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Twayne's Masterwork Studies book cover 1
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Twayne's Masterwork Studies
Series · 132
books · 1783-2010

Books in series

The Scarlet Letter book cover
#1

The Scarlet Letter

A Reading

1986

Analyzes the plot, setting, characters, themes, and symbolism in Hawthorne's novel, and discusses the purpose of its "Custom-house" portion
The Bible book cover
#2

The Bible

A Literary Study

1986

Analyzes the Old and New Testaments as literature, discusses textual ambiguities, and looks at recurring themes
#3

Moby Dick

Ishmael's Mighty Book

1986

Analyzes the plot, characterizations, historical context, composition, and critical reception of Herman Melville's novel
The Canterbury Tales book cover
#4

The Canterbury Tales

A Literary Pilgrimage

1987

Examines the philosophy, critical reception, and historical context of the Canterbury tales and analyzes the prologue and four of the tales
Heart of Darkness book cover
#5

Heart of Darkness

Search for the Unconscious

1987

Discusses the historical background, and critical reception of Joseph Conrad's novel and analyzes its symbolism
#6

Great Expectations

A Novel of Friendship

1987

An introduction to Charles Dicken's novel includes discussions of its historical context, critical reception, and narrative structure
Sons and Lovers book cover
#7

Sons and Lovers

A Novel of Division and Desire

1987

Describes the background and critical reception of Lawrence's novel, and discusses the themes, conflicts, and characters in the work
The Birth of Tragedy book cover
#8

The Birth of Tragedy

A Commentary

1987

Discusses the background of Nietzsche's work, analyzes its themes and concepts, and describes its critical reception
#9

The Interpretation of Dreams

Freud's Theories Revisited

1987

Book by
Jane Eyre book cover
#10

Jane Eyre

Portrait of a Life

1987

Describes the background of Jane Eyre and offers a detailed critical analysis of the novel
To the Lighthouse book cover
#11

To the Lighthouse

The Marriage of Life and Art

1987

Describes the background of To the Lighthouse and offers a detailed critical analysis of the novel
Paradise Lost book cover
#12

Paradise Lost

Ideal and Tragic Epic

1988

Describes the background of Paradise Lost, discusses its themes, and looks at its critical reception
Waste Land book cover
#13

Waste Land

A Poem of Memory and Desire

1988

Describes the background of Eliot's poem, discusses its themes, and looks at its critical reception
Middlemarch book cover
#14

Middlemarch

A Novel of Reform

1988

Describes the background of Middlemarch, discusses its themes and characterization, and looks at its critical reception
Red Badge of Courage book cover
#15

Red Badge of Courage

Redefining the Hero

1988

Describes the background of Crane's novel, discusses its themes, and looks at its critical reception
#17

Invisible Man

Race and Identity

2010

Describes the background Ralph Ellison's novel, discusses its major themes, and looks at its critical reception
Adventures of Huckleberry Finn book cover
#18

Adventures of Huckleberry Finn

American Comic Vision

1988

Literary criticism of Twain's greatest work.
Animal Farm book cover
#19

Animal Farm

Pastoralism and Politics: A Student's Companion to the Novel

1988

Analyzes Orwell's famous satire, describes its background and themes, and looks at its cultural reception
Dubliners book cover
#20

Dubliners

A Pluralistic World

1988

Book by Werner, Craig
Pride and Prejudice book cover
#21

Pride and Prejudice

A study in artistic economy

1988

A critical introduction to the classic Jane Austen novel, covering characterization, plot, symbolism, and setting.
The Stranger book cover
#24

The Stranger

Humanity and the Absurd

1989

Offers a chronology of Camus' life and examines both traditional and new interpretations of the novel to encourage the reader to form an understanding of the ethical and political implications of the work
The Divine Comedy book cover
#25

The Divine Comedy

Tracing God's Art

1989

Describes the background of The Divine Comedy, discusses its themes, and looks at its critical reception
#26

The Turn of the Screw

1989

Describes the background of The Turn of the Screw, discusses its themes, and looks at the story's critical reception.
The Grapes of Wrath book cover
#27

The Grapes of Wrath

Trouble in the Promised Land

1989

Book by Owens, Louis
#28

Our Town

An American Play

1989

binding show minimal use
Catch-22 book cover
#29

Catch-22

Antiheroic Antinovel

1989

Describes the background of Catch-22, discusses its themes, and looks at its critical reception
Nineteen Eight-Four book cover
#30

Nineteen Eight-Four

Past, Present, and Future

1989

Reilly (English, U. of Glasgow) considers such matters as the parallel between Nineteen-eighty four and Gulliver's travels; similarities and contrasts between Orwell and Milton; Western man's basic myth, Jack the Giant Killer. Annotation copyright Book News, Inc. Portland, Or.
#32

Franklin's Autobiography

A Model Life

1989

Analyzes the autobiography of the famed eighteenth-century statesman
#33

Waiting for Godot

Form in Movement

1989

In 'Waiting For Godot: Form in Movement' Thomas Cousineau bases his interpretation of the work on Beckett's own 1975 production and direction of the play at Berlin's Schiller Theater.
#37

Slaughterhouse-Five

Reforming the Novel and the World

1989

Describes the background of Slaughterhouse-Five, discusses its themes, and looks at its critical reception
Portrait of the Artist As a Young Man book cover
#38

Portrait of the Artist As a Young Man

Voices of the Text

1989

Describes the background of Portrait of the Artist as a Young Man, discusses its themes, and looks at its critical reception
Brave New World book cover
#39

Brave New World

History, Science, and Dystopia

1989

Describes the background of Brave New World, discusses its themes, and looks at its critical reception
#41

Ulysses-Portals of Discovery

1989

Describes the background of Ulysses, discusses its themes and use of language, and looks at its critical reception
#42

Bleak House

1990

Describes the background of Bleak House, discusses its themes, and looks at its critical reception
Glass Menagerie book cover
#43

Glass Menagerie

An American Memory

1990

Presley, Delma E.
Don Quixote book cover
#44

Don Quixote

The Quest for Modern Fiction

1990

Since its publication in the early seventeenth century Don Quixote has become a classic of world literature, and its hero a symbol of romantic aspiration and absurdity. Even today, Cervantes' mad knight continues to reach out and hook readers' psyches. Don Quixote is the story of a verisimilar literary character, whose rich and conflicted inner life and encounters with the world around him became the prototype for the modern novel, from Tom Jones to Lolita. Johnson situates Quixote within its relevant historical and cultural context, including the uniquely Spanish form of the general European dialectic of Old vs. New. The mad hero's encounters with the world expose the shaky foundations of that conflictive society. Don Quixote was a revolutionary ideological statement in its own time, and has proved to be a revolutionary literary statement for all time. Johnson shows how Cervantes challenges the official poetics of the late sixteenth century, and simultaneously anticipates virtually every aspect of the trendiest theorizing of the late twentieth century. Titles of related interest from Waveland Barrett, Five Centuries of Spanish From the Cid through the Golden Age (ISBN 9781577663195); Gasta, La vida de Lazarillo de Tormes y de sus fortunas y adversidades, Annotated Critical Edition (ISBN 9781478605713); Martel-Alpern, Diez Comedias del Siglo de Oro, Second Edition (ISBN 9780881331196); Patt-Nozick, Spanish Literature 1700–1900 (ISBN 9780881334548); and Rivers, Renaissance and Baroque Poetry of Spain (ISBN 9780881333633).
#45

Crime and Punishment

A Mind to Murder

1990

Describes the background of Crime and Punishment, discusses its themes and looks at its critical reception
#46

Herzog the Limits of Ideas

1990

Describes the background of Herzog, discusses its themes, and looks at its critical reception
Moll Flanders book cover
#48

Moll Flanders

The Making of a Criminal Mind

1990

Very good condition
#49

Long Days Journey into Night

Native Eloquence

1990

Book by Hinden, Michael
The Rainbow book cover
#51

The Rainbow

A Search for New Life

1990

D.H. Lawrence's literary eminence has risen steadily over the past 75 years. In the first book-length study devoted to his controversial novel The Rainbow (1915), Edwards goes beyond the limits of traditional critical approaches to offer the first illumination of Lawrence's philosophy of the soul. He focuses his discussion on Ursula, the novel's heroine, and her dissatisfaction with prevailing social constraints. Pointing out that she still finds peace only through a process of self-discovery. Edwards illustrates that Lawrence created not only the first modern woman in literature, but also a paradigm for every individual's need to cultivate his or her own inner spirit.
The House of Mirth book cover
#52

The House of Mirth

A Novel of Admonition

1990

Wagner-Martin, Linda
L'Assommoir book cover
#53

L'Assommoir

A Working Woman's Life

1990

Winesburg Ohio book cover
#55

Winesburg Ohio

An Exploration

1990

Book by White, Ray L.
#57

The Idiot

An Interpretation

1990

Book by Terras, Victor
Joseph Andrews book cover
#58

Joseph Andrews

A Satire of Modern Times

1990

Unlike some critics, who have viewed Joseph Andrews as Fielding's declaration of a personal moral ethic, Varey seeks to locate the novel in the context of 18th-century Britain and thereby show how the text operates as a satire on the developing bourgeois mentality. The book analyzes the novel by theme, and showing the link between the work and the society it portrays, argues that the novel is a valuable cultural artefact.
Brideshead Revisited book cover
#59

Brideshead Revisited

The Past Redeemed

1783

"went no very great distances toward fulfillment"
The Iliad book cover
#60

The Iliad

Action As Poetry

1990

Book by Vivante, Paolo
#61

The Sound and the Fury

Faulkner and the Lost Cause

1990

The book explains the novel's connection with the American South of the 1920s, illuminating its modernist style and exploring its autobiographical elements. After surveying criticism on the novel, the book examines the theme that dominates the the changes occuring in Southern race, class and gender definitions.
Hedda Gabler book cover
#62

