America owes Kurt Vonnegut a debt of gratitude for infusing its culture with the brilliant insight found in books like Mother Night, Player Piano and Slaughterhouse-5—and for the mordantly funny writings assembled in this collection. The Nation was one of Vonnegut’s outlets for his political writings. He contributed to the magazine once or twice a year from 1978 to 1998, like a regular donation to the United Way. His politics were consistently on the left, and after fighting in World War II—which, for all its horrors, he considered just—he angrily condemned all of the United States’ subsequent wars of choice. He wrote in a kind of faux-simpleminded style. He avoided the high seriousness demanded by some critics, who dismissed his body of work as a product of the 1960s counterculture, popular only among shaggy-haired youths with callow taste. But his best work, as you’ll see, deals with ultimate questions.
Author
Kurt Vonnegut, Junior was an American novelist, satirist, and most recently, graphic artist. He was recognized as New York State Author for 2001-2003. He was born in Indianapolis, later the setting for many of his novels. He attended Cornell University from 1941 to 1943, where he wrote a column for the student newspaper, the Cornell Daily Sun. Vonnegut trained as a chemist and worked as a journalist before joining the U.S. Army and serving in World War II. After the war, he attended University of Chicago as a graduate student in anthropology and also worked as a police reporter at the City News Bureau of Chicago. He left Chicago to work in Schenectady, New York in public relations for General Electric. He attributed his unadorned writing style to his reporting work. His experiences as an advance scout in the Battle of the Bulge, and in particular his witnessing of the bombing of Dresden, Germany whilst a prisoner of war, would inform much of his work. This event would also form the core of his most famous work, Slaughterhouse-Five, the book which would make him a millionaire. This acerbic 200-page book is what most people mean when they describe a work as "Vonnegutian" in scope. Vonnegut was a self-proclaimed humanist and socialist (influenced by the style of Indiana's own Eugene V. Debs) and a lifelong supporter of the American Civil Liberties Union. The novelist is known for works blending satire, black comedy and science fiction, such as Slaughterhouse-Five (1969), Cat's Cradle (1963), and Breakfast of Champions (1973)
