Should you finish every book you start? How has your family influenced the way you read? What is literary style? How is the Nobel Prize like the World Cup? Why do you hate the book your friend likes? Is writing really just like any other job? What happens to your brain when you read a good book? As a writer, translator, critic and professor of literature, Tim Parks, is well-placed to investigate any questions we have about books and reading. In this collection of lively and provocative pieces he talks about what readers want from books and how to look at the literature we encounter in a new light.
Author
Born in Manchester in 1954, Tim Parks grew up in London and studied at Cambridge and Harvard. In 1981 he moved to Italy where he has lived ever since, raising a family of three children. He has written fourteen novels including Europa (shortlisted for the Booker prize), Destiny, Cleaver, and most recently In Extremis. During the nineties he wrote two, personal and highly popular accounts of his life in northern Italy, Italian Neighbours and An Italian Education. These were complemented in 2002 by A Season with Verona, a grand overview of Italian life as seen through the passion of football. Other non-fiction works include a history of the Medici bank in 15th century Florence, Medici Money and a memoir on health, illness and meditation, Teach Us to Sit Still. In 2013 Tim published his most recent non-fiction work on Italy, Italian Ways, on and off the rails from Milan to Palermo. Aside from his own writing, Tim has translated works by Moravia, Calvino, Calasso, Machiavelli and Leopardi; his critical book, Translating Style is considered a classic in its field. He is presently working on a translation of Cesare Pavese's masterpiece, The Moon and the Bonfires. A regular contributor to the New York Review of Books and the London Review of Books, his many essays are collected in Hell and Back, The Fighter, A Literary Tour of Italy, and Life and Work. Over the last five years he has been publishing a series of blogs on writing, reading, translation and the like in the New York Review online. These have recently been collected in Where I am Reading From and Pen in Hand.