Hedda Gabler

Gender, Role and World

1990

Book by Lyons, Charles R.
#63

Uncle Tom's Cabin

Evil, Affliction, and Redemptive Love

1991

Exploring themes of oppression in Harriet Beecher Stowe's abolitionist novel, Uncle Tom's Cabin, the author attempts to draw an analogy between the novel's subject and contemporary struggles, especially feminism. She explains why Lincoln said the novel caused the Civil War, and discusses Stowe's Christian theology, political views and personal life and their relationship with the novel's content. Further, she argues the importance of the book's literary realism, and why the hero of the novel came to be regarded as more than just an Uncle Tom.
Women in Love book cover
#65

Women in Love

A Novel of Mythic Realism

1991

Places the novel in the context of the author's work and the times, and discusses it in terms of how Lawrence's understanding of the modern spirit enabled him to use both ancient mythology and contemporary psychology
The House of the Seven Gables book cover
#66

The House of the Seven Gables

Severing Family and Colonial Ties

1991

Examines the historical background, critical reception, plot, characters, setting, themes, and structure of Hawthorne's novel
Mrs Dalloway book cover
#67

Mrs Dalloway

Mapping Streams of Consciousness

1991

Places the novel in the context of its times, discusses its style, characters, and themes, and describes its role in the development of the techniques of stream-of-consciousness writing
David Copperfield book cover
#68

David Copperfield

Interweaving Truth and Fiction

1991

Places the novel in the context of Dickens' life and times, and discusses the narrator's voice, structure, dialogue, the themes of marriage and children, and other aspects
Cry, the Beloved Country book cover
#69

Cry, the Beloved Country

A Novel of South Africa

1991

Describes the background of Cry, the Beloved Country, discusses its themes, and looks at its critical reception
100 Years of Solitude book cover
#70

100 Years of Solitude

Modes of Reading

1991

Series Robert Lecker, McGill University.Written in an easy-to-read, accessible style by teachers with years of classroom experience, MASTERWORK STUDIES are guides to the literary works most frequently studied in high school. Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature. Each illuminates themes and concepts of a classic text; uses clear, conversational language; is an accessible, manageable length from 140 to 170 pages; includes a chronology of the authors life and era; provides an overview of the historical context; offers a summary of its critical reception; and lists primary and secondary sources and index.
Tom Jones book cover
#72

Tom Jones

Adventure and Providence

1991

Discusses Fielding's novel as a precursor of the social novel, in contrast to the psychological novel also being developed at the time, and as a reworking of the Biblical theme of the parable of the two sons
The Faerie Queene book cover
#73

The Faerie Queene

Educating the Reader

1991

Book by Meyer, Russell J.
The Red and the Black book cover
#74

The Red and the Black

Mimetic Desire and the Myth of Celebrity

1991

A Reader's Companion to the Novel In this introduction to Stendhal's masterpiece, Jefferson Humphries demonstrates how The Red and the Black deconstructs the genre of the realistic novel and explores its essential theme: the function of desire in the post-Romantic age. Twayne's Masterwork Studies, Robert Lecker, McGill University, Series Editor Each volume in Twayne's Masterwork Studies is written by a respected scholar with years of classroom experience and includes: • a discussion of key themes and concepts • historical context • critical reception • chronology, bibliography, and index What the critics are saying about Twayne's Masterwork Studies: "Thoughtful and thought-provoking...new analyses such as this are in constant demand." —School Library Journal "Offers a wealth of information...A necessary addition to collections serving high school and university students." "...suitable not only for students but also for general readers inspired to reread the classics." —Booklist "A welcome addition to the ranks of major readings." —Choice The Author: Jefferson Humphries is professor of French, English, and comparative literature at the Louisiana State University. Educated at Duke and Yale universities, he is the author of The Puritan and the Cynic: The Literary Moralist in America and France (1987), Losing the Text: Readings in Literary Desire (1986), Metamorphoses of the Raven: Literary Overdeterminedness in France and the South since Poe (1985), and The Otherness Within: Gnostic Readings in Marcel Proust, Flannery O'Connor, and François Villon (1983). He edited Southern Literature and Literary Theory (1990), and his stories and poems have appeared in many literary magazines and anthologies.
#75

A Doll's House

Ibsen's Myth of Transformation

1991

Absalom, Absalom! book cover
#76

Absalom, Absalom!

The Questioning of Fictions

1991

This book brings a wide range of contemporary critical methods to bear on Faulkner's classic, including structuralism, psychoanalysis, feminism, and cultural and social historicism.
Buddenbrooks book cover
#79

Buddenbrooks

Family Life As the Mirror of Social Change

1991

Book by Swales, Martin
The Old Man and the Sea book cover
#80

The Old Man and the Sea

Story of a Common Man

1991

Describes the background of The Old Man and the Sea, discusses its themes, and looks at its critical reception
#82

The Prince

A Historical Critique

1992

Niccolo Machiavelli's The Prince belongs to a well-established literary genre of books offering advice to rulers that was popular throughout the Medieval and Renaissance eras. By virtue of the originality of his views Machiavelli is now regarded as one of the most controversial, enduring, and realistic political thinkers of all time. Machiavelli undertakes an empirical analysis of political activity, evaluating the quality of a leader on the effectiveness of his actions rather than on his adherence to idealistic moral standards. By dispensing with ethical considerations derived from classical philosophy and Christian theology, The Prince initiated a pragmatic mode of political discourse that is entirely independent of traditional moral authority. By the close of the sixteenth century, Machiavelli's ideas had crystallized into the doctrine of raison d'etat, according to which a ruler is permitted to act independently of ordinary moral codes whenever the interests of the state are at stake. Victor Anthony Rudowski's The A Historical Critique provides one of the most extensive historical analyses of the content and composition of this great work yet published. Demonstrating that contemporary opinion of Machiavelli has usually rested on interpretation of the final third of The Prince, Rudowski provides a more balanced assessment by fully examining the historical arguments presented in the earlier sections of that great work and those put forth in the Discourses on Livy. This study also devotes an entire chapter to the issue of Machiavelli's cyclical view of history and places his ideas in the context of his hopes for the unification of Italy under one secular leader. With this balanced historical perspective, Rudowski's analysis provides contemporary readers with a true appreciation of The Prince's originality and its lasting importance.
The Brothers Karamazov book cover
#83

The Brothers Karamazov

Worlds of the Novel

1992

Fyodor Dostoevsky completed his final novel—The Brothers Karamazov—in 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today “remains harrowingly alive in the face of our present day worries, paradoxes, and joys,” observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevsky’s masterpiece, offering keen insights and a celebration of the author’s unparalleled powers of imagination. Miller’s critical companion to The Brothers Karamazov explores the novel’s structure, themes, characters, and artistic strategies while illuminating its myriad philosophical and narrative riddles. She discusses the historical significance of the book and its initial reception, and in a new preface discusses the latest scholarship on Dostoevsky and the novel that crowned his career.
A Farewell to Arms book cover
#84

A Farewell to Arms

The War of the Words

1992

Book by Lewis, Robert W.
#85

Sentimental Education

The Complexity of Disenchantment

1992

Although Gustave Flaubert's best known novel is Madame Bovary, many critics consider his later work, Sentimental Education, to be his masterpiece. It belongs to the type of realistic fiction that describes ordinary lives in detail, a genre at which Flaubert excelled. Sentimental Education paints the political and social background with such extraordinary fidelity that it is also a valuable record of the ideals and enthusiasms of a whole era. Telling the story of Frederic Moreau's unrequited lifelong love for another man's wife, Sentimental Education has always been considered a difficult and controversial book. Its original reviewers found the novel's form unsettling and its depiction of society amoral, and since then the novel has never had a lack of detractors and defenders.William Paulson's original and challenging reading of Sentimental Education acknowledges the novel's difficulty and complexity, but insists on its ultimate readability. His interpretation emphasizes the novel's relation to its social context, its function as a commentary on romanticism and individualism, and the inauthenticity of both conservative and revolutionary ideology. In this thorough and extended reading of Sentimental Education, Paulson advances new arguments concerning the opening and closing of the novel, the purpose of Frederic Moreau's inconsistency, the structure of part 2, the characters of Dussardier and Senecal, and the similarity of Flaubert's treatment of events in 1848 to those of de Tocqueville and Marx. In addition, this study provides an introduction to Flaubert's narrative technique and situates both the novel and its protagonists in the artistic production of the nineteenth century.
#86

The Marble Faun

Hawthorne's Transformations

1992

Book by Carton, Evan
#87

Tess of the d'Urbervilles

Unorthodox Beauty

1992

Thomas Hardy, one of England's leading novelists from the mid-1870s to the late 1890s, was recognized widely before his death in 1928 as the most important English man of letters of his time. Tess of the d'Urbervilles (1891), generally acclaimed as the best of Hardy's Wessex Novels, continues to fascinate readers and critics alike. Admired now for its language and humanity, it was deplored in some quarters in the 1890s for its candor about sexual matters and its philosophical pessimism. Hardy's story of the rape, excruciating suffering, and execution of a beautiful village maid—as passionate in condemnation of the forces that persecute her as in depiction of the strange beauty that accompanies her agonies—is one of the masterpieces of world fiction. In this volume on Tess Peter J. Casagrande submits that in the creation of Tess Durbeyfield Hardy is less involved in telling a moral tale than he is engaged in paradoxical play on the commingling of beauty and ugliness, a fusion for which Casagrande coins the term "beaugliness," or "the beaugly." Convincingly arguing that the means Hardy used to make Tess shockingly new for readers in the 1890s rests on his depiction of the beaugly in an always beautiful, often aggressive, at times murderously violent heroine, Casagrande suggests that Hardy subordinates the moral issues inherent in the narrative of sexual ruin to aesthetic issues, particularly the issue of the beauty to be found in a person or action conventionally regarded as ugly. Chapters on the historical context of Tess and on the critical reception of the novel place Casagrande's reading within the milieu of certain nineteenth century social and political concerns, as well as the history of criticism on Tess from the early 1890s to the present. In addition to his analysis of the unorthodox beauty of Tess, Casagrande offers a new view of Angel Clare, an important, in many ways neglected figure in the novel. This full critical reading of Tess is a most welcom
Lord Jim book cover
#88

