e tutt’altro che edificante. Sfuggendo a ogni forma di sentimentalismo, e perfettamente conscio dell’ipocrisia che c’è molto spesso nel cosiddetto «amore per gli animali», Márai ci regala un piccolo capolavoro, pieno di vivacità e ironia, e un personaggio, il cane Truciolo, vero e forte, uno di quelli che non si dimenticano facilmente. Scritto nel 1932 e riedito nel 1940, Truciolo è uno dei libri in cui più apertamente si manifesta la vena autobiografica di Sándor Márai (1900-1989).
Avg Rating
3.45
Number of Ratings
162
5 STARS
14%
4 STARS
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3 STARS
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2 STARS
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Author

Sándor Márai
Sándor Márai
Author · 30 books

Sándor Márai (originally Sándor Károly Henrik Grosschmied de Mára) was a Hungarian writer and journalist. He was born in the city of Kassa in Austria-Hungary (now Košice in Slovakia) to an old family of Saxon origin who had mixed with magyars through the centuries. Through his father he was a relative of the Ország-family. In his early years, Márai travelled to and lived in Frankfurt, Berlin, and Paris and briefly considered writing in German, but eventually chose his mother language, Hungarian, for his writings. He settled in Krisztinaváros, Budapest, in 1928. In the 1930s, he gained prominence with a precise and clear realist style. He was the first person to write reviews of the work of Kafka. He wrote very enthusiastically about the Vienna Awards, in which Germany forced Czechoslovakia and Romania to give back part of the territories which Hungary lost in the Treaty of Trianon. Nevertheless, Márai was highly critical of the Nazis as such and was considered "profoundly antifascist," a dangerous position to take in wartime Hungary. Marai authored forty-six books, mostly novels, and was considered by literary critics to be one of Hungary's most influential representatives of middle class literature between the two world wars. His 1942 book Embers (Hungarian title: A gyertyák csonkig égnek, meaning "The Candles Burn Down to the Stump") expresses a nostalgia for the bygone multi-ethnic, multicultural society of the Austro-Hungarian Empire, reminiscent of the works of Joseph Roth. In 2006 an adaptation of this novel for the stage, written by Christopher Hampton, was performed in London. He also disliked the Communist regime that seized power after World War II, and left – or was driven away – in 1948. After living for some time in Italy, Márai settled in the city of San Diego, California, in the United States. He continued to write in his native language, but was not published in English until the mid-1990s. Márai's Memoir of Hungary (1944-1948) provides an interesting glimpse of post World War II Hungary under Soviet occupation. Like other memoirs by Hungarian writers and statesmen, it was first published in the West, because it could not be published in the Hungary of the post-1956 Kádár era. The English version of the memoir was published posthumously in 1996. After his wife died, Márai retreated more and more into isolation. He committed suicide by a gunshot to his head in San Diego in 1989. Largely forgotten outside of Hungary, his work (consisting of poems, novels, and diaries) has only been recently "rediscovered" and republished in French (starting in 1992), Polish, Catalan, Italian, English, German, Spanish, Portuguese, Czech, Danish, Icelandic, Korean, Dutch, and other languages too, and is now considered to be part of the European Twentieth Century literary canon.

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