


Books in series

Witchblade #1
2000

Witchblade #24
2010

Witchblade #25
2010

Witchblade #80
2009

Witchblade #81
2010

Witchblade #82
2010

Witchblade #83
2010

Witchblade #84
2010

Witchblade #89
2010

Witchblade #91
2005

Witchblade #95
2006

Witchblade #97
2006

Witchblade #98
2006

Witchblade #100
1995

Witchblade #101
2006

Witchblade #102
2006

Witchblade #104
2007

Witchblade #109
2007

Witchblade #112
2007

Witchblade #114
2008

Witchblade #119
2008

Witchblade #120
2008

Witchblade #124
2009

Witchblade #127
2009

Witchblade #132
2009

Witchblade #133
2009

Witchblade #136
2010

Witchblade #137
2010

Witchblade #139
2010

Witchblade #141
2011

Witchblade #148
2011

Witchblade #150
2011

Witchblade #155
2012

Witchblade #158
2012

Witchblade #162
2012

Witchblade #163
2013

Witchblade #168
2013

Witchblade #171
2013

Witchblade #172
2014

Witchblade #173
2014

Witchblade #174
2014

Witchblade #175
2014

Witchblade #177
2014

Witchblade #178
2014

Witchblade #179
2014

Witchblade #181
2015

Witchblade #182
2015

Witchblade #185
2015

FCBD 2012 Witchblade Unbalanced Pieces
2012

Witchblade Origins, Volume 2
2001
Authors
David Wohl is an American comic book writer and editor. (source: Wikipedia)


Edginton sees part of the key to his success coming from good relationships with artists, especially D'Israeli and Steve Yeowell as well as Steve Pugh and Mike Collins. He is best known for his steampunk/alternative history work (often with the artist D'Israeli) and is the co-creator of Scarlet Traces, a sequel to their adaptation of H.G. Wells' The War of the Worlds. With 2000 AD we has written Leviathan, Stickleback and, with art by Steve Yeowell, The Red Seas as well as one-off serials such as American Gothic (2005). His stories often have a torturous gestation. Scarlet Traces was an idea he had when first reading The War of the Worlds, its first few instalments appeared on Cool Beans website, before being serialised in the Judge Dredd Megazine. Also The Red Seas was initially going to be drawn by Phil Winslade and be the final release by Epic but Winslade was still tied up with Goddess and when ideas for replacement artists were rejected Epic was finally wound up - the series only re-emerging when Edginton was pitching ideas to Matt Smith at the start of his 2000 AD career. With D'Israeli he has created a number of new series including Stickleback, a tale of a strange villain in an alternative Victorian London, and Gothic, which he describes as "Mary Shelley's Doc Savage". With Simon Davis he recently worked on a survival horror series, Stone Island, and he has also produced a comic version of the computer game Hellgate: London with Steve Pugh. He is currently working on a dinosaurs and cowboys story called Sixgun Logic. Also as part of Top Cow's Pilot Season he has written an Angelus one-shot. http://comicbookdb.com/creator.php?ID... http://en.wikipedia.org/wiki/Ian\_Edgi...
Marz is well known for his work on Silver Surfer and Green Lantern, as well as the Marvel vs DC crossover and Batman/Aliens. He also worked on the CrossGen Comics series Scion, Mystic, Sojourn, and The Path. At Dark Horse Comics he created Samurai: Heaven and Earth and various Star Wars comics. He has also done work for Devil’s Due Publishing’s Aftermath line, namely Blade of Kumori. In 1995, he had a brief run on XO-Manowar, for Valiant Comics. Marz’s more recent works includes a number of Top Cow books including Witchblade and a Cyberforce relaunch. For DC Comics, he has written Ion, a 12 part comic book miniseries that followed the Kyle Rayner character after the One Year Later event, and Tales of the Sinistro Corps Presents: Parallax and Tales of the Sinestro Corps Presents: Ion, two one-shot tie-ins to the Green Lantern crossover, The Sinestro Corps War. His current creator owned projects include “Dragon Prince” (Top Cow) and “Samurai : Heaven and Earth” (Dark Horse). Photo by Luigi Novi.