Lord Jim

After the Truth

1992

A tale of dramatic experiences in far away places and of the ongoing fight between the primitive and the civilized, Lord Jim (1900) is one of Joseph Conrad's most highly regarded works. His forceful style and perceptive treatment of very modern problems have earned him the respect and admiration of both the general reader and writers such as William Faulkner and Graham Greene. Lord After the Truth is only the second critical study devoted entirely to Conrad's most far-flung and disparate novel. It deftly combines a fascinating introduction to biographical and historical background, a fast-paced survey of major critical response, chapters on the novel's significances and a clearly organized and carefully developed reading of Lord Jim. Murfin argues that because Conrad's novel creates conditions that militate against one central viewpoint, it cannot be declared optimistic or nihilistic, any more than Jim can be called a hero or a failure. Lord After the Truth holds our constant interest in these issues by aiming a multifaceted interpretation towards reader response. A strong chronology and annotated bibliography make it an essential reference tool for all fans of Lord Jim.
A Tale of Two Cities book cover
#89

A Tale of Two Cities

Dickens's Revolutionary Novel

1991

Book by A tale of two cities
#90

Silas Marner

Memory and Salvation

1992

Southeast of Birmingham along the River Avon lies a countryside of brick farmhouses, flowers, chanting birds, and canals. It is here where George Eliot spent her childhood and here, she claims, where was sown "the seed to all my good." The area served as not just the locale but an important theme in most of her work, including Silas Marner. The tale of a selfish and miserly weaver who finds redemption through the care and love of a child, this 1861 novella is one of the masterpieces of British literature. The narrative combines elements of myth, social criticism, and vivid portraiture to produce near perfection of form.In his study of Silas Marner, Patrick Swinden uses historical events as the keys that unlock the intentions of the novelist; for example, he examines her tale for instances of Radical sympathies, distrust of the squirearchy, and compassion for the poor. The circumstances that gave rise to these feelings are fully explained by Swinden, both on the level of national politics and on the more localized plane of Eliot's personal life. The only critical book that devotes such sustained attention to this one work, Silas Memory and Salvation will surprise many with its new ideas about George Eliot's representation of religion and depiction of private experience. Fresh ideas such as these render Swinden's study the best introduction to Silas Marner, the novel that itself serves as the best introduction to Eliot.
Walden book cover
#91

Walden

Volatile Truths

1992

Chronicles the life and work of Thoreau, and provides a bibliography of works by and about him
Leaves of Grass book cover
#92

Leaves of Grass

America's Lyric-Epic of Self and Democracy

1992

After a childhood spent on a Long Island farm followed by limited schooling in Brooklyn and a modestly successful career as teacher, carpenter, and journalist, Walt Whitman published his epic poem, Leaves of Grass (1855), at the age of thirty-six. His vision of America had been enlarged and his poetic imagination enhanced by an 1848 journey he made across the Appalachians and down the Ohio and Mississippi rivers to New Orleans. The country's teeming diversity of peoples, landscapes, and waterways became embodied in his poetry, as did his celebration of sexual identity. On receiving a copy of Leaves of Grass from the unknown poet, Ralph Waldo Emerson responded warmly to Whitman, calling his book "the most extraordinary piece of wit and wisdom that America has yet contributed." Later, on the occasion of a newly expanded edition of the poems in 1860, Emerson suggested that Whitman delete the passages celebrating sexuality in its various manifestations. But Whitman, clear on what he had so intensely felt, refused. Sexually tolerant and open, Whitman was concerned with conveying a vision of the fundamental integrity of all sexual and spiritual experiences, which he saw as inextricably intertwined. Whitman's masterpiece, which he shaped and reshaped in a sequence of expanded editions, has gradually achieved a world-wide reputation and stands today as America's foremost volume of poetry. In this comprehensive study of Leaves of Grass, James E. Miller, Jr., shows how Whitman fashioned his work into America's "lyric-epic" of the self and of democracy. The study probes deeply the sexual themes of the work, with its "omnisexual vision" anticipating later theories of human personality of Freud andothers. In addition to placing the work in historical context, Miller's study explores Leaves of Grass' symbolic levels and its interconnected ideas on human sexuality and human sociopolitical structures. Miller concludes that Whitman discovered and expanded our understanding of
Howards End book cover
#93

Howards End

E.M. Forster's House of Fiction

1992

In [Howards End](https://www.goodreads.com/book/show/3105.HowardsEnd "Howards End"), E. M. Forster describes Edwardian England not as a golden afternoon of Empire, but as a time of conflict between nations, parties, classes, and the sexes. Forster's England is one in which a peaceful rural past encounters a frenzied urban present, the countryside is threatened by urban encroachment and pollution, intellectuals quarrel with businessmen, art vies with sport as a recreational activity, cultural tastes collide with popular tastes, entrenched male power ignores or suppresses emerging female aspirations, and laissez-faire economic attitudes are harmful to the poor and underprivileged. Such conflicts, as Alistair Duckworth demonstrates, pervade the novel's episodes, settings, conversations, and commentaries. On the publication of Howards End in 1910 Forster was recognized as a major Edwardian novelist. Forster's subtle characterizations, narrative ironies, perfectly pitched dialogues, and evocative treatment of place established him in the great tradition of the English novel of manners. Living in a fragmented society, Forster brought new depth to that tradition; he engaged the divisive issues of his time by presenting them as human encounters in domestic contexts. His perspective was that of a liberal humanist—in Howards End he obviously favors the progressive attitudes of the Schlegel women to the Social Darwinist behavior of the Wilcox men. As a realist, however, he reveals not only the relative powerlessness of benevolent intellectuals to bring about social improvement, but also their financial complicity in the system they oppose. In its critique of "commerce" and "culture" in a swiftly changing world, and in its searching exploration of sexual roles, Howards End_ has remarkable relevance to the present. Rather than arguing that Forster brings the novel's oppositions together to form an aesthetic whole and provide a satisfying political solution to the problems of his time, Duckworth values Howards End for its formal diversity, mu
Jude the Obscure book cover
#94

Jude the Obscure

A Paradise of Despair

1992

Thomas Hardy (1840-1928) was regarded as the greatest living English novelist during his lifetime. He gave up novel-writing after Jude the Obscure (1895) because the novel's pessimism and sympathetic portrayal of a man and woman who have children out of wedlock outraged the majority of magazine reviewers at the time. Actually, though Hardy attacks narrow puritanical morality, he still endorses traditional family life and religious values. Hardy was a nonbeliever clinging to Christianity, and a lonely man from humble origins who was obsessed with the status he had gained through marriage to an upper-class woman who introduced him to society. Nevertheless, the marriage was unhappy because Emma Hardy could not sympathize with her husband's artistic aims, and he consoled himself by having romantic friendships with other women. The personal aspects of his life may well be the basis of his attack in Jude on society's sexual codes and customs, his interest in the liberated new woman, and his attempts to idealize in Jude and Sue a love that is passionate without being sexual. In this, the first full-length study of Jude the Obscure, Gary Adelman examines the author's ambivalence towards middle-class values. He provides a variety of approaches, including Freudian, Marxist, and feminist readings of the novel. Jude the A Paradise of Despair is an important study which places the novel in the context of Hardy's life and art, as well as in the history of the time, and includes seven illustrations from the first edition of the book.
Goethe's Faust book cover
#96

Goethe's Faust

Theater of the World

1992

PB see my of the World(Twayne's Masterwork Studies Series No.61). Johann Wolfgang Goethe's life and works. Jane K. Brown. Publishers. full number line. English language. Size 8.4 by 5.3 by .4. ISBN# 0805785574.
The Bell Jar book cover
#98

The Bell Jar

A Novel of the Fifties

1992

Though her life was brief, the American poet and novelist Sylvia Plath (1932-63) exerted a profound influence on contemporary writers, particularly women writers of the sixties and seventies. Just as to her Pulitzer Prize-winning poetry Plath brought a decidedly feminist perspective, so too did she etch in her novel The Bell Jar a disturbing vision of life for young women in America at midcentury. The Bell Jar - based on Plath's own experiences as a student at Smith College, an intern at Mademoiselle, and a young woman battling for her own sanity amid societal mores of the times - was initially published in England under a pseudonym, its American publication stifled for years by the writer's family. When, however, the 1963 novel was finally released to U.S. audiences in 1971, it achieved both critical and popular success, and has since become a classic of feminist literature and a unique vehicle for better appreciating Plath's gifts. It is through a multifaceted lens that Linda Wagner-Martin examines The Bell Jar in this new study. Whereas past critical attention has centered on The Bell Jar as autobiography, Wagner-Martin transcends that approach, looking as well at the novel in its larger context of the social and historical forces shaping women's lives in America during the fifties and sixties. Thus eschewing a simplistic reading of the novel, the author plumbs issues of gender, genre, and narrative voice. Arguing that Plath's troubled personal history was the product of her struggle against contemporary social forces, Wagner-Martin reviews the writer's prior work and inspects earlier, partial versions of the novel; explores Plath's use of humor and sarcasm; traces the writer's representation of patriarchal structures in the novel; and ultimately places the novel squarely in the tradition of works about women at odds with a society dominated by patriarchal values. A brilliantly argued, eminently readable approach to this masterpiece, The Bell A Novel of the Fifties is certain to be lauded by scholars and students alike.
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#99

Lord of the Rings

The Mythology of Power

1992

" With New Line Cinema's production of The Lord of the Rings film trilogy, the popularity of the works of J.R.R. Tolkien is unparalleled. Tolkien's books continue to be bestsellers decades after their original publication. An epic in league with those of Spenser and Malory, The Lord of the Rings trilogy, begun during Hitler's rise to power, celebrates the insignificant individual as hero in the modern world. Jane Chance's critical appraisal of Tolkien's heroic masterwork is the first to explore its "mythology of power"–that is, how power, politics, and language interact. Chance looks beyond the fantastic, self-contained world of Middle-earth to the twentieth-century parallels presented in the trilogy.
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#100

