
Part of Series
Some men are not for marrying. They have no interest in being dutiful, respectable husbands. What they offer is a sensual paradise to any woman who dares take it. And Julius D'Abernon, Marquis of Darley, is the master of the game. Julius' scandalous exploits have inflamed the pages of The Tatler for years. It is said he can seduce any woman with one of his smiles. Julius can have any woman he wants, but bedding Lady Grafton? That would be a challenge indeed. The very reputable Elspeth, Lady Grafton, is as refreshingly candid and quick-witted as she is beautiful and vibrant. Pity that she is the virtual prisoner of her tyrannical, aged husband, a man who cannot gratify his wife in any way. Such a woman should, nay, needs to experience the joys of passion that Julius is ever so qualified to administer—selflessly, of course. One kiss will get her into his chambers. But one kiss turns out to be more than he bargained for and yet not nearly enough...
Author

And it all began rather serendipitously. Long ago, as they say, in another time, when fast food hadn't reached our area and the only shopping was what the feed mill offered, I was reading a book that annoyed me . My husband was lying beside me in bed, watching TV. Turning to him, I sort of petulantly said, "How the hell did this book get published?" "If you think you're so smart," he replied, with one eye still on the TV, "why don't you write a book?" So I did. And very badly. I've since learned how to do, he said, she said, and a great variety of other adverb heavy, sometimes lengthy explanations of why my characters are saying what they're saying, along with finally coming to an understanding of what things like POV means. Point of View for you non-writers}. Although, I still don't fully comprehend why it matters if you switch POV and I cavalierly disregard it as much as possible. So while my technical skills have hopefully improved, what hasn't changed is my great joy in writing. There's as much pleasure today in listening to my characters talk while I type as fast as I can, as there was the first time I put dialogue to paper—in long-hand, then, in my leather bound sketch-book.