With his first collection of short fiction, Unlikely Stories, Mostly, Scottish artist and author Alasdair Gray perfected the blend of visual and verbal elements which has since characterised his work. The book’s dust jacket advertises the cocktail of surreal, macabre and mock-historical writing that readers will find between the covers. Title and author’s name are printed in bold roman type. Next to the author’s name is the image of an “improved duck” (a device invented by Vague McMenamy, protagonist of the story “The Crank that Made the Revolution”, to enhance duck mobility). Arranged around the lettering is a grid of black and white squares. In each one, a winged foetus nestles within the cross-section of a skull. A horizontal strip across the bottom shows a recumbent child attached to a kite, floating over a Chinese city in flames – an image echoed in the story “Five Letters from an Eastern Empire”. On the spine, a naked woman is the object of amorous attention from the legendary beast in the tale “The Comedy of the White Dog”.
Author
Alasdair James Gray was a Scottish writer and artist. His first novel, Lanark (1981), is seen as a landmark of Scottish fiction. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of English and Scots literature. His works of fiction combine realism, fantasy, and science fiction with the use of his own typography and illustrations, and won several awards. He studied at Glasgow School of Art from 1952 to 1957. As well as his book illustrations, he painted portraits and murals. His artwork has been widely exhibited and is in several important collections. Before Lanark, he had plays performed on radio and TV. His writing style is postmodern and has been compared with those of Franz Kafka, George Orwell, Jorge Luis Borges and Italo Calvino. It often contains extensive footnotes explaining the works that influenced it. His books inspired many younger Scottish writers, including Irvine Welsh, Alan Warner, A.L. Kennedy, Janice Galloway, Chris Kelso and Iain Banks. He was writer-in-residence at the University of Glasgow from 1977 to 1979, and professor of Creative Writing at Glasgow and Strathclyde Universities from 2001 to 2003. Gray was a civic nationalist and a republican, and wrote supporting socialism and Scottish independence. He popularised the epigram "Work as if you live in the early days of a better nation" (taken from a poem by Canadian poet Dennis Leigh) which was engraved in the Canongate Wall of the Scottish Parliament Building in Edinburgh when it opened in 2004. He lived almost all his life in Glasgow, married twice, and had one son. On his death The Guardian referred to him as "the father figure of the renaissance in Scottish literature and art".