The Odyssey

An Epic of Return

1992

Homer's two great epic poems, the Iliad and the Odyssey, stand as cornerstones not only of Western literature but also of Western thought and culture, for although readers of two millennia have imitated or opposed these works' paradigm of character and action, few have ignored it. Where the Iliad strikes a heavy tone of tragic grandeur, the Odyssey evokes an atmosphere of adventure and fate. The latter work's key figure, Odysseus the restless wanderer, pervades our language and our his self-defining journey of experience and maturation has remained one of the world's most explored subjects of artistic expression. In his cogent reading of the Odyssey William G. Thalmann argues that, like its hero, the text is impossible to reduce to a single summary or set of oppositions. As presented in Homer's narrative, the polarities of nature versus civilization, war versus peace, action versus word, and force versus metis (intelligence) are fraught with ambiguity. Thalmann singles out in particular the precarious nature of metis, which imbues Odysseus with constructive intelligence but also a dangerous duplicity. Similarly, Thalmann contends that in all his travels Odysseus both inflicts pain and himself suffers after having saved his own life via his cleverness. Aside from its explorations of human character, however, the poem quite simply tells a wonderful story. Odysseus' myriad adventures during his 10-year struggle to get home to Ithaka have the powerful appeal of folktale and fairy the poem's narrative, Thalmann asserts, offers the pleasure of desiring an end that is delayed by obstacles in the outer world and the necessity for intrigues on Ithaka, with the simultaneous assurance that the end will come, and that it will be a happy one. Thalmann perceptively identifies traces of class and gender inquiry in Homer's epic. The poem seems to open up questions about the upholding of a system by which those at the top of society are maintained by the labor of those below, Thalmann maintains; in due course, however, these questions are closed off with the ideal solution of the return of the righteous king, promising prosperity for all. Additionally, Thalmann detects in Penelope an independence and importance rarely accorded women in Greek literature or Greek life; her like-mindedness with Odysseus is emphasized and their marriage characterized as a collaboration between them. What makes Homer's text so relevant to our times, Thalmann concludes, is its suffusion with contradiction and elusiveness. Odysseus, after all, is a hero with a constantly deferred future, and the poem's ending preserves the tension between his two conflicting sides, for when peace is at hand our hero, overcome with battle fury, assaults the relatives of his enemies. Ultimately, Thalmann finds that, happy ending notwithstanding, Homer's masterpiece depicts man's complex and often insidious relationship with the world - a world wherein that which passes for truth seems like fantasy, and lies contain no monsters or miracles but are indistinguishable from the reality of experience.
Fathers and Sons book cover
#101

Fathers and Sons

Russia at the Cross-Roads

1993

1993, trade paperback edition ( this is one title in the publisher's Masterwork Studies series, item 101), Twayne, NY, 125 pages. Here is a lengthy analysis of Fathers and Sons, Ivan Turgenev's 1862 novel. The novel details two generations of characters who clashed for various reasons. "This reading is an essential companion to a novel whose central question is the key to understanding Russia and its people."
As I Lay Dying book cover
#102

As I Lay Dying

Stories Out of Stories

1992

Economically put, William Faulkner's As I Lay Dying is the story of the death and eventual burial of Addie Bundren, matriarch of the poor, farming, Southern Bundren family, and of the meaning of her death and burial journey to that family. But this is a story that defies a brief summing up. As Addie herself says in the novel, "Words don't ever fit even what they are trying to say at." Especially so few words about such a multifaceted work. Embedded in the text is the secret story of each character's inner life; the tangled ensnaring story the characters live together as a family; the universal story of human beings struggling with the meaning of death; the cultural story of the impoverished 1920s in the rural South; the American story of the struggle between individual desire and the collective good. Faulkner unravels all of these stories—and more—from the impelling event of Addie's death. In this concise critical assessment of the novel, Warwick Wadlington takes the view that each of the stories the novel tells simultaneously grows out of and informs the other, much as people shape and are shaped by one another. Faulkner's tendency to show the reader his fictional world from many different angles and points of view—giving each of the characters, for example, a chance to tell his or her private version of a story—is thus echoed in Wadlington's approach to the novel. The author takes into account the many frames through which As I Lay Dying can be perceived—sociohistorical, psychological, cultural, religious, political, artistic, personal—and synthesizes them for the reader. Faulkner's novel as a whole, too, is a story pulled out of older stories that would eventually be taken up by newer ones. As I Lay Dying shows the influence of such master narratives as Joseph Conrad's The Nigger of the Narcissus, Sherwood Anderson's Winesburg, Ohio, James Joyce's Ulysses, and T. S. Eliot's The Waste Land . And it anticipates much 1930's writing.
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#104

Candide

Optimism Demolished

1992

Mason, Haydn
#105

Babbitt

An American Life

1993

Babbitt, the tragicomic novel of revolt against smug, middle-class materialism, which earned Sinclair Lewis the 1930 Nobel Prize for literature, is a unique increment in the elevation of American literature to world status. Glen A. Love's unified, in-depth study of Babbitt sets American literary realism in the historical and cultural context of the 1920s - post-World War I liberalism, the Jazz Age, speakeasies, Red scares, the Sacco-Vanzetti case, the Scopes Monkey Trial, the rise of the Ku Klux Klan, and the collapse of Puritanism - and carries its relevance to the present. A clear, readable discussion of satire, romance, and cultural symbolism, the book moves in concentric circles from the work to its critical reception and outward to its significance as a mocking, yet heroic authentication of Lewis' fanatic American-ness, which is connected to pioneer and frontier mores. More thorough and wide-ranging than former studies of the novel, Love's interpretation treats Babbitt as a work of realism and satire disguising an urgent, meaningful affirmation of - and appeal to - a nation replete with myriad possibilities. The scope of this multifaceted critique renders it invaluable to students and teachers of the American novel and realism as well as to general readers, critics, and researchers. This concise volume includes chronology, historical context, analysis, plus notes, a selected bibliography, and index.
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#106

Lord of the Flies

Fathers and Sons

1993

Book by Reilly, Patrick
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#108

Oedipus Tyrannus

Tragic Heroism and the Limits of Knowledge

1993

Oedipus Tragic Heroism and the Limits of Knowledge, 2/e, is an accessible yet in-depth literary study of Sophocles' Oedipus Tyrannus ( Oedipus Rex )—the most famous Greek tragedy and one of the greatest masterpieces of world literature. This unique volume combines a close, scene-by-scene literary analysis of the text with an account of the play's historical, intellectual, social, and mythical background and also discusses the play's place in the development of the myth and its use of the theatrical conventions of Greek drama. Based on a fresh scrutiny of the Greek text, this book offers a contemporary literary interpretation of the play, including a readable, nontechnical discussion of its underlying moral and philosophical issues; the role of the gods; the interaction of character, fate, and chance; the problem of suffering and meaning; and Sophocles' conception of tragedy and tragic heroism. This lucid guide traces interpretations of the play from antiquity to modern times—from Aristotle to Hegel, Nietzsche, Freud, Lacan, Lévi-Strauss, Girard, and Vernant—and shows its central role in shaping the European conception of tragedy and modern notions of the self. This second edition draws on new approaches to the study of Greek tragedy; discusses the most recent interpretative scholarship on the play; and contains an annotated up-to-date bibliography. Ideal for courses in classical literature in translation, Greek drama, classical civilization, theater, and literature and arts, Oedipus Tragic Heroism and the Limits of Knowledge, 2/e, will also reward general readers interested in literature and especially tragedy.
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#110

The Plague

Fiction and Resistance

1993

The plague
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#112

All the King's Men

The Search for a Usable Past

1993

A true hallmark of American fiction, All the King's Men tells the timeless story of the rise and fall of a southern politician, Willie Stark, and the effects of these events on the life of Jack Burden, the young man who narrates the story. Published to widespread acclaim in 1946, the novel won the National Book Award and a Pulitzer Prize for its author, the distinguished poet and novelist Robert Penn Warren, and was subsequently made into an Academy Award-winning feature film, as well as a stage play. And while Warren obviously based Willie Stark on Huey Long, the infamous "Kingfish" governor of Louisiana, All the King's Men is far more than a roman a clef; in it Warren addresses the universal themes of good and evil, of freedom and responsibility, and provides a rich perspective on southern cultural history and American politics. This first book-length study of All the King's Men argues that, rather than being primarily about an American political demagogue, the novel is fundamentally about a culture at war with itself - the conservative Old South struggling against the progressive New South - and that Burden, not Stark, is the central figure. Employing a chapter-by-chapter approach, Harold Woodell, the study's author, elucidates Stark's transformation from "Cousin Willie" to "The Boss," representing the values of the New South, and traces Burden's personal growth as inheritor of Old South traditions and reconciler of the Old and the New. Readers are given a thorough grounding in the myriad social changes affecting southern culture and politics during the early part of the twentieth century, along with a helpful chronological listing of the narrative's events and an incisive afterword contrasting Stark with Burden. A clearly written, eminently useful guide to understanding a complex masterpiece by one of our finest writers, All the King's The Search for a Usable Past will enlighten and stimulate both students new to the novel and readers well acquainted with it.
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#113

