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Writings on Irish Folklore, Legend and Myth book cover
Writings on Irish Folklore, Legend and Myth
1993
First Published
3.96
Average Rating
496
Number of Pages
Through his researches into Irish folklore, legend and myth, Yeats was attempting to discover a specifically Irish imagination and to create a movement in literature enriched by, and rooted in, a vital native tradition. This collection brings together all of Yeats' published prose writings on the subject, arranged in chronological order to enable the reader to perceive how Yeats' analysis develops, embracing ideas and visions of increasing psychological and philosophical complexity.
Avg Rating
3.96
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56
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3 STARS
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2 STARS
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Author

W.B. Yeats
W.B. Yeats
Author · 108 books

William Butler Yeats was an Irish poet and dramatist, and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years Yeats served as an Irish Senator for two terms. He was a driving force behind the Irish Literary Revival, and along with Lady Gregory and Edward Martyn founded the Abbey Theatre, serving as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." He was the first Irishman so honored. Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929). Yeats was born and educated in Dublin but spent his childhood in County Sligo. He studied poetry in his youth, and from an early age was fascinated by both Irish legends and the occult. Those topics feature in the first phase of his work, which lasted roughly until the turn of the century. His earliest volume of verse was published in 1889, and those slow paced and lyrical poems display debts to Edmund Spenser and Percy Bysshe Shelley, as well as to the Pre-Raphaelite poets. From 1900, Yeats' poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. —from Wikipedia

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