On October 23, in his fifty-eighth year of life, piano teacher Harold Kuhn will do something he thought impossible—he will fall in love. Only there is just one problem. The object of his affection won't be his wife or another woman; it'll be a student, a boy of fifteen. Told from an avant-garde second-person point of view, this is the story of a man on the verge and the taboo that takes him to and beyond the brink. Often gritty but always engrossing, We Are DNA is a testament to both the health and hazard of following one's heart.