Part of Series
Eloisa James returns to the Wildes of Lindow Castle series with the next Wilde child who runs and joins a theatre troupe—and the duke who tries to save her reputation. He wants a prim and proper duchess, not the Wildest of the Wildes! Already notorious for the golden hair that proves her mother’s infidelity, Lady Joan can’t seem to avoid scandals, but her latest escapade may finally ruin her: she’s determined to perform the title role of a prince—in breeches, naturally. She has the perfect model for an aristocratic male in mind: Thaddeus Erskine Shaw, Viscount Greywick, a man who scorned the very idea of marrying her. Not that Joan would want such a dubious honor, of course. For years, Thaddeus has avoided the one Wilde who shakes his composure, but he’s horrified when he grasps the danger Joan’s putting herself in. Staring into her defiant eyes, he makes the grim vow that he’ll keep her safe. He strikes a bargain: after one performance, the lady must return to her father’s castle and marry one of three gentlemen whom he deems acceptable. Not including him, of course.
Author
New York Times bestselling author Eloisa James writes historical romances for HarperCollins Publishers. Her novels have been published to great acclaim. A reviewer from USA Today wrote of Eloisa's very first book that she "found herself devouring the book like a dieter with a Hershey bar"; later People Magazine raved that "romance writing does not get much better than this." Her novels have repeatedly received starred reviews from Publishers' Weekly and Library Journal and regularly appear on the best-seller lists. After graduating from Harvard University, Eloisa got an M.Phil. from Oxford University, a Ph.D. from Yale and eventually became a Shakespeare professor, publishing an academic book with Oxford University Press. Currently she is an associate professor and head of the Creative Writing program at Fordham University in New York City. Her "double life" is a source of fascination to the media and her readers. In her professorial guise, she's written a New York Times op-ed defending romance, as well as articles published everywhere from women's magazines such as More to writers' journals such as the Romance Writers' Report. Eloisa...on her double life: When I'm not writing novels, I'm a Shakespeare professor. It's rather like having two lives. The other day I bought a delicious pink suit to tape a television segment on romance; I'll never wear that suit to teach in, nor even to give a paper at the Shakespeare Association of America conference. It's like being Superman, with power suits for both lives. Yet the literature professor in me certainly plays into my romances. The Taming of the Duke (April 2006) has obvious Shakespearean resonances, as do many of my novels. I often weave early modern poetry into my work; the same novel might contain bits of Catullus, Shakespeare and anonymous bawdy ballads from the 16th century. When I rip off my power suit, whether it's academic or romantic, underneath is the rather tired, chocolate-stained sweatshirt of a mom. Just as I use Shakespeare in my romances, I almost always employ my experiences as a mother. When I wrote about a miscarriage in Midnight Pleasures, I used my own fears of premature birth; when the little girl in Fool For Love threw up and threw up, I described my own daughter, who had that unsavory habit for well over her first year of life. So I'm a writer, a professor, a mother - and a wife. My husband Alessandro is Italian, born in Florence. We spend the lazy summer months with his mother and sister in Italy. It always strikes me as a huge irony that as a romance writer I find myself married to a knight, a cavaliere, as you say in Italian. One more thing...I'm a friend. I have girlfriends who are writers and girlfriends who are Shakespeare professors. And I have girlfriends who are romance readers. In fact, we have something of a community going on my website. Please stop by and join the conversation on my readers' pages.
