William Marshall Allen (born in 1957 in Philadelphia, Pennsylvania) is an American poet and visual artist. His poetry is rooted in Imagism, history, politics, and art. His word art painting and prints are published by Clay Street Graphics Press. He is also represented by Cade Tompkins Fine Art. His poetry and art work is influenced by Concrete Poetry, Fluxus Art, and the ecphrastic tradition in literature and art. William received an N.E.A. in Poetry in 2009. Personal William Allen grew up in Connecticut, receiving a bachelor's degree in Art from Wesleyan University and an M.A. in both American History and Creative Writing from New York University. He studied there with Philip Levine, Galway Kinnell, Sharon Olds, and Carolyn Forche. He has worked as tugboat crew, U.A.W. training program instructor, and art trucker. He has taught poetry and writing at New York University, the Cooper Union for the Advancement of Science and Art, the School of Visual Arts the Rhode Island School of Design, and the University of Massachusetts Lowell, where he currently teaches online. He is also an online course designer and was a software writer at Pitney Bowes Litigation and Document Services in Providence, Rhode Island. He currently works as technical writer and communications specialist in the Office of Information Systems and Technology in the Bureau of Management at the United Nations Development Programme in New York. He lives in New York with the artist Barbara Westermann, after living twenty years in the East Village of New York City, where they raised their daughter Lotte. Bibliography The Man on the Moon. New York University Press (hardcover), 1987. ISBN 091461052X (paperback) Persea Press, 1987. ISBN 0892551143 Sevastopol: On Photographs of War. Xenos Press, 1997 ISBN 187937302. Poems published in American Voice, Central Park, Chelsea Magazine, Crab Orchard Review, Defined Providence, Denver Quarterly, Indiana Review, New Letters, Newport Review, Newport Art Museum monograph on James Baker, The Quarterly, Pequod, Poetry East, Prairie Schooner, Southern Poetry Review, Ploughshares [1:] (editor Paul Muldoon). Recent poetry readings include Project Rendition at Momenta Art in Brooklyn, NY, Chester College, A.S. 220 in Providence, RI, Wheeler Gallery, with Patricia Spears Jones (with exhibition of paintings), October 2005; White Electric Coffee with Kathleen Hughes, A History of the Azores, March 2005; Rhode Island School of Design Museum, Crisis and Response Show, Poems of Love and War, January 2003, Yaddo Corporation (summer 1998), New York University, the Museum of Modern Art (Pasolini poetry reading with Isabella Rossellini, etc), Black + Herron Gallery, Brooke Alexander Editions, St. Mark’s Poetry Project, The Knitting Factory with Tom Laverack, La Mama La Galleria, United Nations Coffee House (Poems against the War), Tin Pan Alley, Penine Hart Gallery, and others in NYC. Exhibitions He has shown his artwork at the E|AB Print Fair in 2008-2006, P.S. 1 Institute for Art & Urban Resources, Long Island City, NY, 1987, the Museum of Modern Art, East West Cultural Connections, Momenta Art in New York, Clay Street Press Gallery and Michael Solway Gallery in Cincinnati, OH, Wheeler Gallery, Providence Art Club, White Electric Coffee in Providence, RI, and at Williams College, the Newark Art Museum and Aljiri Arts Center of NJ, and the Norton Sculpture Gardens in West Palm Beach, FL. He has work in the permanent collection of Progressive Insurance in Cleveland, OH and Fidelity Investments of Boston. His word art is published by Clay Street Press Graphics of Cincinnati, OH and include Seven Wonders of the World, Seven Seas, Ten Commandments, Fire Sermon, Two Dreams, Lapis Lazuli, Three Pillows.