Troilus and Criseyde

The Poem and the Frame

1993

If "variety distinguishes Chaucer's handling of his materials," as Allen J. Frantzen writes his preface to this volume, it also distinguishes Frantzen's handling of his materials - the contents and contexts of Troilus and Criseyde. Of the few available introductory studies on Chaucer's poem, fewer still accommodate the multiplicity of ideas at play both within the text and among the various interpretations of it that have fallen in and out of vogue since the work first appeared in medieval London. Troilus and Criseyde's story of failed love amid the ruins of war often yields discussion of the traditions of courtly love and other nuances of medieval aristocratic and intellectual life. Frantzen, offering a complex analysis of the narrative that asks readers to grapple with its social, sexual, philosophical, and even comedic motifs, challenges many preconceived ideas about medieval culture and about Chaucer as its chief spokesman. The device Frantzen uses to focus on the poem from so many perspectives is the frame. The textual frame delineates the reader's view of a narrative "exactly as a visual frame encloses a picture," Frantzen writes. "History has placed many frames around Troilus and Criseyde, and Chaucer has placed many frames within the poem as a means of structuring his complex plot. To concentrate on the frame is not to forget the text but is rather to ask how and where we see its edges, its openings, its points of contact with the world around it." In the early chapters of this volume Frantzen presents many of the almost innumerable and sometimes contradictory frames that Chaucer and history have Troilus and Criseyde as tragedy, as comedy, as philosophy; as tale of the inevitable failure of romantic love, of betrayal, of morality, of Christian piety, of the evils of fallen womanhood, of the evils of men's victimization of women. For the balance of the study Frantzen offers his own close reading of the poem, regarding each of its five books from a distinct, though not exclusive, frame of the narrator; Pandarus, Troilus' influential friend; love; war; and fate. Unlike the buoyantly optimistic Canterbury Tales, Troilus and Criseyde offers a pessimistic view of the world. Yet it should not be viewed as secondary to its more popular successor, says Frantzen. This often dark, highly compressed story of human fallibility has been taken up by one generation of readers after another, each finding in it a relevant message. Frantzen encourages contemporary readers to join the long tradition of framing and reframing the poem, isolating the values they wish to attach to "To frame and reframe is to demystify a work and its critical tradition without degrading the history of either or arguing for or against the work's status as a 'classic.'
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#114

The Catcher in the Rye

Innocence Under Pressure

1993

A critical introduction to Salinger's classic novel, covering characterization, plot, symbolism, and setting
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#115

The Crucible

Politics, Property, and Pretense

1993

Martine analyzes Arthur Miller's great Pulitzer Prize-winning drama within a variety of contexts as a product of and reaction to McCarthyism, as a milestone in the development of Miller's work, as an exemplar of the genre of tragedy, as part of the tradition of American theater, and as a basis for later adaptations. Paper edition (unseen), $7.95. Annotation copyright Book News, Inc. Portland, Or.
#116

Washington Square

Styles of Money

1993

With the publication in 1880 of Washington Square, the great American novelist, short story writer, and critic Henry James forged a new form of fiction, one combining the realism of the European novel with the romanticism of the American tradition. James' story, set in New York City's fashionable Washington Square, where James spent his own boyhood, tells of the shy Catherine Sloper, caught between the demands of her wealthy father, Dr. Austin Sloper, and those of her young suitor, Morris Townsend. This novel of James' early period was written shortly after he settled in London; with the exception of The Bostonians (1866), it is the last of his works to be set in America. Moreover, along with The Europeans (1878), it is one of only two works in which James set his action in a distinct historical both novels, written within two years of each other, are located in the America of the 1840s. Despite the significance of Washington Square in James' work, in recent years the novel has been largely neglected, as scholars have focused increasingly on his later writing. This new critical study by Ian F. A. Bell decisively rectifies that situation, providing readers with an outstanding guide to appreciating the novel. "Washington Square inaugurated the shape of modern fiction and was conceived during that transitional moment when the modern economy began to emerge from its nineteenth-century forms," Bell maintains. Tracing the economic and aesthetic changes pervading American society at the time of the novel's action and at the time of its writing, Bell skillfully places the novel in its historical, literary, and critical contexts. What follows is a thoughtful reading of Washington Square that consistently delineates the social and historical forces influencing the novel and the resultant cultural shifts necessitating the kind of innovativeness James brought to his endeavor. A distinctive, well-reasoned presentation of interest to students and scholars alike, Washington Styles of Money represents a decisive contribution to the field.
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#117

A Passage to India

Nation and Narration

1992

The greatness of E.M. Forster's fifth and last novel, A Passage to India, rests in part on its agility. It is at once political tract, personal memoir, philosophical meditation, comedy of manners, mystery, even ghost story. It accommodates the workings of reason and the supernatural, the sensibilities of West and East, the experiences of conqueror and subject. It is a colonial as well as a postcolonial text, a participant in both the realist and modernist traditions. In her ample, well-furnished response to Forster's masterpiece, Judith Scherer Herz combines a political and historical reading with one focusing on narrative technique. This unusual approach allows for a rich accounting of the multitude of forces at work in the novel, enabling her to determine as precisely as possible the events, beliefs, values, and cultural assumptions that inform it. The reasons for the British presence in India, the extent of their power over the Indians, the many and complex reactions of the Indians to that power, the role and reliability of Forster's narrator as arbiter and truthteller, the extent to which that narrator gives voice to Forster's personal experience of India - all are brought to light in Herz's analysis. This assessment of the book's more tangible elements is complemented by Herz's recognition of its intangible elements, its ghosts, those presences that exist within its imaginative world but not necessarily on the page. The novel's "ghost story," Herz writes, "occurs in the spaces of the primary text; in dreams, memories, old photographs, and flashes of intuition that do not quite resolve." While some critics have dealt with the supernatural in Forster's work, Herz is the first to use the idea of the ghost story to come to grips with the essential elusiveness and secrecy of A Passage to India. Herz's willingness to explore the least chartered, least expressible territory of the novel, coupled with her informed criticism of the primary text, sets her work apart from other Forster studies to date.
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#118

Oliver Twist

Whole Heart and Soul

1993

As is so often the case with Charles Dickens' writing, characters and situations from his 1837-39 novel Oliver Twist seem to have found life apart from the little Oliver's asking for "more," Bumble's pomposity, Fagin's treachery, and the Artful Dodger's shenanigans have become standard literary and cultural reference points. Generations of readers have found different elements to savor - from the melodramatic alternation between sentimentality and terror to the fairy-tale plot to the cast of remarkable characters. And of course there's the novel's social Dickens pointedly maintained in his preface to the book's 1841 edition that Oliver Twist was important precisely because of its realistic, uncompromising account of the harshness and cruelty of life in early Victorian England.In this engaging study of Dickens' sccond book (it initially appeared as a magazine serial), Richard J. Dunn uses the author's admission that he put his "whole heart and soul" into the novel's writing to explore the connections between Dickens' own adversity - having to work under wretched conditions in a blacking factory as a boy - and the dire and often life-threatening situations the bastard child Oliver must endure before, as Dickens put it, "trimumphing at last."Taking a controversial and timely subject - England's poor laws, whose debates in Parliament he covered as a court reporter - and a child as his hero, Dickens, Dunn contends, drew together two the destitute London slums that served as a breeding ground for criminal activity and the innocent world we associate with childhood. Dunn points out that Oliver's "progress" from dark world to light shows, almost paradoxically, that these worlds are linked and will always coexist, however secure one may feel in the latter.The colorful array of characters that either help along or hinder Oliver's progress Dunn analyzes in detail, but to the book's most controversial character, the sinister yet only-all-too-human Fagin, he devotes an entire chapter. Dunn observes that Oliver, though the novel's "hero," in many ways functions as a blank sheet of paper on which the impressions of Dickens' richly drawn personalities, particularly Fagin, are cast. Such characters, Dunn notes, provide us wide the clues to the wholeness of thought to which Oliver aspires.Dunn underscores the importance of the George Cruikshank drawings that accompanied the serialized Oliver Twist, considering these visual renderings (four of which are reprodueed here) as more of a collaborative than a purely illustrative effort. And to round out this lively study, Dunn examines the myriad stage and screen adaptations of Oliver Twist, which found new life in Oliver!, the Academy Award-winning film of the 1960s.
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#119

The Death of Ivan Ilich

An Interpretation

1993

"I want to begin and finish something new, either the 'death of a judge' or 'the diary of a madman,'" wrote Count Leo Tolstoy in his diary entry of 27 April 1884. What emerged two years later was The Death of Ivan Ilich, a short novel in which Tolstoy depicts the thoughts of an ordinary man who, on discovering he is gravely ill, begins for the first time to contemplate the meaning of life and death - questions similar to those pondered by Tolstoy during his own spiritual crisis. Yet while The Death of Ivan Ilich is generally regarded as the Russian writer's crowning literary achievement during the last thirty years of his life, until now no book-length study has been devoted to it.With this new entry in Twayne's Masterworks Studies series, Gary R. Jahn ably fills that gap in the scholarship on Tolstoy. Here readers will find a straightforward explanation of the novel's historical, literary, and critical significance and a well-crafted, chapter-by-chapter analysis of the literary techniques, patterns, and themes Tolstoy employed in writing his text. Invoking an inventive and engaging strategy, Jahn asks the reader to approach the text from an ironic or "reversed" standpoint - that is, to view what seems literal as figurative and vice versa - with an eye toward discovering the multiple patterns of organization and allusion permeating The Death of Ivan Ilich. Jahn's exploration of the critical response to the novel puts the emphasis on English-language scholarship, but takes foreign-language commentary into account as well. A solid, well-organized presentation that illuminates as it challenges, The Death of Ivan An Interpretation is sure to be welcomed as an essential guide to understanding and appreciating Tolstoy's great short novel.
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#120

Pere Goriot

Anatomy of a Troubled World

1993

Literature
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#121

Ethan Frome

A Nightmare of Need

1993

A critical introduction to Edith Wharton's classic novel that looks at characterization, setting, and symbolism in the story
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#122

