
Racconti di Dino Buzzati, James G. Ballard, Tommaso Landolfi, Edgar Allan Poe, Stanley Weinbaum e molti altri dedicati alla Luna. «Ci sono solo due problemi da risolvere quando si va sulla Luna: primo, come arrivarci; e secondo, come tornare indietro. La chiave sta nel non partire prima di aver risolto entrambi i problemi.» - Neil Armstrong «In realtà non sarà un uomo solo ad andare sulla Luna, ma sarà un’intera nazione. Perché tutti noi dobbiamo lavorare insieme per mandare quell’uomo sulla Luna.» - John F. Kennedy Prima di concedersi il famoso bacio del ’69, nel buio dello spazio più profondo, Luna e Terra hanno dovuto danzare a velocità supersonica per millenni, senza mai staccarsi gli occhi di dosso. Perché si facesse il gran passo (per quanto piccolo secondo Neil) ci sono voluti propulsori, moduli e calcoli computerizzati, ma a niente sarebbe servita la risolutezza scientifica senza un po’ di poesia, di archetti, insomma, senza un po’ d’atmosfera. Molto prima che l’Apollo 11 toccasse il suolo lunare è stata l’arte, in tutte le sue forme, ad accomodare l’attrazione preparando fatalmente il terreno per l’allunaggio. Nei suoi sogni e desideri – spesso perdendo il senno come l’Orlando – l’uomo è stato sulla Luna infinite volte, eleggendo il «pianeta» prediletto a simbolo romantico dei migliori viaggi d’avventura. Senza che esistesse un’astro- tecnica su cui fantasticare, per esempio, al celebre Hans Pfaall erano bastati i debiti, una mongolfiera ben equipaggiata e un’interpretazione tutta sua delle leggi di natura, per salire al cospetto della Luna. Laddove al miliardario Harriman, nel racconto di Heinlein, non sembravano bastare tutti i soldi e i razzi di questo mondo, pur avendo il satellite a portata di mano. Forse che dopo tanta letteratura, dopo tanto vorticare nello spazio quel bacio strappato, rubato con astronavi vere e proprie, abbia tolto il gusto del racconto? Alla vigilia dello sbarco Buzzati intonava una preghiera: Non deluderci, Luna. Ma come l’astronauta ubriacone di Ballard sembrerebbe confidarci – e come questi racconti confermeranno – quel piccolo contatto non ha spento, semmai ha amplificato, la voglia di sussurrare ancora alla nostra dama di ballo.
Authors

Co-founder of the Gruppo 63. Luigi Malerba (born Luigi Bonardi; November 11, 1927 – May 8, 2008) was an Italian author who wrote short stories (often written with Tonino Guerra), historical novels, and screenplays, and who co-founded the Gruppo 63, based on Marxism and Structuralism. Umberto Eco said that Malerba was defined post-modern, but that's not all true, because he is maliciously ironic, unpredictable, and ambiguous. He was one of the most important exponents of the Italian literary moviment called Neoavanguardia, along with Balestrini, Sanguineti, and Manganelli. He was the first writer to win the Prix Médicis étranger in 1970. He also won the Brancati Prize in 1979, the Grinzane Cavour Prize in 1989 (with Stefano Jacomuzzi and Raffaele La Capria), the Viareggio Prize and the Feronia Prize in 1992.

Full name: Stanley Grauman Weinbaum "In his short career, Stanley G. Weinbaum revolutionized science fiction. We are still exploring the themes he gave us." - Poul Anderson "Stanley G. Weinbaum's name deserves to rank with those of Wells and Heinlein - and no more than a handful of others - as among the great shapers of modern science fiction." - Frederik Pohl

Dino Buzzati Traverso (1906 – 1972) è stato uno scrittore, giornalista, pittore, drammaturgo, librettista, scenografo, costumista e poeta italiano. Dino Buzzati Traverso was an Italian novelist, short story writer, painter and poet, as well as a journalist for Corriere della Sera. His worldwide fame is mostly due to his novel Il deserto dei Tartari, translated into English as The Tartar Steppe.

Works of American science-fiction writer Robert Anson Heinlein include Stranger in a Strange Land (1961) and The Moon Is a Harsh Mistress (1966). People often call this novelist "the dean of science fiction writers", one of the most popular, influential, and controversial authors of "hard science fiction." He set a high standard for science and engineering plausibility and helped to raise the standards of literary quality of the genre. He was the first science-fiction writer to break into mainstream, general magazines such as The Saturday Evening Post, in the late 1940s. He was also among the first authors of bestselling, novel-length science fiction in the modern, mass-market era. Also wrote under Pen names: Anson McDonald, Lyle Monroe, Caleb Saunders, John Riverside and Simon York.


Sir Arthur Charles Clarke was one of the most important and influential figures in 20th century science fiction. He spent the first half of his life in England, where he served in World War Two as a radar operator, before emigrating to Ceylon in 1956. He is best known for the novel and movie 2001: A Space Odyssey, which he co-created with the assistance of Stanley Kubrick. Clarke was a graduate of King's College, London where he obtained First Class Honours in Physics and Mathematics. He is past Chairman of the British Interplanetary Society, a member of the Academy of Astronautics, the Royal Astronomical Society, and many other scientific organizations. Author of over fifty books, his numerous awards include the 1961 Kalinga Prize, the AAAS-Westinghouse science writing prize, the Bradford Washburn Award, and the John W. Campbell Award for his novel Rendezvous With Rama. Clarke also won the Nebula Award of the Science Fiction Writers of America in 1972, 1974 and 1979, the Hugo Award of the World Science Fiction Convention in 1974 and 1980, and in 1986 became Grand Master of the Science Fiction Writers of America. He was awarded the CBE in 1989.

James Graham "J. G." Ballard (15 November 1930 – 19 April 2009) was an English novelist, short story writer, and essayist. Ballard came to be associated with the New Wave of science fiction early in his career with apocalyptic (or post-apocalyptic) novels such as The Drowned World (1962), The Burning World (1964), and The Crystal World (1966). In the late 1960s and early 1970s Ballard focused on an eclectic variety of short stories (or "condensed novels") such as The Atrocity Exhibition (1970), which drew closer comparison with the work of postmodernist writers such as William S. Burroughs. In 1973 the highly controversial novel Crash was published, a story about symphorophilia and car crash fetishism; the protagonist becomes sexually aroused by staging and participating in real car crashes. The story was later adapted into a film of the same name by Canadian director David Cronenberg. While many of Ballard's stories are thematically and narratively unusual, he is perhaps best known for his relatively conventional war novel, Empire of the Sun (1984), a semi-autobiographical account of a young boy's experiences in Shanghai during the Second Sino-Japanese War as it came to be occupied by the Japanese Imperial Army. Described as "The best British novel about the Second World War" by The Guardian, the story was adapted into a 1987 film by Steven Spielberg. The literary distinctiveness of Ballard's work has given rise to the adjective "Ballardian", defined by the Collins English Dictionary as "resembling or suggestive of the conditions described in J. G. Ballard's novels and stories, especially dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments." The Oxford Dictionary of National Biography entry describes Ballard's work as being occupied with "eros, thanatos, mass media and emergent technologies".
