Witches

Helena Scheuberin should be doing what every other young wife is keeping house, supporting her husband, bearing his children. But when her husband's footman, Leopold, with whom she was having an affair, is found dead, Helena is accused of killing him. Worse, she is accused of being a witch. Imprisoned with six other women, Helena is plunged from her bejewelled life of comfort into a world of terror. When a cursed witch totem is smuggled into the prison, the prisoners attempt to use it to conjure escape. But the totem is the severed hand of a murdered woman, and when a ghost appears to possess each of the prisoners, Helena realises her life is in danger both inside and outside the dungeon. Does Helena risk her life and the lives of others by standing up to a man determined to paint her as the most wicked of all? Or is the world beyond this one the real threat? Based on a real-life event, this historical horror offers a jewel-bright portrait of female power in the thick of wide-spread female disempowerment, a thrilling addition to the canon of witcherature and silenced voices from the past.

Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic. “Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great\-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales. In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true story: Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances. As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch. Minerva suspects that the same shadow that darkened the lives of her great\-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.

An ancient and dangerous power is being handed down from mother to daughter through some of the most consequential historic events of the last two centuries. After Grandmére Ursule gives her life to save her tribe, her magic seems to die with her. Even so, her family keeps the Old Faith, practicing the spells and rites that have been handed from mother to daughter for generations. Until one day, Ursule’s young granddaughter steps into the circle, and magic flows anew. From early 19th century Brittany to London during the Second World War, five generations of witches fight the battles of their time, deciding how far they are willing to go to protect their family, their heritage, and ultimately, all of our futures.

A practical witch must sabotage her beloved son's ascension to the throne in order to keep the kingdom from ruin, in this delightful cozy fantasy from the author of The Ruthless Lady’s Guide to Wizardry. Once upon a time, a somewhat wicked witch named Gretsella lived in a cozy little cottage in the Dark Forest of Brigandale. She dispensed herbs and tinctures at reasonable prices, met with her slightly oddball coven on a regular basis, and had absolutely no need of any further company whatsoever, thank you very much. But then one afternoon, Gretsella came home to find a screaming infant on her doorstep. Against all her better judgement, she took the baby in. She named him Bradley. Eighteen years later, Bradley has grown into a bafflingly likable young man under Gretsella’s extremely tolerant—one might even say doting—eye. But the witch’s hopes for an unremarkable yet fulfilling life for her son are shattered when small woodland animals start prophesying that he is the lost prince and should ascend to the throne. Bradley ignores Gretsella’s advice that prophecies and talking chipmunks are to be avoided at all costs, and sets off for the capital. But soon confusion and chaos are reigning, and scheming courtiers are using Bradley for their own ends. Sometimes a witch has to roll up her sleeves and take matters into her own cauldron. So Gretsella sets off to bring about the downfall of her darling son…