The Republic

The Odyssey of Philosophy

1993

"Clear, accessible, and very informative…a successful and inviting text."— Review of Metaphysics "If only there were more books like this one! Jacob Howland's The The Odyssey of Philosophy opens up the wealth of the experience of reading Plato's Republic by carefully demonstrating how the dialogue cuts across the boundaries of philosophy and literature…[It] will be an invaluable aid to those teachers who want to introduce their students to a Plato that goes beyond the shopworn problems of Platonism."—Peter Warnek, University of Oregon In the Republic, Plato addresses the deepest questions about the human soul and human community, the proper objects of worship and reverence, the nature of philosophy, and the relationship between the philosopher and the political community. As presented in the Republic, Socratic philosophizing is eternally unfinished, paradoxical, and ambiguous. According to Jacob Howland, this openness allows for ever-fresh approaches to the questions Plato raises. "Jacob Howland's book is an engaging, readable, and extremely suggestive addition to the literature on Plato's magnum opus."— Ancient Philosophy "In this concise, stimulating and provocative book Howland is in effect dealing with the central and persistent problem about the interpretation of the Republic : what is its purpose, and how do we establish what that is?"— Polis "I know of no other book devoted to the Republic that so straightforwardly furnishes a healthy orientation to Plato's philosophic intentions. It will be of unqualified interest both to first-time students of the Republic and to their teachers. Yet it will also intrigue those looking for further, responsible light on apparently well-worn paths. A most inviting, helpful reading."— St. John's Review Jacob Howland is McFarlin Professor of Philosophy at the University of Tulsa, where he teaches in the Honors Program as well as in philosophy. He has written and lectured on the work of Plato, Aristotle, Xenophon, and Hegel, among others. He is the author of The Paradox of Political Socrates' Philosophic Trial, Kierkegaard and Socrates, and Plato and the Talmud .
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#124

Main Street

The Revolt of Carol Kennicott

1993

Bucco, Martin
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#125

Ivanhoe

The Mask of Chivalry

1994

Degategno, Paul J.
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#126

Frankenstein

Mary Shelley's Wedding Guest

1993

Relates the plot and characters of the Frankenstein story to Mary Shelley's own life and to the broader controversies of the time
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#128

Charlotte's Web

1993

A classic from the time of its first printing, Charlottes Web remains an integral part of the canon of childrens literature today. This reference reflects upon the innocence E. B. Whites story represents and explores why it was the ideal story for its an era when America reveled in the end of the last of the great wars, but never forgot the Great Depression. Likewise, Korea was a discomforting but distant place for the people of the 1950s, as distant as was the chopping block to Wilbur. Opening with a concise yet thorough chronology of E. B. Whites life, Griffith successfully proceeds to show the reader how E. B. Whites lifestyle, notably Whites own experience as a Maine farmer, is reflected in Charlottes Web .
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#130

The Awakening

A Novel of Beginnings

1993

A companion to Kate Chopin's novel "The Awakening" offers information on the historical context of the novel, key themes and concepts, critical reception, and a chronology
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#131

The Cherry Orchard

Catastrophe and Comedy

1994

#N/A
#132

Tristram Shandy

A Book for Free Spirits

1992

Samuel Johnson and Samuel Richardson condemned it. James Boswell and Goethe proclaimed it a masterpiece. And from the beginning Sterne realized he had written a book that would not suit everyone's taste. For more than two centuries. Tristram Shandy (1759-67) has astounded - and by turns confounded, captivated, angered, and amused but ever entertained - readers worldwide. While on the surface a comic, disjointed account of the title character's life and times, the work is in fact a brilliant commentary on life's inherent chaos, the pointed challenge of British clergy-man-turned-author Laurence Sterne to the twin concepts of rationalism and sentimentalism. Delineating his views through skillfully drawn representations - among them Tristram, Yorick, and Uncle Toby - Sterne pinpointed issues central to not only his era but our own. Filled with thought-provoking ideas and marked by an open, conversational writing style, Tristram Shandy: A Book for Free Spirits is an adroit guide to understanding the aims and achievements of Sterne's masterpiece and to fully appreciating its lessons for contemporary times.
#133

The Fall

A Matter of Guilt

1994

A full-length study examines "The Fall" by Albert Camus, exploring the work from the standpoint of the reader's interaction with it, and assessing the novel's literary importance
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#134

Doctor Faustus

1994

#N/A
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#135

The Narrative of Arthur Gordon Pym

And the Abyss of Interpretation

1994

The Narrative of Arthur Gordon Pym is Edgar Allan Poe's only novel; indeed, Poe likely wrote it because he was unable to interest his publisher in a collection of his stories at that time (1836). Poe himself dismissed the novel shortly after its publication as "a very silly work," and Pym enjoyed minimal commercial success. After the novel's inclusion in a collection of Poe's works in the 1850s, however, it exercised considerable influence on or was recognized by such writers as Jules Verne (who wrote a sequel), Arthur Rimbaud, Henry James, and W. H. Auden. Further, certain elements of Pym prefigure Herman Melville's Moby-Dick. In this new study of Pym J. Gerald Kennedy considers the novel in light of the political turbulence and racial unrest prevalent at the time of its publication while examining the divide in criticism between those who see the voyage as a meaningful journey toward illumination and those who see it as an ironic commentary on human self-deception. A skillful and thorough analysis of both Pym and the myriad studies of the work, The Narrative of Arthur Gordon Pym and the Abyss of Interpretation will prove a significant addition to the literature on Poe and his works at both the high school and college levels.
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#136

Heartbreak House

Preludes of Apocalypse

1994

In this comprehensive and penetrating study of Heartbreak House, A. M. Gibbs shows how George Bernard Shaw's complex, Janus-faced play connects unscrupulous behavior in England's social, political, and economic spheres and the life of "cultured, leisured Europe" to the catastrophe of World War I. Revealing the play to be more intricately autobiographical than has been previously recognized, Gibbs analyzes the ways in which refracted images of Shaw's own experience in the realms of love and sex appear in the play's amatory themes.
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#138

For Whom the Bell Tolls

Ernest Hemingway's Undiscovered Country

1994

Addressing a 1937 Writers Congress in a rare public speech, Ernest Hemingway proclaimed that there is "only one form of government that cannot produce good writers, and that system is fascism. For fascism is a lie told by bullies. A writer who will not lie cannot live and work under fascism." With this rallying cry against the fascist forces in Spain's then year-old Civil War, Hemingway expressed his firm belief in an artist's need to write "what is true," his commitment to freedom, and his passion for the people and culture of Spain, his spiritual home. In 1940, these sentiments came together in Hemingway most celebrated novel, For Whom the Bell Tolls, the powerful story of a young American fighting for the Spanish Republic during four suspenseful days in 1937. Allen Josephs, an internationally recognized Hispanist and Hemingway scholar, here provides the first full-length study of the Nobel Prize-winning writer's masterpiece - and the only study to explore its brilliant blend of accurate historical detail with fictional elements on a heroic and mythic scale. His is also the first study to understand the rich role of ecstasy in the novel, particularly in the love between its hero, demolition expert Robert Jordan, and Maria, the Spanish girl who represents her embattled nation. "The Undiscovered Country" was the title Hemingway had previously chosen for For Whom the Bell Tolls, and Josephs reaches into the heart of the novel to reveal its meaning - as Spain overshadowed by war, as the unknown outcome of the explosion toward which all the action builds, as the unfulfilled future for the lovers Robert Jordan and Maria, and as death, present at every turn of the tale. Most important, Josephs illuminates the enduring message of For Whom the Bell Tolls: that the bloody conflict in Spain, as Hemingway knew from the beginning of the war, was but one example of the global struggle between Right and Left. Robert Jordan, he shows us, knows that the bridge that he is orde
To Kill a Mockingbird book cover
#139

To Kill a Mockingbird

Threatening Boundaries

1994

Tom Robinson, Mayella Ewell, Atticus and Scout Finch - these are the unforgettable characters that populate To Kill a Mockingbird (1960), Harper Lee's haunting account of a mysterious recluse, a black man accused of raping a white woman, the courageous attorney who defends him, the attorney's son who is traumatized by the trial, and his six-year-old daughter, who narrates the story. An extraordinary indictment of racism in the American South during the 1930s, To Kill a Mockingbird has sold some 15 million copies, been translated into 10 languages, won a Pulitzer Prize in literature along with dozens of other honors, and been adapted into an Oscar-winning film and a timelessly popular stage play. And yet, for all the novel's distinctions - and, more important, relevance for contemporary readers - until now no book-length critical study has been devoted to it. Enter Claudia Durst Johnson's To Kill a Mockingbird: Threatening Boundaries, offering not only a corrective but a winningly lucid and enlightening analysis of this great American classic. Drawing on extensive research, Johnson furnishes readers with key insights into the novel's historical and biographical contexts, its place in American literature, and its critical reception. She then presents a five-part reading of Mockingbird, underscoring the novel's form and elucidating its pertinence for American society today. Special attention is paid to linking the novel's 1930s setting with the concomitant Scottsboro incident and connecting Mockingbird's writing in the 1950s with the concurrent events of the civil rights movement. An in-depth examination that pays tribute as it informs, To Kill a Mockingbird: Threatening Boundaries holdsstrong appeal for students, scholars, and general readers. Included in the volume are a Chronology, Notes, Selected Bibliography, and Index.
The Wind in the Willows book cover
#141

The Wind in the Willows

A Fragmented Arcadia

1994

Analyzes the work within the context of author Kenneth Grahame's changing English society, and discusses its dual appeal to children and adults
The Call of the Wild book cover
#142

The Call of the Wild

A Naturalistic Romance

1994

A straightforward critical approach to Jack London's most famous novel discussing its influence, historical context and critical reception. Tavernier-Courbin (English, U. of Ottowa) characterizes the novel as an important early work of both Romanticism and Naturalism and offers a broad textual reading covering parallels between London's personal experiences and the novel's themes, including discussion of such concepts as freedom, heroism, justice and fulfillment. Annotation copyright Book News, Inc. Portland, Or.
The Last of the Mohicans book cover
#143

The Last of the Mohicans

Civil Savagery and Savage Civility

1994

Book by McWilliams, John P.
The Importance of Being Earnest book cover
#144

The Importance of Being Earnest

A Reader's Companion

1994

Analyzes both the social context and the literary artistry of Oscar Wilde's comedic play
The Picture of Dorian Gray book cover
#145

The Picture of Dorian Gray

1995

Written in an easy-to-read, accessible style by teachers with years of classroom experience, Masterwork Studies are guides to the literary works most frequently studied in high school. Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature.Each volume: — Illuminates themes and concepts of a classic text—Uses clear, conversational language—Is an accessible, manageable length from 140 to 170 pages—Includes a chronology of the author's life and era—Provides an overview of the historical context—Offers a summary of its critical reception—Lists primary and secondary sources and index
War And Peace book cover
#146

