


Books in series

#1
Waiting for Food, Vol. 1
Restaurant Placemat Drawings
1995
WAITING FOR FOOD, Volume 1: Limited S&N edition of 250 by ROBERT CRUMB. This signed & numbered edition includes a special bookplate signed and numbered by Crumb. This is the first of several volumes reproducing the famous French restaurant place mats on which Crumb drew while literally Waiting for Food. The original illustrated place mats (especially the ones with wine and gravy stains) routinely sell in galleries for around $5,000 and more each. This 1995 Kitchen Sink Press first printing is the only one of the Waiting for Food series (by several publishers) to sport a dust jacket and this is also the ONLY signed edition. The cover features daughter Sophie Crumb and also eating spaghetti on the bookplate is Crumb s close friend Pete Poplaski (see also Sketchbook Adventures of Peter Poplaski ). The drawings inside often portray his wife Aline Kominsky-Crumb, self-portraits, numerous café customers and the expected Crumb fantasy elements. Limited to just 250 signed and numbered copies, published in 1995, this is the last of the publisher s private stash set aside over a decade ago!

#2
Waiting for Food, Vol. 2
More Restaurant Placemat Drawings, 1994-2000
2000
Everyone knows the temptation of doodling on a restaurant tablecloth but no one performs this deed as masterfully as R. Crumb. In this second collection of often irreverent and always mesmerizing placemat drawings, Crumb depicts fellow diners, Americana, French culture, and flights of fancy, offering a glimpse into the mind of an inspired artist and savvy social critic. 120 black-and-white illustrations are featured.

#3
Waiting for Food, Vol. 3
More Restaurant Placemat Drawings
2004
This is the third book in successful series of occasional sketches by the grandfather of American alternative comix. These sketches reveal another side—a contemplative side—to the controversial artist, renowned for his taboo-breaking satires of American society. With his intricate cross-hatching and observant line, the drawings here show Crumb as an imaginative chronicler of everyday life.