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Sophie wants one thing for Christmas-a little freedom from her overprotective parents. So when they decide to spend Christmas in South Louisiana with her very pregnant older sister, Sophie is looking forward to some much needed private (read: make-out) time with her long-term boyfriend, Griffin. Except it turns out that Griffin wants a little freedom from their relationship. Cue devastation. Heartbroken, Sophie flees to her grandparents' house, where the rest of her boisterous extended family is gathered for the holiday. That's when her nonna devises a (not so) brilliant plan: Over the next ten days, Sophie will be set up on ten different blind dates by different family members. Like her sweet cousin Sara, who sets her up with a hot guy at an exclusive underground party. Or her crazy aunt Patrice, who signs Sophie up for a lead role in a living nativity. With a boy who barely reaches her shoulder. And a screaming baby. When Griffin turns up unexpectedly and begs for a second chance, Sophie feels more confused than ever. Because maybe, just maybe, she's started to have feelings for someone else . . . Someone who is definitely not available. This is going to be the worst Christmas break ever... or is it?

For a few beautiful months, Wes had his dream girl: the strong\-willed girl next door Liz. But right as the two were about to set off for college to start their freshman year together, tragedy struck. Wes was left dealing with the fallout, which ultimately meant losing Liz in the process. Flash forward months later, and Wes and Liz find themselves in college, together. In a healthier place now, Wes knows he broke Liz’s heart when he ended things, but he is determined to make her fall back in love with him. Wes knows Liz better than anyone, and he has a foolproof plan to win her back with rom\-com\-worthy grand gestures she loves. Only . . . Liz will have none of it! Wes has to scheme like a rom\-com hero to figure out how to see her. Even worse, Liz has a new friend . . . a guy friend. Still, Wes won’t give up, adapting his clever plans and going hard to get Liz’s attention and win back her affection. But after his best efforts get him nowhere, Wes is left wondering if their relationship is really over for good.

99 Classic Movies for People in a Hurry compresses 99 of the worlds most famous movies - in just four squares! In a remarkable way, riotously entertaining texts and spot on illustrations lets you, so to speak, get the picture, summarizing all the must-see classics. Get the low down Citizen Kane, Psycho, The Seventh Seal, Gone With the Wind, Dirty Dancing, Jaws, Bagdad Caf, Rocky, Yojimbo, The Guns of Navarone, Jailhouse Rock, The Big Blue, Rebel Without a Cause, Taxi Driver, The Shawshank Redemption, The Misfits, among many others.

She's looking for the perfect man. He's looking for the perfect victim. Sydney Shaw, like every single woman in New York, has terrible luck with dating. She’s seen it men who lie in their dating profile, men who stick her with the dinner bill, and worst of all, men who can't shut up about their mothers. But finally, she hits the jackpot. Her new boyfriend is utterly perfect. He's charming, handsome, and works as a doctor at a local hospital. Sydney is swept off her feet. Then the brutal murder of a young woman―the latest in a string of deaths across the coast―confounds police. The primary suspect? A mystery man who dates his victims before he kills them. Sydney should feel safe. After all, she is dating the guy of her dreams. But she can’t shake her own suspicions that the perfect man may not be as perfect as he seems. Because someone is watching her every move, and if she doesn’t get to the truth, she’ll be the killer’s next victim... A dark story about obsession and the things we’ll do for love, \#1 New York Times bestselling author Freida McFadden proves that crimes of passion are often the bloodiest…

Medical student Amy Brenner is spending the night on a locked psychiatric ward. Amy has been dreading her evening working on Ward D, the hospital’s inpatient mental health unit. There are very specific reasons why she never wanted to do this required overnight rotation. Reasons nobody can ever find out. And as the hours tick by, Amy grows increasingly convinced something terrible is happening within these tightly secured walls. When patients and staff start to vanish without a trace, it becomes clear that everyone on the unit is in grave danger. Amy’s worst nightmare was spending the night on Ward D. And now she might never escape.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the eighteenth of November.”) Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume’s gravitational pull―a force inverse to its constriction―has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle’s seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects. As one Danish reviewer beautifully put it, Balle’s fiction consists of writing that listens. “Reading her is like being caressed by language itself.”

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen's new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly, disturbingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story—until the next day, when Ingrid disappears. Searching for the truth about Ingrid's disappearance, Jules digs deeper into the Bartholomew's dark past and into the secrets kept within its walls. Her discovery that Ingrid is not the first apartment sitter to go missing at the Bartholomew pits Jules against the clock as she races to unmask a killer, expose the building's hidden past, and escape the Bartholomew before her temporary status becomes permanent.

Seventeen-year-old Iris Hollow has always been strange. Something happened to her and her two older sisters when they were children, something they can’t quite remember but that left each of them with an identical half-moon scar at the base of their throats. Iris has spent most of her teenage years trying to avoid the weirdness that sticks to her like tar. But when her eldest sister, Grey, goes missing under suspicious circumstances, Iris learns just how weird her life can get: horned men start shadowing her, a corpse falls out of her sister’s ceiling, and ugly, impossible memories start to twist their way to the forefront of her mind. As Iris retraces Grey’s last known footsteps and follows the increasingly bizarre trail of breadcrumbs she left behind, it becomes apparent that the only way to save her sister is to decipher the mystery of what happened to them as children. The closer Iris gets to the truth, the closer she comes to understanding that the answer is dark and dangerous – and that Grey has been keeping a terrible secret from her for years.