War And Peace

1995

#N/A
Of Mice and Men book cover
#147

Of Mice and Men

A Kinship of Powerlessness

1995

Book by Hadella, Charlotte Cook
Go Down, Moses book cover
#148

Go Down, Moses

The Miscegenation of Time

1996

Go Down, Moses is one of William Faulkner's most direct and powerful assessments of race relations in America. In this compelling study, Arthur F. Kinney asserts that it is also his most personal - and perhaps most important - novel. Composed of seven complete stories spanning several generations in Faulkner's fictitious Yoknapatawpha County, Mississippi, the book's structure is deceptively simple. Indeed, Faulkner's publisher incorrectly printed the first edition with the title Go Down, Moses and Other Stories, until Faulkner insisted that the work be treated as a novel. Together, the stories' multiple viewpoints create a complex mosaic of the McCaslin family, whose white and mulatto branches are the product of several defining instances of miscegenation. The illicit mixing of races creates a repeating pattern of ambiguous and morally compromised relationships in which master and slave can be blood relatives, leaving later generations to struggle against a legacy of exploitation that sears the psyches - and the landscape - of the American South. The book's longest episode, "The Bear," which in altered form has become one of Faulkner's best-known short works, poignantly demonstrates how the dehumanizing effects of ownership also alienate people from nature and ultimately from themselves. A radical departure in form and content from the nostalgic plantation novels once common in southern fiction, Go Down, Moses provides an honest and penetrating appraisal of the slave economy and racial domination from the plantation era to the dawn of the civil rights movement. Kinney presents numerous historical documents and offers concrete details from Faulkner's life that show how Faulkner accurately re-created his region's history in his fiction. Kinney also reviews evidence suggesting that Faulkner's own ancestors may have provided the model for the McCaslin's miscegenation. A chronology uniting the novel's seven stories into a single sequence of events provides evidence for a central argument in Kinney's highly original that the scrambling of time employed in Faulkner's presentation of events masks a key source of meaning that has been overlooked in previous analyses. By jumping backward and forward in time, Faulkner's narrative structure emphasizes thematic parallels between disparate events, enabling him to juxtapose and link the days of slavery with 20th-century America. By reordering Faulkner's "miscegenation of time," Kinney exposes additional meanings that more starkly situate Faulkner's work in the context of the vital issues of his era - issues that retain their urgency to the present day.
The Hobbit book cover
#149

The Hobbit

A Journey into Maturity

1994

In the course of his travels from a cozily appointed little home in Bag-End to the dark and smoky lair of Smaug the dragon, the hobbit Bilbo Baggins comes upon not only dwarves, elves, goblins, and giant spiders but a wiser, better self. His journey, like those of the heroes in the long tradition of quest stories preceding The Hobbit, marks his passage from fearfulness to bravery, from self-indulgence to self-reliance, from ignorance to knowledge, from a kind of prolonged adolescence to responsible adulthood. William H. Green's finely crafted study places The Hobbit in the company of such quest narratives as Beowulf, The Odyssey, Don Quixote, and Tom Jones. Giving J. R. R. Tolkien's fantasy tale for children the serious scholarly attention often reserved for works intended for adults, Green shows how Tolkien adapted the structure and dramatic force of the mythic quest to a modern literary form. Underlying Tolkien's tall tale of an unlikely hero drawn into a fantastic series of adventures is a complex exploration of the nature of the human journey into maturity and of the power of myth to both elucidate and validate that journey. Tolkien shared with psychoanalyst C. G. Jung an abiding belief in the healing power of myth. Green draws on Jung's theories of "archetypes" - symbolic patterns of thought and behavior expressed repeatedly in dreams, stories, and picturesto illuminate the psychological implications of Tolkien's work. Especially relevant to the story of Bilbo is Jung's view of the dragon-slaying hero as a symbol of increasing consciousness and individuation - that is, the journey into maturity. Rich in literary and linguistic allusion - the result of the Oxford scholar Tolkien's encyclopedic knowledge of medieval myth and language - The Hobbit reflects its author's desire to address sophisticated themes in a form - the fantasy - derided by the literary critics of his day. Tolkien thus cloaked his love of what he called "fairy-stories" in a book for childr
The Little Prince book cover
#150

The Little Prince

A Reverie of Substance

1996

In this sympathetic yet penetrating study of a revered classic of children's literature, James E. Higgins examines the relevance of Saint-Exupery's active engagement in World War II, demonstrating that this most unusual man - who took part in adventures that few people will experience in their lifetimescould at the same time be everyman, communicating universal truths. By examining The Little Prince's simple style and imaginative motifs, Higgins reveals how this little fairy tale so powerfully teaches its lessons about pain, faith, and love and so compellingly asks us to turn inward to find answers to questions of responsibility - to "see with our hearts."
The Return of the Native book cover
#154

The Return of the Native

Saint George Defeated

1995

Brian Thomas begins this insightful analysis of The Return of the Native by laying to rest the contention of some earlier critics that Hardy's was an "unconscious" sort of genius; on the contrary, Thomas argues, such narratives as The Return of the Native tend to be unified by carefully established antithetical polarities of metaphor and perspective. This novel is in fact constructed around the subtle alternation of different angles of vision, according to people and things are constantly being seen, almost cinematically, from different visual distances and are thereby revealed in new ways or with new kinds of significance. Thomas examines how myths, Christian and pagan, apply to the novel, particularly the sun-hero myth and its merging with the Christian belief in a redeemer who comes to restore life. Thomas observes that many elements of this myth appear in the novel in virtually undisplaced form, which accounts for the wasteland imagery and for the central and subtextual motifs of loss, alienation, exile, and fall. Thomas points up the irony in Hardy's use of the sun-hero myth by paralleling the legend of Saint George slaying the dragon with a "hero" who turns out to be impotent and all but blind to the salvific role accorded him. The unique power of The Return of the Native is, Thomas observes, related to its operatic quality. Although conceived in naturalistic terms, Egdon Heath has an archaic strangeness that frees the story's social world from the confines of plausibility. While often melodramatic and sometimes verging on the absurd, the novel's sense of passion and pathos is, Thomas contends, always on the grand scale. Desire and fear are characterized by a peculiar operatic compulsiveness precisely because they resonate within the context of what seems to be a compulsion of a much larger and stranger kind - a primal force that both shapes those human emotions and is oblivious to them.
Pygmalion book cover
#155

Pygmalion

Shaw's Spin on Myth and Cinderella

1995

Presents a critical introduction to Shaw's classic drama, covering characterization, plot, symbolism, and setting.
Winnie-the-Pooh and The House at Pooh Corner book cover
#156

Winnie-the-Pooh and The House at Pooh Corner

Recovering Arcadia

1995

In the Forest of A. A. Milne's Winnie-the-Pooh (1926) and The House at Pooh Corner (1928), we never see any "Hostile Animals" as one the size of a piglet might fear, but instead we see a community of toy animals - Pooh Bear, Piglet, Rabbit, Eeyore, Owl, Kanga, Roo, and Tigger - who accompany their friend. Christopher Robin on his "expeditions." Companionship, safe adventuring, and the acceptance of characters' flaws and foibles are common themes throughout both books, and the episodes tend to have a similar form in which characters meet, adventure together, and then either reconcile if need be or, more frequently, return to their homes - in Pooh's case, usually for some honey. In this affectionate and balanced analysis of two of the most popular books ever written for children, Paula T. Connolly argues that Milne's toy characters and his Christopher Robin - a character modeled and named after his son - inhabit a pretechnological, Arcadian world. Milne's Forest ensures its inhabitants' safety much like the Edwardian nursery, according to Connolly - a world, she acknowledges, of privilege and class security. The 10 stories in each book function well as separate bedtime stories, but they are held together as sets not only through the same Forest world that they inhabit and the same characters who live there but also through the similarity of themes. Connolly notes that whereas the stories of Winnie-the-Pooh show a world of parties and adventuring, those of The House at Pooh Corner are a bit more sober: when the animals join together to say goodbye to Christopher Robin at the end of the book, the farewell is more muted than jubilant. The imminent departure of the child who had been seen asthe Forest's protector fundamentally reshapes the vision of the Forest as an unchanging Arcadia: such new concerns are apparent, for example, in the several incidents in which homes and characters are lost, sought after, and recovered. The interactions of the characters - and the... \—jacket flap
Les Miserables book cover
#160

Les Miserables

Conversion, Revolution, Redemption

1996

Written in an easy-to-read, accessible style by teachers with years of classroom experience, Masterwork Studies are guides to the literary works most frequently studied in high school. Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature.
The Age of Innocence book cover
#162

The Age of Innocence

A Novel of Ironic Nostaglia

1996

Wagner-Martin (English and comparative literature, U. of North Carolina-Chapel Hill) examines the historical and social influences of Wharton's time, devotes one chapter to each of the principal characters, and finally considers the novel from several literary as a "novel of manners," as a "traditional" novel, and as a "modern" novel. Paper edition (unseen), $13.95. Annotation c. by Book News, Inc., Portland, Or.
The Fountainhead book cover
#169

The Fountainhead

An American Novel

1999

The first, full-length analysis of Ayn Rands most widely-read work.
Little Women book cover
#170

Little Women

A Family Romance

1997

It is no secret that Louisa May Alcott “rewrote” not only herself but also her mother, father, and sisters in Little Women. Yet how well do we grasp the significance of her impulse? Little Women: A Family Romance focuses on Alcott’s personal and creative motivations in fashioning an idealized family in her novel and gives us new ways to view both the fictional Marches and the real-world Alcotts.Drawing on Freud’s essay “Family Romances” and his related work on children’s daydreams and fantasies, Elizabeth Lennox Keyser reads Little Women in terms of the burgeoning hostility and longing, eroticism and ambition each March child experiences as she matures and begins to look beyond her parents for a new primary love. Keyser also reads Little Women in the context of the torrid, sensational stories aimed at lower-class readers (which Alcott also wrote) that we commonly equate with the term “romance,” as well as the sophisticated psychological romantic ideals associated with the novels of Nathaniel Hawthorne (whom Alcott knew and read). Readers have long regarded Little Women as Jo March’s story. The insights offered here nudge us toward viewing the novel as the story of the entire March family, a more satisfyingly inclusive view for, as Keyser writes, “the relationships among the March sisters and their mother are more compelling than the development of any one character, not excluding Jo.”
Civilization and Its Discontents book cover
#171

Civilization and Its Discontents

An Anthropology for the Future

1999

Readings focus on the central motifs that form the basis of Freuds mostmisunderstood work. Essay topics include Freud and the unconscious, eros and death, ethics and reason.
On The Road book cover
#172

On The Road

1999

A critical reading of Jack Kerouacs famous novel that established the Beat generation and became an icon of postwar American culture.
Atlas Shrugged book cover
#174

Atlas Shrugged

Manifesto of the Mind

2000

Author and Rand scholar, Mimi Gladstein, brings the novel sharply into focus in this "Twayne Masterworks" volume. She explores Rand's personal history and the development of her unique philosophy, and takes a look at the critical reception of "Atlas Shrugged" and the overall importance of the work. The second half of the study contains an in-depth summary of the plot and a breakdown of how it fits into several different genres (science fiction, mystery story, Arthurian romance), a detailed reading of every character, and a survey of many of Rand's major and minor themes in the book.

Authors

Donald Rayfield
Author · 6 books
Donald Rayfield is an emeritus professor of Russian and Georgian at Queen Mary University of London. He translated Nikolai Gogol’s Dead Souls and Varlam Shalamov’s Kolyma Stories and Sketches of the Criminal World for NYRB Classics.
Francis Blessington
Francis Blessington
Author · 1 books
Francis Blessington’s major area is John Milton and seventeenth-century English literature. He has written two books on Milton that have become standard: Paradise Lost and the Classical Epic (Routledge) and Paradise Lost: Ideal and Tragic Epic (A Student’s Companion to the Poem) (Twayne). Currently, he is writing a book on Milton’s use of witchcraft in Paradise Lost. He also teaches Greek and Roman literature and the Bible, emphasizing their relevance to the modern world. Also a poet and fiction writer, Professor Blessington teaches courses in creative writing.
Allen Josephs
Author · 4 books
Allen Josephs, University Research Professor in the Department of English at the University of West Florida, is the author of a dozen books, all related to Spain and Latin America.
Robin Feuer Miller
Author · 2 books
Robin Feuer Miller is the Edytha Macy Gross Professor of Humanities and professor of Russian and comparative literature at Brandeis University.
David Williams
Author · 1 books
David Williams, 1939-2015, was Professor of English at McGill University in Canada from 1967 to 2006, and Emeritus Professor from 2006 until his death.
William G. Thalmann
Author · 1 books
William G. Thalmann is Professor of Classics and Comparative Literature, University of Southern California
J. Gerald Kennedy
Author · 1 books
J. Gerald Kennedy is Boyd Professor of English at Louisiana State University. He is the author of Imagining Paris: Exile, Writing, and American Identity and coeditor (with Jackson R. Bryer) of French Connections: Hemingway and Fitzgerald Abroad. He was advisory editor of volumes 1–3 of the Letters of Ernest Hemingway, under the general editorship of Sandra Spanier, and he is coediting a forthcoming volume of Hemingway letters, the final years. He is also the author of a number of essays on Hemingway, Fitzgerald, and expatriate Paris, and he edited Modern American Short Story Sequences: Composite Fictions and Fictive Communities. His publications on nineteenth-century American literature include Poe, Death, and the Life of Writing and (with fellowship support from the John Simon Guggenheim Foundation and the NEH) a wide-ranging cultural history, Strange Nation: Literary Nationalism and Cultural Conflict in the Age of Poe.
Gary Cox
Author · 10 books
Gary Cox is a British philosopher and biographer and the author of several books on Jean-Paul Sartre, existentialism, general philosophy, ethics and philosophy of sport.
David Lenson
Author · 3 books
David Lenson is editor of the Massachusetts Review; he plays saxophone with Ed Vadas and with the Reprobate Blues Band.
Nina Baym
Nina Baym
Author · 1 books

Nina Baym (born 1936) was an American literary critic and literary historian. She is best known as the General Editor of the renowned The Norton Anthology of American Literature, from 1991 - 2018. She was professor of English at the University of Illinois Urbana-Champaign for over 40 years, from 1963 to 2004. Baym was a scholar who asked why so few women were represented in the American literary canon, and subsequently spent her career working to correct that imbalance. While teaching as English professor at the University of Illinois at Urbana-Champaign in 1975, Baym was writing a book about Nathaniel Hawthorne when she began to wonder why 19th-Century American literature was so male-dominated. It was Hawthorne himself who helped pique her curiosity: in 1855, he had famously complained that "a damned mob of scribbling women" was cutting into his sales. “I wanted to know where these women were,” she recalled in an interview with The New York Times in 1987. She went searching through library bookshelves and 19th-century newspapers and magazines, looking for information about the absent women writers. She found plenty of novels written by women in the 1800's, and though they varied in quality, she concluded that many deserved more than obscurity. Baym went on to author and edit of a number of groundbreaking works of American literary history and criticism, beginning with Woman's Fiction (1978), and including Feminism and American Literary History (1992), American Women Writers and the Work of History (1995), and American Women of Letters and the Nineteenth-Century Sciences (2004). Elaine Showalter called Baym's Women Writers of the American West, 1833-1927 (2011), "The first comprehensive guide to women's writing in the old West," and proclaimed it an "immediately standard and classic text." The book uncovers and describes the western-themed writing in diverse genres of almost 350 American women, most of them unknown today, but many of them successful and influential in their own time. Baym was active in many professional associations, such as the American Literature Section of the Modern Language Association and the American Studies Association, as well as serving as Director of the School of Humanities at the University of Illinois from 1976-1987. She served on panels for the National Endowment for the Humanities and the Fulbight Foundation. Among her numerous literary prizes, fellowship, and honors are the 2000 Jay B. Hubbell Award for lifetime achievement in American literary studies (from the Modern Language Association) and fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Humanities, the American Association of University Women, and the Mellon Foundation. Baym was born in Princeton, New Jersey in 1936; her father was the eminent mathematician Leo Zippin, and her mother was an English teacher. She received her B.A. from Cornell University, an M.A. from Radcliffe, and a Ph.D. from Harvard University. She died in 1971.

Joyce Dyer
Joyce Dyer
Author · 4 books
Joyce Dyer is director of the Lindsay-Crane Center for Writing and Literature at Hiram College in Hiram, Ohio, and John S. Kenyon Professor of English. Dyer is the author of three books, The Awakening: A Novel of Beginnings, In a Tangled Wood: An Alzheimer’s Journey, and Gum-Dipped: A Daughter Remembers Rubber Town, and the editor of Bloodroot: Reflections on Place by Appalachian Women Writers. She has published essays in magazines such as North American Review, cream city review, and High Plains Literary Review. Dyer has won numerous awards for her writing, including the 1998 Appalachian Book of the Year Award and the 2009 David B. Saunders Award in Creative Nonfiction.
Josephine Donovan
Josephine Donovan
Author · 6 books

Josephine Donovan is the author of twelve books of nonfiction and the editor of four. A complete list of her publications is available on her web site: http://english.umaine.edu/people/jose.... Her fields of specialization include animal ethics, feminist criticism and theory, American women’s literature (especially nineteenth-century), and early modern women’s literature. Her work has been translated into seven languages (Japanese, French, Turkish, Swedish, Greek, German, and Chinese). Her most recent books are: Animals, Mind, and Matter: The Inside Story (2022); The Lexington Six: Lesbian and Gay Resistance in 1970s America (2020), a finalist for the Lambda Literary Aware; and The Aesthetics of Care: On the Literary Treatment of Animals. (New York: Bloomsbury, 2016). Recently published: a second, revised edition of Women and the Rise of the Novel (New York: Palgrave Macmillan 2013) St. Martin’s, 1999; paperback, 2000). It was termed “a work of extraordinary significance” by the Choice reviewer, who wrote, “Donovan has defined the field clearly, forthrightly, often brilliantly. All future discussion of the subject begins here” (October 2000). Also recently published was European Local-Color Literature: National Tales, Dorfgeschichten, Romans Champêtres (Bloomsbury, 2010), a work in comparative literature. Donovan’s best-known book, Feminist Theory: The Intellectual Traditions, first published in 1985, is now in its fourth edition (New York: Bloomsbury, 2012) Amazon.com notes, “this book has established itself as the classic survey and analysis of the roots and development of feminist theory.” A selection of other reviews of Donovan’s books may be found on her web site. Two of her books, Sarah Orne Jewett and Uncle Tom’s Cabin: Evil, Affliction, and Redemptive Love have recently been reprinted in revised editions on-line and in “print-on-demand” form by Cybereditions. Born in Manila in 1941, Donovan was evacuated from the Philippines with her mother a few months before Pearl Harbor. Her father, a Captain in the U. S. Army, remained in the Philippines where he was captured by the Japanese in 1942, remaining a P.O.W. for the duration. His memoirs, edited by his daughter, were recently published as P.O.W. in the Pacific: Memoirs of an American Doctor in World War II. She graduated, cum laude, from Bryn Mawr College in 1962 with a major in history, after spending her Junior Year in Europe. After graduation she worked as a Copy Desk clerk at The Washington Post and Time Magazine and as a general assignment reporter on a small newspaper in upstate New York. During this period she completed a course in Creative Writing at Columbia University. She received her M.A. and Ph.D. degrees in comparative literature from the University of Wisconsin-Madison in 1967 and 1971, respectively. She has held academic positions at several universities and worked for a time as a Copy Editor for G. K. Hall in Boston. She is Emerita Professor of English at the University of Maine.

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